Thema mit einer Variation
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\version "2.19.52"
\language "deutsch"
tra=\markup { \dynamic p \normal-text \italic "tranquillo" }
ptran = #(make-dynamic-script tra)
at=\markup { \normal-text \italic "a tempo" }
ate=#(make-dynamic-script at)
rrit=\markup { \dynamic pp \normal-text \italic "ritenuto" }
pprit = #(make-dynamic-script rrit)
po=\markup { \normal-text \italic "poco rit." }
pori=#(make-dynamic-script po)
pplegr=\markup { \dynamic p \normal-text \italic "snd." \dynamic mf }
psndf = #(make-dynamic-script pplegr)
Dynb = {
%\set alignBelowContext ="Discant"
\partial 2
s2\psndf s1*7
}
myTitel = "Thema mit einer Variation G-Dur"
mycomp="C Gurlitt"
\layout {
\context {
\Voice
beamExceptions = #'()
\override BreathingSign.text =
\markup { \musicglyph #"scripts.lvarcomma" }
\override Stem.neutral-direction = #down
\override Script.outside-staff-priority = #'()
\override Script.padding = #1
\override Tie.thickness = #1
\override PhrasingSlur.thickness = #3
\override Rest.voiced-position = #0
\override MultiMeasureRest.expand-limit = #3
}
\context {
\Staff
printPartCombineTexts = ##f
beamExceptions = #'()
\override BreathingSign.text =
\markup { \musicglyph #"scripts.lvarcomma" }
\override InstrumentName.font-features = #'("smcp")
}
\context {
\PianoStaff
\override VerticalAxisGroup.staff-staff-spacing.basic-distance = #13
}
\context {
\Score
\override VerticalAxisGroup.remove-first = ##t
skipBars = ##f
\override MetronomeMark.font-size = #1
\override MetronomeMark.font-shape = #'caps
\override BarLine.thick-thickness = 5
barNumberVisibility = #all-bar-numbers-visible
\override Timing.beamExceptions = #'()
\override BarNumber.color = #(rgb-color 0.7 0.7 0.7)
\override BarNumber.layer = #-200
\override BarNumber.outside-staff-priority =#'()
\override BarNumber.padding = #1
\override BarNumber.font-size = #-1
\override BarNumber.font-series = #'bold
\override BarNumber.self-alignment-X = #0
\override BarNumber.break-visibility = #end-of-line-invisible
}
}
RHg= \relative c' {
\time 2/4
\key g \major
\slurUp
\tempo "Moderato"
\override DynamicText.self-alignment-X = #-1
\override DynamicText.X-offset = #-1
< d-1 g-3 h-5 >4-. ( q-. < d-1 fis-2 a-4 >2-- )
< e-1 a-3 c-5 >4 ( q <e-1 g-2 h-4>2 )
< g-1 c-3 e-5>4-. ( q-. < g-1 h-2 d-4 >-. < f-1 h-3 d-5>-.
< e-1 a-2 c-4 >-. < e-1 a-3 c-5 >4-.\pori ) < dis-1 fis!-2 h-4>2-- %\break
< d!-1 g-3 h-5>4-.\ate ( q-. < d-1 fis-2 a-4>2 )
< e a c >4-. ( q-. < e g h >2-- )
< g c e>4-. ( q-. < g-1 h-2 d-4 >-. < f h d>-.
< e-1 a-2 c-4 >-. < c-1 d-2 fis-4 >4-. < h d g >2\fermata )
\bar "||"
}
LHg = \relative c {
\clef bass
\key g \major
\set fingeringOrientations = #'(left) %% für Akkorde!
\mergeDifferentlyHeadedOn
\mergeDifferentlyDottedOn
\override Fingering.direction = #DOWN %% für Einzelnoten!
