Sie liebt mich (Josephine Lang)
Zur Navigation springen
Zur Suche springen
\version "2.20.0"
\language "deutsch"
#(use-modules (ice-9 regex))
hps =
#(define-music-function (li re)
(number? number?)
#{
\once \override Hairpin.shorten-pair = #`(,li . ,re)
#})
arp =
#(define-music-function (un ob)
(number? number?)
#{
\once \override Arpeggio.positions = #`(,un . ,ob)
#})
#(set-global-staff-size 18)
\include "articulate.ly"
\paper {
#(include-special-characters)
#(set-paper-size "a4")
top-markup-spacing.basic-distance = #12
system-system-spacing.basic-distance = #16
markup-system-spacing.basic-distance = 16
markup-system-spacing.padding = 4
oddHeaderMarkup = ##f
evenHeaderMarkup = ##f
oddFooterMarkup =\markup \fill-line { \null \concat { "Quelle: Bayrische Staatsbibliothek" } \null }
evenFooterMarkup = \markup \fill-line { \null \concat { \char #169 " Public Domain" } \null }
oddFooterMarkup = ##f
ragged-right = ##f
ragged-last = ##f
ragged-bottom = ##t
ragged-last-bottom = ##t
top-margin = 10\mm
bottom-margin = #20
left-margin = 15\mm
right-margin = #left-margin
page-breaking = #ly:minimal-breaking
annotate-spacing = ##f
#(define fonts
(set-global-fonts
#:music "Ross"
#:brace "emmentaler"
#:roman "Century Schoolbook L"
#:sans "sans-serif"
#:typewriter "monospace"
))
}
\header {
title = \markup \override #'(font-name . "Parchment")
\fontsize #12 "Sie liebt mich"
subtitle = ""
opus = ##f
composer = \markup \override #'(baseline-skip . 3)
\right-column { \vspace #2 "Musik: Josephine Lang (14.3.1815-2.12.1880)" "Opus 34 №4" }
poet = \markup \override #'(baseline-skip . 3)
\left-column
{
\vspace #2 "Text: J. W. Goethe (28.8.1749-22.3.1832)"
\concat { \char #169 " Public Domain" }
}
%copyright = \markup { \char #169; PD }
tagline = \markup \concat { \char #169 " Public Domain" }
}
\layout {
\context {
\PianoStaff
\consists #Span_stem_engraver
\remove Keep_alive_together_engraver
\accepts BarNumberStaff
}
\context {
\Staff
\RemoveAllEmptyStaves
\remove "Dot_column_engraver"
}
\context {
\Voice
\consists "Dot_column_engraver"
\override TextScript.font-name = #"French Script MT"
\override TextScript.font-size = #6
}
\context {
\StaffGroup
\remove System_start_delimiter_engraver
}
\context {
\Dynamics
%\override DynamicText.font-name = #"French Script MT"
}
\context {
\Score
\override BarNumber.color = #(rgb-color 0.7 0.7 0.7)
\override BarNumber.layer = #-200
\override BarNumber.outside-staff-priority =#'()
\override BarNumber.padding = #1
\override BarNumber.font-size = #-1.9
\override BarNumber.font-series = #'bold
\override BarNumber.self-alignment-X = #0
%\override BarNumber.break-visibility = #end-of-line-invisible
}
\context {
\Lyrics
\override LyricHyphen.dash-period = #6
\override LyricHyphen.length = #1
\override LyricHyphen.thickness = #1
\override LyricHyphen.height = #1
\override LyricHyphen.minimum-distance = #3
}
}
dynamictext =
#(define-event-function (text) (markup?)
