Thema mit einer Variation/score
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Lilypond Score
\version "2.19.52"
\language "deutsch"
tra=\markup { \dynamic p \normal-text \italic "tranquillo" }
ptran = #(make-dynamic-script tra)
at=\markup { \normal-text \italic "a tempo" }
ate=#(make-dynamic-script at)
rrit=\markup { \dynamic pp \normal-text \italic "ritenuto" }
pprit = #(make-dynamic-script rrit)
po=\markup { \normal-text \italic "poco rit." }
pori=#(make-dynamic-script po)
pplegr=\markup { \dynamic p \normal-text \italic "snd." \dynamic mf }
psndf = #(make-dynamic-script pplegr)
Dynb = {
%\set alignBelowContext ="Discant"
\partial 2
s2\psndf s1*7
}
myTitel = "Thema mit einer Variation G-Dur"
mycomp="C Gurlitt"
\layout {
\context {
\Voice
beamExceptions = #'()
\override BreathingSign.text =
\markup { \musicglyph #"scripts.lvarcomma" }
\override Stem.neutral-direction = #down
\override Script.outside-staff-priority = #'()
\override Script.padding = #1
\override Tie.thickness = #1
\override PhrasingSlur.thickness = #3
\override Rest.voiced-position = #0
\override MultiMeasureRest.expand-limit = #3
}
\context {
\Staff
printPartCombineTexts = ##f
beamExceptions = #'()
\override BreathingSign.text =
\markup { \musicglyph #"scripts.lvarcomma" }
\override InstrumentName.font-features = #'("smcp")
}
\context {
\PianoStaff
\override VerticalAxisGroup.staff-staff-spacing.basic-distance = #13
}
\context {
\Score
\override VerticalAxisGroup.remove-first = ##t
skipBars = ##f
\override MetronomeMark.font-size = #1
\override MetronomeMark.font-shape = #'caps
\override BarLine.thick-thickness = 5
barNumberVisibility = #all-bar-numbers-visible
\override Timing.beamExceptions = #'()
\override BarNumber.color = #(rgb-color 0.7 0.7 0.7)
\override BarNumber.layer = #-200
\override BarNumber.outside-staff-priority =#'()
\override BarNumber.padding = #1
\override BarNumber.font-size = #-1
\override BarNumber.font-series = #'bold
\override BarNumber.self-alignment-X = #0
\override BarNumber.break-visibility = #end-of-line-invisible
}
}
RHg= \relative c' {
\time 2/4
\key g \major
\slurUp
\tempo "Moderato"
\override DynamicText.self-alignment-X = #-1
\override DynamicText.X-offset = #-1
< d-1 g-3 h-5 >4-. ( q-. < d-1 fis-2 a-4 >2-- )
< e-1 a-3 c-5 >4 ( q <e-1 g-2 h-4>2 )
< g-1 c-3 e-5>4-. ( q-. < g-1 h-2 d-4 >-. < f-1 h-3 d-5>-.
< e-1 a-2 c-4 >-. < e-1 a-3 c-5 >4-.\pori ) < dis-1 fis!-2 h-4>2-- %\break
< d!-1 g-3 h-5>4-.\ate ( q-. < d-1 fis-2 a-4>2 )
< e a c >4-. ( q-. < e g h >2-- )
< g c e>4-. ( q-. < g-1 h-2 d-4 >-. < f h d>-.
< e-1 a-2 c-4 >-. < c-1 d-2 fis-4 >4-. < h d g >2\fermata )
\bar "||"
}
LHg = \relative c {
\clef bass
\key g \major
\set fingeringOrientations = #'(left) %% für Akkorde!
\mergeDifferentlyHeadedOn
\mergeDifferentlyDottedOn
\override Fingering.direction = #DOWN %% für Einzelnoten!