\override Fingering.padding = #0.2
%\override Fingering.staff-padding = #'()
\override Fingering.avoid-slur = #'inside
%\override Slur.direction = #UP
g4-.-5 ( h-.-3 d2-1-- )
a4-5-. ( c-3-. e2 )
c4-.-5 ( e-.-3 g-1-. gis-2-. a-1-. a,-5-. ) h2-4--
g4-.-5 ( h-.-3 d2-1-- )
a4-5-. ( c-3-. e2 )
c4-.-5 ( e-.-3 g-1-. gis-2-. a-1-. d,-5-. ) g2-4--
}
RHv= \relative c'' {
\time 2/4
\key g \major
\override DynamicText.self-alignment-X = #-1
\override DynamicText.X-offset = #-1
\slurUp
\tempo "Moderato"
\omit TupletNumber
\omit TupletBracket
\tuplet 3/2 {
h8-5\ptran g-3 d-1 h' g d
a'-4 fis-2 d-1 a' fis d
c'-5 a-3 e-1 c' a e
h'-4 g-2 e-1 h' g e
e'-5\< c-3 g e' c g\!
d'-4 h-2 g-1 d'-5 h-3 f-1
c'-4\> a-2 e-1 c'-5 a-3 e-1\!
h'-5\pori fis-2 dis-1 h' fis dis
h'8-5 g d h' g d
a'-4 fis d a' fis d
c'-5 a e c' a e
h'-4 g e h' g e
e'-5 c g e' c g
d'-4 h g d'-5 h f
c'-4\pprit a e fis-4 d c
}
< h d g >2\arpeggio\fermata
\bar "|."
}
LHv = \relative c {
\clef bass
\key g \major
\set fingeringOrientations = #'(left) %% für Akkorde!
\mergeDifferentlyHeadedOn
\mergeDifferentlyDottedOn
\override Fingering.direction = #DOWN %% für Einzelnoten!
\override Fingering.padding = #0.2
%\override Fingering.staff-padding = #'()
\override Fingering.avoid-slur = #'inside
%\override Slur.direction = #UP
g4-5 ( h-3 d2-1 )
a4-5 ( c-3 e2 )
c4-5 ( e-3 g-1 gis-2 a-1 a,-5 ) h2-4
g4-5 ( h-3 d2-1 )
a4-5 ( c-3 e2 )
c4-5 ( e-3 g-1 gis-2 a-1 d,-5 ) g,2\fermata
}
LHvv = \relative c {
\clef bass
\key g \major
\tupletSpan 4
\tuplet 3/2 {
g8 h d g, h d
\omit TupletNumber
d fis a d, fis a
a, c e a, c e
e g h e, g h
g c e g, c e
g, h d f, h d
e, a c e, a c
h, dis fis h, dis fis
d g h d, g h
d, fis a d, fis a
e a c e, a c
e, g h e, g h
g, c e g, c e
g, h d f, h d
e a c c, d fis
h, d g
}
< h, d g >4
}
kopf=\header {
title = \myTitel
subtitle = "aus Op.228"
subsubtitle = ##f
composer = "Cornelius Gurlitt (1820-1901)"
poet = "Notensatz: lilypond.miraheze.org"
}
\bookpart {
\paper {
top-margin = 15\mm
ragged-right = ##f
ragged-last = ##f
ragged-bottom = ##f
ragged-last-bottom = ##f
bottom-margin = 25\mm
indent = #10
line-width = 170\mm
print-all-headers = ##f
#(include-special-characters)
print-first-page-number = ##t
first-page-number = #1
oddFooterMarkup = ##f
evenFooterMarkup = ##f
oddHeaderMarkup = #oddFooterMarkup
evenHeaderMarkup = #evenFooterMarkup
markup-system-spacing.padding = #6
system-system-spacing.padding = #0
markup-markup-spacing.padding = #2
score-system-spacing = #system-system-spacing
}
\kopf
\score
{
\new PianoStaff
<<
\new Staff
\new Voice
{
\set PianoStaff.instrumentName = "Thema"
\RHg
}
\new Staff
<<
\new Voice \LHg
>>
>>
}
\score
{
\new PianoStaff
<<
\new Staff
{
\set PianoStaff.instrumentName = "Var I"
\RHv
}
\new Staff
<<
\new Voice \LHv
>>
>>
}
\score
{
\new PianoStaff
<<
\new Staff
{
\set PianoStaff.instrumentName = "Var II"
\override Score.SpacingSpanner.common-shortest-duration = #(ly:make-moment 1/1)
<<
\new Voice \RHg
\new NullVoice
{
%s2 * 6 \break