(if (string? text)
(let* ((underscores-replaced
(string-map
(lambda (x) (if (eq? x #\_) #\space x))
text))
(split-text (string-split underscores-replaced #\space))
(formatted (map
(lambda (word)
(if (string-match "^[mrzfps]*$" word)
(markup #:dynamic word)
(markup #:normal-text
#:override '(font-size . 6)
#:override '(font-name . "French Script MT") word)))
split-text)))
#{
#(make-dynamic-script (make-line-markup formatted))
#})
;; user provided a full-blown markup, so we don't mess with it:
#{
#(make-dynamic-script (markup #:normal-text text))
#}))
tonart = { \key g \major }
Alt =
\relative c'' {
\tonart
\time 4/4
\partial 8
r8
\repeat unfold 9 R1
r2 r4 r8. g16
g4-^ fis8 r16 h h4-^ a8 r
fis'4 r8 e8 e4 d
R1 r2 r4 gis,
a2 d4. 8 e2 d4 r
R1 R1
e,2 a4. 8
a4. ( fis8 ) a4 r
h2 cis4 a
fis'2. d4
h2 cis4 a
fis'2 ~ 4 d
e2 ~( 8 d) cis([ h)]
a2 a'-^ ~ a2. eis4 fis2 r2
R1 R1 R1
\autoBeamOff
g,4 fis8. 16 g4 gis
a h8. 16 c4 cis
d fis,8. 16 g4 gis
a h8. 16 c4 d
g2-> fis4.. e16
d2( c4 c)
g2 a4. 8 h2. r4
e1 ~( 4 h) c4. a8
d1 g,2. r8. g16
g4 fis8. h16 4 a
fis' r8. e16 4 d
g2(->~ 8[ e)] c([ a)]
d2 g,4 r R1 * 9
}
dynalt = {
s8
s1 * 10
s4 s\dynamictext "cresc." s2
s s\>
s1\!
s1 * 24
s2\< s\< s2.\> s4\!
\once \override Hairpin.self-alignment-X = #0.5
\hps #-2 #6
s4\< %\once \override Hairpin.self-alignment-X = #0
\hps #-6 #10 s2.\> s1\!
\once \override Hairpin.self-alignment-X = #0.5
\hps #-2 #6
s4\<
\hps #-6 #12 s2.\> s1\!
}
rdyn = {
s8
s1
s4 s\< s\! s\fz
s1
s4\dynamictext "descres." s\> s\! s
s1\f s\dynamictext "descres."
s\dynamictext "Ped."
s2 s4\> s8 s
\p s1 s\p
s s
s2\> s\!
s1\dynamictext "dolce"
s2 s\< s\> s\!
s\> s\!
s1 * 7
s2\> s\!
s1 s s2. s4\dynamictext "Ped."
s1\dynamictext "cresc."
s
s4\f\> s4\! s2\dynamictext "decresc."
s1\p s s s s\p
s s2 s\dynamictext "cresc."
s1\f s2 s\dynamictext "cresc."
s1\f
s2 s\dynamictext "decresc."
s1 s
s2 s\dynamictext "cresc."
s1\f
}
ldyn = {
s4
}
struktur = {
%\override Score.NonMusicalPaperColumn.page-break-permission = ##f
\override PianoStaff.VerticalAxisGroup.staff-staff-spacing.basic-distance = #12
\override StaffGroup.VerticalAxisGroup.staff-staff-spacing.basic-distance = #16
\override Score.SpacingSpanner.common-shortest-duration = #(ly:make-moment 1/16)
s8 s1*9
\newSpacingSection
\override Score.SpacingSpanner.common-shortest-duration = #(ly:make-moment 1/4)
s1 * 38
\newSpacingSection
\override Score.SpacingSpanner.common-shortest-duration = #(ly:make-moment 1/16)
}
versi =
\lyricmode {
Sie liebt mich, sie liebt mich,
ja sie liebt mich.
Welch schreck -- li -- ches Be -- ben!
Fühl' ich mich sel -- ber?
Fühl' ich mich sel -- ber bin ich am Le -- ben.
Sie __ liebt mich, sie __ liebt mich!
\set stanza = "1."