\override Fingering.padding = #0.2
%\override Fingering.staff-padding = #'()
\override Fingering.avoid-slur = #'inside
%\override Slur.direction = #UP
g4-.-5 ( h-.-3 d2-1-- )
a4-5-. ( c-3-. e2 )
c4-.-5 ( e-.-3 g-1-. gis-2-. a-1-. a,-5-. ) h2-4--
g4-.-5 ( h-.-3 d2-1-- )
a4-5-. ( c-3-. e2 )
c4-.-5 ( e-.-3 g-1-. gis-2-. a-1-. d,-5-. ) g2-4--
}
RHv= \relative c'' {
\time 2/4
\key g \major
\override DynamicText.self-alignment-X = #-1
\override DynamicText.X-offset = #-1
\slurUp
\tempo "Moderato"
\omit TupletNumber
\omit TupletBracket
\tuplet 3/2 {
h8-5\ptran g-3 d-1 h' g d
a'-4 fis-2 d-1 a' fis d
c'-5 a-3 e-1 c' a e
h'-4 g-2 e-1 h' g e
e'-5\< c-3 g e' c g\!
d'-4 h-2 g-1 d'-5 h-3 f-1
c'-4\> a-2 e-1 c'-5 a-3 e-1\!
h'-5\pori fis-2 dis-1 h' fis dis
h'8-5 g d h' g d
a'-4 fis d a' fis d
c'-5 a e c' a e
h'-4 g e h' g e
e'-5 c g e' c g
d'-4 h g d'-5 h f
c'-4\pprit a e fis-4 d c
}
< h d g >2\arpeggio\fermata
\bar "|."
}
LHv = \relative c {
\clef bass
\key g \major
\set fingeringOrientations = #'(left) %% für Akkorde!
\mergeDifferentlyHeadedOn
\mergeDifferentlyDottedOn
\override Fingering.direction = #DOWN %% für Einzelnoten!
\override Fingering.padding = #0.2
%\override Fingering.staff-padding = #'()
\override Fingering.avoid-slur = #'inside
%\override Slur.direction = #UP
g4-5 ( h-3 d2-1 )
a4-5 ( c-3 e2 )
c4-5 ( e-3 g-1 gis-2 a-1 a,-5 ) h2-4
g4-5 ( h-3 d2-1 )
a4-5 ( c-3 e2 )
c4-5 ( e-3 g-1 gis-2 a-1 d,-5 ) g,2\fermata
}
LHvv = \relative c {
\clef bass
\key g \major
\tupletSpan 4
\tuplet 3/2 {
g8 h d g, h d
\omit TupletNumber
d fis a d, fis a
a, c e a, c e
e g h e, g h
g c e g, c e
g, h d f, h d
e, a c e, a c
h, dis fis h, dis fis
d g h d, g h
d, fis a d, fis a
e a c e, a c
e, g h e, g h
g, c e g, c e
g, h d f, h d
e a c c, d fis
h, d g
}
< h, d g >4
}
kopf=\header {
title = \myTitel
subtitle = "aus Op.228"
subsubtitle = ##f
composer = "Cornelius Gurlitt (1820-1901)"
poet = "Notensatz: lilypond.miraheze.org"
}
\bookpart {
\paper {
top-margin = 15\mm
ragged-right = ##f
ragged-last = ##f
ragged-bottom = ##f
ragged-last-bottom = ##f
bottom-margin = 25\mm
indent = #10
line-width = 170\mm
print-all-headers = ##f
#(include-special-characters)
print-first-page-number = ##t
first-page-number = #1
oddFooterMarkup = ##f
evenFooterMarkup = ##f
oddHeaderMarkup = #oddFooterMarkup
evenHeaderMarkup = #evenFooterMarkup
markup-system-spacing.padding = #6
system-system-spacing.padding = #0
markup-markup-spacing.padding = #2
score-system-spacing = #system-system-spacing
}
\kopf
\score
{
\new PianoStaff
<<
\new Staff
\new Voice
{
\set PianoStaff.instrumentName = "Thema"
\RHg
}
\new Staff
<<
\new Voice \LHg
>>
>>
}
\score
{
\new PianoStaff
<<
\new Staff
{
\set PianoStaff.instrumentName = "Var I"
\RHv
}
\new Staff
<<
\new Voice \LHv
>>
>>
}
\score
{
\new PianoStaff
<<
\new Staff
{
\set PianoStaff.instrumentName = "Var II"
\override Score.SpacingSpanner.common-shortest-duration = #(ly:make-moment 1/1)
<<
\new Voice \RHg
\new NullVoice
{
%s2 * 6 \break
}
>>
}
\new Staff
<<
\new Voice \LHvv
>>
>>
}
{
\new PianoStaff
<<
\new Staff
\new Voice
{
\set PianoStaff.instrumentName = "Thema"
<<
\new Voice \RHg
\new NullVoice
{
s2 * 8 \break
}
>>
}
\new Staff
<<
\new Voice \LHg
>>
>>
}
}