}
>>
}
\new Staff
<<
\new Voice \LHvv
>>
>>
}
{
\new PianoStaff
<<
\new Staff
\new Voice
{
\set PianoStaff.instrumentName = "Thema"
<<
\new Voice \RHg
\new NullVoice
{
s2 * 8 \break
}
>>
}
\new Staff
<<
\new Voice \LHg
>>
>>
}
}
\version "2.19.52"
\language "deutsch"
tra=\markup { \dynamic p \normal-text \italic "tranquillo" }
ptran = #(make-dynamic-script tra)
at=\markup { \normal-text \italic "a tempo" }
ate=#(make-dynamic-script at)
rrit=\markup { \dynamic pp \normal-text \italic "ritenuto" }
pprit = #(make-dynamic-script rrit)
po=\markup { \normal-text \italic "poco rit." }
pori=#(make-dynamic-script po)
pplegr=\markup { \dynamic p \normal-text \italic "snd." \dynamic mf }
psndf = #(make-dynamic-script pplegr)
Dynb = {
%\set alignBelowContext ="Discant"
\partial 2
s2\psndf s1*7
}
myTitel = "Thema mit einer Variation G-Dur"
mycomp="C Gurlitt"
\layout {
\context {
\Voice
beamExceptions = #'()
\override BreathingSign.text =
\markup { \musicglyph #"scripts.lvarcomma" }
\override Stem.neutral-direction = #down
\override Script.outside-staff-priority = #'()
\override Script.padding = #1
\override Tie.thickness = #1
\override PhrasingSlur.thickness = #3
\override Rest.voiced-position = #0
\override MultiMeasureRest.expand-limit = #3
}
\context {
\Staff
printPartCombineTexts = ##f
beamExceptions = #'()
\override BreathingSign.text =
\markup { \musicglyph #"scripts.lvarcomma" }
\override InstrumentName.font-features = #'("smcp")
}
\context {
\PianoStaff
\override VerticalAxisGroup.staff-staff-spacing.basic-distance = #13
}
\context {
\Score
\override VerticalAxisGroup.remove-first = ##t
skipBars = ##f
\override MetronomeMark.font-size = #1
\override MetronomeMark.font-shape = #'caps
\override BarLine.thick-thickness = 5
barNumberVisibility = #all-bar-numbers-visible
\override Timing.beamExceptions = #'()
\override BarNumber.color = #(rgb-color 0.7 0.7 0.7)
\override BarNumber.layer = #-200
\override BarNumber.outside-staff-priority =#'()
\override BarNumber.padding = #1
\override BarNumber.font-size = #-1
\override BarNumber.font-series = #'bold
\override BarNumber.self-alignment-X = #0
\override BarNumber.break-visibility = #end-of-line-invisible
}
}
RHg= \relative c' {
\time 2/4
\key g \major
\slurUp
\tempo "Moderato"
\override DynamicText.self-alignment-X = #-1
\override DynamicText.X-offset = #-1
< d-1 g-3 h-5 >4-. ( q-. < d-1 fis-2 a-4 >2-- )
< e-1 a-3 c-5 >4 ( q <e-1 g-2 h-4>2 )
< g-1 c-3 e-5>4-. ( q-. < g-1 h-2 d-4 >-. < f-1 h-3 d-5>-.
< e-1 a-2 c-4 >-. < e-1 a-3 c-5 >4-.\pori ) < dis-1 fis!-2 h-4>2-- %\break
< d!-1 g-3 h-5>4-.\ate ( q-. < d-1 fis-2 a-4>2 )
< e a c >4-. ( q-. < e g h >2-- )
< g c e>4-. ( q-. < g-1 h-2 d-4 >-. < f h d>-.
< e-1 a-2 c-4 >-. < c-1 d-2 fis-4 >4-. < h d g >2\fermata )
\bar "||"
}
LHg = \relative c {
\clef bass
\key g \major
\set fingeringOrientations = #'(left) %% für Akkorde!
\mergeDifferentlyHeadedOn
\mergeDifferentlyDottedOn
\override Fingering.direction = #DOWN %% für Einzelnoten!