Ach kann die See -- le dich denn er -- fas -- sen,
Glück oh -- ne Na -- me, kann es dich las -- sen.
Ein -- mal er -- wacht, ein -- mal er -- wacht!
Glück __ oh -- ne Na -- me!
Sie liebt mich, sie liebt mich,
ja sie liebt mich.
Ja __ sie liebt mich!
% Fühl' ich mich selber?
% Bin ich am Leben?
% Sie [liebt]2 mich!
% Sie liebt mich!3
}
versii =
\lyricmode {
\repeat unfold 37 \skip 1
\set stanza = "2."
Ach rings so an -- ders,
bist du's noch Son -- ne,
bist du's noch, Hüt -- te,
tra -- ge die Won -- ne,
tra -- ge die
\set ignoreMelismata = ##t
Won -- _ ne,
see -- li -- ges Herz.
\set ignoreMelismata = ##f
Tra -- ge die Won -- ne!
% Bist du's noch, Sonne?
% Bist du's noch, Hütte?
% Trage die Wonne,
% Seliges Herz!
% Sie liebt mich!
% Sie liebt mich
}
RHi =
\relative c' {
\tonart
%\mergeDifferentlyDottedOff
%\mergeDifferentlyHeadedOn
\tempo \markup "Agitato"
r16 < h d g h >
\set doubleSlurs = ##t
q4-> ( < c d fis a >8)[ r16 < d fis a c >] q4-> ( < d g h >8[) r16 < fis a c e g >]
< fis a c e >4->( < g h d >8[) r16 < c d fis a >] q4 ( < h d g h >8) r
\set doubleSlurs = ##f
< fis' a c e >4.-^( < fis a c >8 < d fis a c >4 < c d fis a >)
< a c d fis > < fis a c d > \voiceOne c' ( h )
\oneVoice
< fis' a c e >4.( < fis a c >8 < d fis a c >4 < c d fis a >)
< a c d fis > < fis a c d > \voiceOne c' ( h )
d2 ( c )
h2. ( a4)
\oneVoice
< g d h > r < d g > r
< h g >1
s1
\voiceOne
fis''4. e8 4 d
c2 h4( a g fis g gis)
s1 s
c2 h4( a
g fis g fis)
s1 * 24
\oneVoice
< g d h >4 r r2 s1
\voiceOne
fis'4. e8 4 d
s1
\oneVoice
s2 s4 s8. < h, e g h >16
\set doubleSlurs = ##t
< h d g h >4 ( < a d fis a >8.) < d fis a c >16
q4 ( < d g h >8.) < fis a c e >16
q4 ( < g h d >8.) < c d fis a >16 q4 < h d g h >
< fis' a c e >4. q8 < d fis a c >4 < c d fis a >
\set doubleSlurs = ##f
< a c d fis > < fis a c d > c' ( h )
< fis' a c e >4. < fis a c d >8 < d fis a c >4 < c d fis a >
< a c d fis > < fis a c d > c' ( h )
d2 ( c ) h ( a )
< g d h >4 r < d h > r s1
\bar "|."
}
runter = { \change Staff="down" \voiceOne }
rauf = { \change Staff="up" \voiceTwo }
RHii =
\relative c' {
s8
s1 s s
s2
\voiceTwo
< d g > s1 s2 q
< fis a >1
\arp #-4 #-1
< h, d fis >1\arpeggio s1 s
\omit TupletBracket
\omit TupletNumber
\oneVoice
\tupletSpan 4
\oneVoice
\tuplet 3/2
{
\runter r8 fis( c' d c fis,) r a( c < d fis > c a) \rauf
\slurUp
fis'( a c) fis,( a c) e,( a c) d,( a' c)
c,( e g) c,( e g) h,( d g) a,( d fis)
\slurNeutral
\runter
g,( h d) fis,( ais d) g,( h d) gis,( h d)
\rauf \oneVoice
\slurDown
r a( d a' d, a r) h( d < f h > d h)
r c( d < fis! c' > d c) r c( d < fis a > d c)
\voiceTwo \slurNeutral
c e g c,( e g) h,( d g) a,( d fis)
\runter
g,( h e) fis,( ais d) g,( h e) fis,( a d)
r e,( h' e h e,) r e( a < cis e > a e)
r d a' d a d, r fis a < d fis > a fis
\rauf
\oneVoice
h( d g h g d) a( cis e a e cis)
r a( d a' d, a) r d( fis d' fis, d)
h( d g h g d) a( cis e a e cis)
r a( d a' d, a) r a( d fis d a)
r gis( d' < e gis > d gis,) r d'( e gis e d)
r d( fis a fis d) r a( d a' d, a)
r g( d' e d g,) r g( cis e cis g)
\runter
\override Script.direction = #UP
r fis( a d a fis) fis'-^( d a) \rauf \oneVoice
\override Script.direction = #UP
a'-^( fis d)
d'-^( a fis) fis'( d a) a'( fis d) c'( fis, d)
h'( d, c) a'( d, c) g'( c, a) fis'( c a)
e' a, fis d'( a fis c' fis, d a' fis d)
r g( d) r fis( d) r g( d) r gis( d)
r a'( d,) r h'( d,) r c'( d,) r cis'( d,)
r d'( d,) r fis( es) r g( d) r gis( d)
r a'( d,) r h'( d,) r < fis c' >( d) r < fis d' >( d)
h( d g h g d) c d( fis c' fis, d)
d( g h d h g) e( g a e' a, g)
h,( d g h g d) fis,( c' d fis d c)
g( h d g d h) a( h dis a' dis, h)
gis( d' e gis e d) d[( e h' d h e,])
c[( e a c a e]) a,[( c e a e c])
g[( h d g d h]) a[( c d fis d c])
\runter
g, d' cis d cis d cis d cis d cis d
\rauf
\oneVoice
r8 a'( c fis c a) r c( fis a fis c)
\voiceTwo \slurUp
fis( a c) fis,( a c) e,( a c) d,( a' c)
\oneVoice
r g,( d' g d g,) r a( c < e g > c a)
r a( c < c fis > c a < a d g >4) r8. s8
}
s8 |
s1 s s
s2 < d g >1*1/2
s1 s2 < d g >1*1/2
< fis a >1 < a, d fis >\arpeggio
}
LHi =
\relative c, {
\mergeDifferentlyDottedOff
\mergeDifferentlyHeadedOff
\clef bass
\tonart
r8
\tupletSpan 4
\tuplet 3/2 {
c8( d' cis d cis d) cis( d cis d cis d)
\omit TupletBracket
\omit TupletNumber
\repeat unfold 2 { d,( d' cis d cis d d, d' cis d cis d) }
\voiceOne
\repeat unfold 2 {
cis( d cis d cis d) r d( cis d cis d)
r d( cis d cis d cis d cis d cis d)
}
\repeat unfold 3 { r d( cis d cis d cis d cis d cis d) }
}
\oneVoice
s1 s
< e g >2 < d g >4 < c d >
\voiceTwo
< h d > < ais d > < h d > < eis, d' >
< fis fis' >2 < gis gis' > < a a' > q
< e' g > d4 < c d >
< d h > < d ais > < d h > < d ais >
gis,2 g
fis d \oneVoice g g' fis < a d, >
g, g' fis d h h
a < a fis' > a a
< d d, >1 q < fis a, d, > < d a' c >2. c4
c'( ais h eis,)
fis( g a ais)
h( a h eis,)
e( g a d,)