\override Fingering.padding = #0.2
%\override Fingering.staff-padding = #'()
\override Fingering.avoid-slur = #'inside
%\override Slur.direction = #UP
g4-.-5 ( h-.-3 d2-1-- )
a4-5-. ( c-3-. e2 )
c4-.-5 ( e-.-3 g-1-. gis-2-. a-1-. a,-5-. ) h2-4--
g4-.-5 ( h-.-3 d2-1-- )
a4-5-. ( c-3-. e2 )
c4-.-5 ( e-.-3 g-1-. gis-2-. a-1-. d,-5-. ) g2-4--
}
RHv= \relative c'' {
\time 2/4
\key g \major
\override DynamicText.self-alignment-X = #-1
\override DynamicText.X-offset = #-1
\slurUp
\tempo "Moderato"
\omit TupletNumber
\omit TupletBracket
\tuplet 3/2 {
h8-5\ptran g-3 d-1 h' g d
a'-4 fis-2 d-1 a' fis d
c'-5 a-3 e-1 c' a e
h'-4 g-2 e-1 h' g e
e'-5\< c-3 g e' c g\!
d'-4 h-2 g-1 d'-5 h-3 f-1
c'-4\> a-2 e-1 c'-5 a-3 e-1\!
h'-5\pori fis-2 dis-1 h' fis dis
h'8-5 g d h' g d
a'-4 fis d a' fis d
c'-5 a e c' a e
h'-4 g e h' g e
e'-5 c g e' c g
d'-4 h g d'-5 h f
c'-4\pprit a e fis-4 d c
}
< h d g >2\arpeggio\fermata
\bar "|."
}
LHv = \relative c {
\clef bass
\key g \major
\set fingeringOrientations = #'(left) %% für Akkorde!
\mergeDifferentlyHeadedOn
\mergeDifferentlyDottedOn
\override Fingering.direction = #DOWN %% für Einzelnoten!
\override Fingering.padding = #0.2
%\override Fingering.staff-padding = #'()
\override Fingering.avoid-slur = #'inside
%\override Slur.direction = #UP
g4-5 ( h-3 d2-1 )
a4-5 ( c-3 e2 )
c4-5 ( e-3 g-1 gis-2 a-1 a,-5 ) h2-4
g4-5 ( h-3 d2-1 )
a4-5 ( c-3 e2 )
c4-5 ( e-3 g-1 gis-2 a-1 d,-5 ) g,2\fermata
}
LHvv = \relative c {
\clef bass
\key g \major
\tupletSpan 4
\tuplet 3/2 {
g8 h d g, h d
\omit TupletNumber
d fis a d, fis a
a, c e a, c e
e g h e, g h
g c e g, c e
g, h d f, h d
e, a c e, a c
h, dis fis h, dis fis
d g h d, g h
d, fis a d, fis a
e a c e, a c
e, g h e, g h
g, c e g, c e
g, h d f, h d
e a c c, d fis
h, d g
}
< h, d g >4
}
kopf=\header {
title = \myTitel
subtitle = "aus Op.228"
subsubtitle = ##f
composer = "Cornelius Gurlitt (1820-1901)"
poet = "Notensatz: lilypond.miraheze.org"
}
\bookpart {
\paper {
top-margin = 15\mm
ragged-right = ##f
ragged-last = ##f
ragged-bottom = ##f
ragged-last-bottom = ##f
bottom-margin = 25\mm
indent = #10
line-width = 170\mm
print-all-headers = ##f
#(include-special-characters)
print-first-page-number = ##t
first-page-number = #1
oddFooterMarkup = ##f
evenFooterMarkup = ##f
oddHeaderMarkup = #oddFooterMarkup
evenHeaderMarkup = #evenFooterMarkup
markup-system-spacing.padding = #6
system-system-spacing.padding = #0
markup-markup-spacing.padding = #2
score-system-spacing = #system-system-spacing
}
\kopf
\score
{
\new PianoStaff
<<
\new Staff
\new Voice
{
\set PianoStaff.instrumentName = "Thema"
\RHg
}
\new Staff
<<
\new Voice \LHg
>>
>>
}
\score
{
\new PianoStaff
<<
\new Staff
{
\set PianoStaff.instrumentName = "Var I"
\RHv
}
\new Staff
<<
\new Voice \LHv
>>
>>
}
\score
{
\new PianoStaff
<<
\new Staff
{
\set PianoStaff.instrumentName = "Var II"
\override Score.SpacingSpanner.common-shortest-duration = #(ly:make-moment 1/1)
<<
\new Voice \RHg
\new NullVoice
{
%s2 * 6 \break
}
>>
}
\new Staff
<<
\new Voice \LHvv
>>
>>
}
{
\new PianoStaff
<<
\new Staff
\new Voice
{
\set PianoStaff.instrumentName = "Thema"
<<
\new Voice \RHg
\new NullVoice
{
s2 * 8 \break
}
>>
}
\new Staff
<<
\new Voice \LHg
>>
>>
}
}
#(set-global-staff-size 24)
#(define ((chord-name->german-markup-text-alteration B-instead-of-Bb) pitch lowercase?)
(define (pitch-alteration-semitones pitch)
(inexact->exact (round (* (ly:pitch-alteration pitch) 2))))
(define (conditional-string-downcase str condition)
(if condition
(string-downcase str)
str))
(let* ((name (ly:pitch-notename pitch))
(alt-semitones (pitch-alteration-semitones pitch))
(n-a (if (member (cons name alt-semitones) `((6 . -1) (6 . -1)))
(cons 7 (+ (if B-instead-of-Bb 1 1) alt-semitones))
(cons name alt-semitones))))
(make-line-markup
(list
(make-simple-markup
(conditional-string-downcase
(vector-ref #("C" "D" "E" "F" "G" "A" "H" "B") (car n-a))
lowercase?))
(let ((alteration (/ (cdr n-a) 2)))
(cond
((and (equal? lowercase? #f) (= alteration FLAT) (= (car n-a) 7)) (make-simple-markup ""))
((and (= alteration FLAT) (or (= (car n-a) 5) (= (car n-a) 2) )) (make-simple-markup "s"))
((= alteration FLAT) (make-simple-markup "es"))
((and (= alteration DOUBLE-FLAT) (or (= (car n-a) 5)(= (car n-a) 2) )) (make-simple-markup "ses"))
((= alteration DOUBLE-FLAT) (make-simple-markup "eses"))
((= alteration SHARP) (make-simple-markup "is"))
((= alteration DOUBLE-SHARP) (make-simple-markup "isis"))
(else empty-markup)))))))
#(define germanChords (chord-name->german-markup-text-alteration #t))
make-midi-list =
#(define-void-function (name score tempolist)
((string? #f) ly:score? list?)
(for-each
(lambda (tempo)
(ly:book-process
(apply
ly:make-book
$defaultpaper
$defaultheader
(list score))
$defaultpaper
#{
\midi {
\tempo 4 = $tempo
}
#}
(format #f "~a_~a"
(or name "midi")
tempo)))
tempolist))
editorsColor = #grey
ed =
#(define-music-function (grob col mus)
(symbol-list-or-symbol? (color? editorsColor) ly:music?)
;; for abbreviations, we need a symbol instead of a one-element list
(let ((grob (if (= 1 (length grob)) (car grob) grob)))
(case
grob
;; define abbreviations
;; which call the function recursively with a value
;; leading into the (else) clause
;; (or to _another_ abbreviation)
;; be careful to avoid infinite recursion :-)
;; – abbreviation names must not be actual grob names
;; (at least if they’re used in the corresponding
;; clause) or recursion will be infinite also
;; It is recommended to use singular forms only
;; for abbreviations.