< d g g, >2 < d a a' > < d h h' > < c e g a >
d d, g < f f' >
< e e' > < gis gis' >
< a a' > c d d,
\once \override NoteColumn.force-hshift = 1
g1
d2 d'
< d a' d >4. < g a c >8 g4 fis
h,2 c4 a
d2 \tupletSpan 4
\tuplet 3/2
{
\stemDown
< g g, >8[ d( cis d cis d])
\stemNeutral
\slurUp
d,([ d' cis d cis d] cis[ d cis d cis d)]
d,( d' cis d cis d) d\rest d( cis d cis d)
d,( d' cis d cis d) d\rest d( cis d cis d)
\repeat unfold 2 {
d\rest d( cis d cis d) d\rest d( cis d cis d)
d\rest d( cis d cis d cis d cis d cis d)
}
d\rest d( cis d cis d cis d cis d cis d)
d\rest d( cis d cis d) d\rest d( cis d cis d)
}
< g d g, >1\fermata
}
LHii =
\relative c, {
s8
\voiceTwo
s1 s s d2 g s d
d g d1 d
g2 g g1 d d'
s1 * 35
d,1
\once \override NoteColumn.force-hshift = 2
d2 d
\once \override NoteColumn.force-hshift = 2 d d
d g d1 d2 g
}
\score {
\new StaffGroup
<<
\new Dynamics \dynalt
\new Staff = "Alt" \with { instrumentName = \markup \fontsize #2 #"Voce" }
\new Voice = "alt" \Alt
\new Lyrics \lyricsto "alt" \versi
\new Lyrics \lyricsto "alt" \versii
\new PianoStaff
\with { instrumentName = \markup \fontsize #2 "Pianof:" }
<<
\new Staff = "up"
<<
\new Voice \RHi
\context Voice { s2. * 6 \override Staff.BarNumber.stencil = ##f }
\new Voice \RHii
>>
\new Dynamics \rdyn
\new Staff = "down"
<<
\new Voice \LHi
\new Voice \LHii
\new NullVoice \struktur
>>
\new Dynamics \ldyn
>>
>>
}
\version "2.20.0"
\language "deutsch"
#(use-modules (ice-9 regex))
hps =
#(define-music-function (li re)
(number? number?)
#{
\once \override Hairpin.shorten-pair = #`(,li . ,re)
#})
arp =
#(define-music-function (un ob)
(number? number?)
#{
\once \override Arpeggio.positions = #`(,un . ,ob)
#})
#(set-global-staff-size 18)
\include "articulate.ly"
\paper {
#(include-special-characters)
#(set-paper-size "a4")
top-markup-spacing.basic-distance = #12
system-system-spacing.basic-distance = #16
markup-system-spacing.basic-distance = 16
markup-system-spacing.padding = 4
oddHeaderMarkup = ##f
evenHeaderMarkup = ##f
oddFooterMarkup =\markup \fill-line { \null \concat { "Quelle: Bayrische Staatsbibliothek" } \null }
evenFooterMarkup = \markup \fill-line { \null \concat { \char #169 " Public Domain" } \null }
oddFooterMarkup = ##f
ragged-right = ##f
ragged-last = ##f
ragged-bottom = ##t
ragged-last-bottom = ##t
top-margin = 10\mm
bottom-margin = #20
left-margin = 15\mm
right-margin = #left-margin
page-breaking = #ly:minimal-breaking
annotate-spacing = ##f
#(define fonts
(set-global-fonts
#:music "Ross"
#:brace "emmentaler"
#:roman "Century Schoolbook L"
#:sans "sans-serif"
#:typewriter "monospace"
))
}
\header {
title = \markup \override #'(font-name . "Parchment")
\fontsize #12 "Sie liebt mich"
subtitle = ""
opus = ##f
composer = \markup \override #'(baseline-skip . 3)
\right-column { \vspace #2 "Musik: Josephine Lang (14.3.1815-2.12.1880)" "Opus 34 №4" }