((Caut) #{ \ed Staff.AccidentalCautionary #})
((LedgerLine) #{ % barline is workaround to issue 3949
\stopStaff
\ed Staff.LedgerLineSpanner {
\startStaff
$mus
\stopStaff
}
\startStaff #})
((Mmr) #{ \ed MultiMeasureRest $mus #})
((Note) #{ \ed Staff.Accidental
\ed Beam
\ed Dots
\ed Flag
\ed LedgerLine
\ed NoteHead
\ed Rest
\ed Stem $mus #})
((Pitch) #{ \ed NoteHead $mus #})
((Suggest) #{ \ed Staff.AccidentalSuggestion #})
((StemWithFlag) #{ \ed Stem \ed Flag $mus #})
((Tuplet) #{ \ed TupletNumber \ed TupletBracket $mus #})
;; ‘normal’ case
(else
#{
\override $grob . color = #col
$mus
\revert $grob . color
#}))))
#(define new-stil
(lambda (grob)
(let* ((sz (ly:grob-property grob 'font-size 0.0))
(mult (magstep sz))
(dir (ly:grob-property grob 'direction))
(thick 0.15)
(radius 0.7)
(scaled-radius (* mult radius))
(ps-command-string
(format #f
"
0 ~a translate
~a setlinewidth
~a 0 moveto
0 0 ~a 180 0 ~a
stroke
"
;mult
(* thick dir)
thick
(- scaled-radius)
scaled-radius
(if (negative? dir) "arcn" "arc"))))
(ly:make-stencil
(list 'embedded-ps
(format #f
"
gsave currentpoint translate
~a
grestore
"
ps-command-string))
(cons (- scaled-radius) scaled-radius)
(cons
(if (negative? dir) 0 (- scaled-radius))
(if (negative? dir) scaled-radius 0))))))
soft =
-\tweak stencil #new-stil \fermata
#(define-markup-command (text-fromproperty layout props text-1 symbol text-2)
(markup? symbol? markup?)
#:category other
(let ((m (chain-assoc-get symbol props)))
(if (markup? m)
;; prevent infinite loops by clearing the interpreted property:
(interpret-markup
layout
(cons (list (cons symbol `(,property-recursive-markup ,symbol))) props)
(make-concat-markup (list text-1 m text-2)))
empty-stencil)))
mynote =
#(define-music-function (m)
(ly:duration?)
#{
\override Score.RehearsalMark.break-align-symbols = #'(time-signature)
\once \override Score.RehearsalMark.self-alignment-X = #-1
\mark \markup \fontsize #-3.5 \note { $m } #UP
#}
)
myottava =
#(define-music-function (o) (integer?)
(let ((text (case o
((0) #f)
((1 -1) "8")
((2 -2) "15"))))
#{
\ottava #o
\set Staff.ottavation = #text
#}))
dynamictext =
#(define-event-function (text) (markup?)
(if (string? text)
(let* ((underscores-replaced
(string-map
(lambda (x) (if (eq? x #\_) #\space x))
text))
(split-text (string-split underscores-replaced #\space))
(formatted (map
(lambda (word)
(if (string-match "^[mrzfps]*$" word)
(markup #:dynamic word)
(markup #:normal-text #:italic word)))
split-text)))
#{
#(make-dynamic-script (make-line-markup formatted))
#})
;; user provided a full-blown markup, so we don't mess with it:
#{
#(make-dynamic-script (markup #:normal-text text))
#}))
dynstr =
#(define-event-function (text) (markup?)
(if (string? text)
(let* ((underscores-replaced
(string-map
(lambda (x) (if (eq? x #\_) #\space x))
text))
(split-text (string-split underscores-replaced #\space))
(formatted (map
(lambda (word)
(if (string-match "^[mrzfps]*$" word)
(markup #:dynamic word)
(markup #:normal-text #:italic word)))
split-text)))
#{
#(make-dynamic-script (make-line-markup formatted))
#})
;; user provided a full-blown markup, so we don't mess with it:
#{
#(make-dynamic-script (markup #:normal-text text))
#}))
orgel =
%Notensatz 4stimmig + Umbrüche
#(define-music-function (sop alt ten bas stru p)
(ly:music? ly:music? ly:music? ly:music? ly:music? ly:pitch?)
#{
<<
\new PianoStaff="leadsheet"
<<
\new Staff="up"
<<
\new Voice="Alt" { \transpose c $p $sop }
\new Voice { \transpose c $p $alt }
>>
\new Staff="down"
<<
\new Voice { \transpose c $p $ten }
\new Voice { \transpose c $p $bas }
\new Voice $stru
>>
>>
>>
#}
)
\include "articulate.ly"
#(define-markup-command (text-fromproperty layout props text-1 symbol text-2)
(markup? symbol? markup?)
#:category other
(let ((m (chain-assoc-get symbol props)))
(if (markup? m)
;; prevent infinite loops by clearing the interpreted property:
(interpret-markup
layout
(cons (list (cons symbol `(,property-recursive-markup ,symbol))) props)
(make-concat-markup (list text-1 m text-2)))
empty-stencil)))
#(define-markup-command (tonart-fromproperty layout props text-1 symbol symbol2)
(markup? symbol? symbol?)