poet = \markup \override #'(baseline-skip . 3)
\left-column
{
\vspace #2 "Text: J. W. Goethe (28.8.1749-22.3.1832)"
\concat { \char #169 " Public Domain" }
}
%copyright = \markup { \char #169; PD }
tagline = \markup \concat { \char #169 " Public Domain" }
}
\layout {
\context {
\PianoStaff
\consists #Span_stem_engraver
\remove Keep_alive_together_engraver
\accepts BarNumberStaff
}
\context {
\Staff
\RemoveAllEmptyStaves
\remove "Dot_column_engraver"
}
\context {
\Voice
\consists "Dot_column_engraver"
\override TextScript.font-name = #"French Script MT"
\override TextScript.font-size = #6
}
\context {
\StaffGroup
\remove System_start_delimiter_engraver
}
\context {
\Dynamics
%\override DynamicText.font-name = #"French Script MT"
}
\context {
\Score
\override BarNumber.color = #(rgb-color 0.7 0.7 0.7)
\override BarNumber.layer = #-200
\override BarNumber.outside-staff-priority =#'()
\override BarNumber.padding = #1
\override BarNumber.font-size = #-1.9
\override BarNumber.font-series = #'bold
\override BarNumber.self-alignment-X = #0
%\override BarNumber.break-visibility = #end-of-line-invisible
}
\context {
\Lyrics
\override LyricHyphen.dash-period = #6
\override LyricHyphen.length = #1
\override LyricHyphen.thickness = #1
\override LyricHyphen.height = #1
\override LyricHyphen.minimum-distance = #3
}
}
dynamictext =
#(define-event-function (text) (markup?)
(if (string? text)
(let* ((underscores-replaced
(string-map
(lambda (x) (if (eq? x #\_) #\space x))
text))
(split-text (string-split underscores-replaced #\space))
(formatted (map
(lambda (word)
(if (string-match "^[mrzfps]*$" word)
(markup #:dynamic word)
(markup #:normal-text
#:override '(font-size . 6)
#:override '(font-name . "French Script MT") word)))
split-text)))
#{
#(make-dynamic-script (make-line-markup formatted))
#})
;; user provided a full-blown markup, so we don't mess with it:
#{
#(make-dynamic-script (markup #:normal-text text))
#}))
tonart = { \key g \major }
Alt =
\relative c'' {
\tonart
\time 4/4
\partial 8
r8
\repeat unfold 9 R1
r2 r4 r8. g16
g4-^ fis8 r16 h h4-^ a8 r
fis'4 r8 e8 e4 d
R1 r2 r4 gis,
a2 d4. 8 e2 d4 r
R1 R1
e,2 a4. 8
a4. ( fis8 ) a4 r
h2 cis4 a
fis'2. d4
h2 cis4 a
fis'2 ~ 4 d
e2 ~( 8 d) cis([ h)]
a2 a'-^ ~ a2. eis4 fis2 r2
R1 R1 R1
\autoBeamOff
g,4 fis8. 16 g4 gis
a h8. 16 c4 cis
d fis,8. 16 g4 gis
a h8. 16 c4 d
g2-> fis4.. e16
d2( c4 c)
g2 a4. 8 h2. r4
e1 ~( 4 h) c4. a8
d1 g,2. r8. g16
g4 fis8. h16 4 a
fis' r8. e16 4 d
g2(->~ 8[ e)] c([ a)]
d2 g,4 r R1 * 9
}
dynalt = {
s8
s1 * 10
s4 s\dynamictext "cresc." s2
s s\>
s1\!
s1 * 24
s2\< s\< s2.\> s4\!
\once \override Hairpin.self-alignment-X = #0.5
\hps #-2 #6
s4\< %\once \override Hairpin.self-alignment-X = #0
\hps #-6 #10 s2.\> s1\!
\once \override Hairpin.self-alignment-X = #0.5
\hps #-2 #6
s4\<
\hps #-6 #12 s2.\> s1\!