#:category other
(let* ((m (chain-assoc-get symbol props))
(ton (chain-assoc-get symbol2 props))
(dur (if (markup? ton) ton "-Dur"))
)
(if (markup? m)
;; prevent infinite loops by clearing the interpreted property:
(interpret-markup
layout
(cons (list (cons symbol `(,property-recursive-markup ,symbol))) props)
(make-concat-markup (list text-1 m dur)))
empty-stencil)))
\paper {
#(include-special-characters)
indent = #0
ragged-right = ##f
ragged-last = ##f
print-all-headers = ##f
print-first-page-number = ##f
oddFooterMarkup = ##f
evenFooterMarkup = ##f
oddHeaderMarkup = #oddFooterMarkup
evenHeaderMarkup = #evenFooterMarkup
bookTitleMarkup =
\markup {
\override #'(baseline-skip . 2)
\column {
\fill-line \override #'(baseline-skip . 3) {
\huge \larger \larger \bold
\center-column {
\fromproperty #'header:title
}
}
\fill-line \override #'(baseline-skip . 3) {
\fontsize #-2 \bold
\center-column {
\vspace #.3
\fromproperty #'header:subtitle
" "
}
}
\fontsize #-1.5 {
\fill-line {
"Notensatz: lilypond.miraheze.org" \fromproperty #'header:composer
}
}
\fontsize #-1.5 \fill-line {
""
\tonart-fromproperty "Originaltonart: " #'header:key #'header:dur
}
}
}
}
\layout {
\context {
\Voice
beamExceptions = #'()
\override BreathingSign.text =
\markup { \musicglyph "scripts.lvarcomma" }
\override Stem.neutral-direction = #down
\override Script.outside-staff-priority = #'()
\override Script.padding = #1
\override Tie.thickness = #1
\override PhrasingSlur.thickness = #3
\override Rest.voiced-position = #0
\override MultiMeasureRest.expand-limit = #3
}
\context {
\Lyrics
\override VerticalAxisGroup.staff-affinity = #CENTER
\override LyricText.font-size = #-1.5
}
\context {
\Staff
printPartCombineTexts = ##f
beamExceptions = #'()
\override BreathingSign.text =
\markup { \musicglyph "scripts.lvarcomma" }
\override InstrumentName.font-features = #'("smcp")
\consists #Span_stem_engraver
}
\context {
\Score
\override VerticalAxisGroup.remove-first = ##t
skipBars = ##f
\override MetronomeMark.font-size = #1
\override MetronomeMark.font-shape = #'caps
\override BarLine.thick-thickness = 5
\override Timing.beamExceptions = #'()
\override BarNumber.color = #(rgb-color 0.7 0.7 0.7)
\override BarNumber.layer = #-200
\override BarNumber.padding = #0.4
\override BarNumber.outside-staff-priority =#'()
\override BarNumber.after-line-breaking = ##f
\override BarNumber.font-size = #-1
\override BarNumber.font-series = #'bold
\override BarNumber.self-alignment-X = #0
\override BarNumber.break-visibility = #end-of-line-invisible
\override SystemStartBar.collapse-height = #4
}
\context {
\ChordNames
chordNameLowercaseMinor = ##f
\remove Staff_performer
chordRootNamer = #germanChords
\override ChordName.font-name = #"Orator10 BT"
chordNoteNamer = #(chord-name->german-markup #f)
\override ChordName.X-offset =
#ly:self-alignment-interface::aligned-on-x-parent
\override ChordName.self-alignment-X = #CENTER
\override ChordName.font-name = #"Arial Narrow"
\override ChordName.layer = #2
\override ChordName.font-size = #-0.5
noChordSymbol = ##f
}
\context {
\PianoStaff
\override StaffGrouper.staffgroup-staff-spacing.basic-distance = #2
\override StaffGrouper.staffgroup-staff-spacing.minimum-distance = #0
}
\context {
\StaffGroup
\override SystemStartBracket.collapse-height = #4
\override SystemStartBracket.thickness = #.2
}
}