}
rdyn = {
s8
s1
s4 s\< s\! s\fz
s1
s4\dynamictext "descres." s\> s\! s
s1\f s\dynamictext "descres."
s\dynamictext "Ped."
s2 s4\> s8 s
\p s1 s\p
s s
s2\> s\!
s1\dynamictext "dolce"
s2 s\< s\> s\!
s\> s\!
s1 * 7
s2\> s\!
s1 s s2. s4\dynamictext "Ped."
s1\dynamictext "cresc."
s
s4\f\> s4\! s2\dynamictext "decresc."
s1\p s s s s\p
s s2 s\dynamictext "cresc."
s1\f s2 s\dynamictext "cresc."
s1\f
s2 s\dynamictext "decresc."
s1 s
s2 s\dynamictext "cresc."
s1\f
}
ldyn = {
s4
}
struktur = {
%\override Score.NonMusicalPaperColumn.page-break-permission = ##f
\override PianoStaff.VerticalAxisGroup.staff-staff-spacing.basic-distance = #12
\override StaffGroup.VerticalAxisGroup.staff-staff-spacing.basic-distance = #16
\override Score.SpacingSpanner.common-shortest-duration = #(ly:make-moment 1/16)
s8 s1*9
\newSpacingSection
\override Score.SpacingSpanner.common-shortest-duration = #(ly:make-moment 1/4)
s1 * 38
\newSpacingSection
\override Score.SpacingSpanner.common-shortest-duration = #(ly:make-moment 1/16)
}
versi =
\lyricmode {
Sie liebt mich, sie liebt mich,
ja sie liebt mich.
Welch schreck -- li -- ches Be -- ben!
Fühl' ich mich sel -- ber?
Fühl' ich mich sel -- ber bin ich am Le -- ben.
Sie __ liebt mich, sie __ liebt mich!
\set stanza = "1."
Ach kann die See -- le dich denn er -- fas -- sen,
Glück oh -- ne Na -- me, kann es dich las -- sen.
Ein -- mal er -- wacht, ein -- mal er -- wacht!
Glück __ oh -- ne Na -- me!
Sie liebt mich, sie liebt mich,
ja sie liebt mich.
Ja __ sie liebt mich!
% Fühl' ich mich selber?
% Bin ich am Leben?
% Sie [liebt]2 mich!
% Sie liebt mich!3
}
versii =
\lyricmode {
\repeat unfold 37 \skip 1
\set stanza = "2."
Ach rings so an -- ders,
bist du's noch Son -- ne,
bist du's noch, Hüt -- te,
tra -- ge die Won -- ne,
tra -- ge die
\set ignoreMelismata = ##t
Won -- _ ne,
see -- li -- ges Herz.
\set ignoreMelismata = ##f
Tra -- ge die Won -- ne!
% Bist du's noch, Sonne?
% Bist du's noch, Hütte?
% Trage die Wonne,
% Seliges Herz!
% Sie liebt mich!
% Sie liebt mich
}
RHi =
\relative c' {
\tonart
%\mergeDifferentlyDottedOff
%\mergeDifferentlyHeadedOn
\tempo \markup "Agitato"
r16 < h d g h >
\set doubleSlurs = ##t
q4-> ( < c d fis a >8)[ r16 < d fis a c >] q4-> ( < d g h >8[) r16 < fis a c e g >]
< fis a c e >4->( < g h d >8[) r16 < c d fis a >] q4 ( < h d g h >8) r
\set doubleSlurs = ##f
< fis' a c e >4.-^( < fis a c >8 < d fis a c >4 < c d fis a >)
< a c d fis > < fis a c d > \voiceOne c' ( h )
\oneVoice
< fis' a c e >4.( < fis a c >8 < d fis a c >4 < c d fis a >)
< a c d fis > < fis a c d > \voiceOne c' ( h )
d2 ( c )
h2. ( a4)
\oneVoice
< g d h > r < d g > r
< h g >1
s1
\voiceOne
fis''4. e8 4 d
c2 h4( a g fis g gis)
s1 s
c2 h4( a
g fis g fis)
s1 * 24
\oneVoice
< g d h >4 r r2 s1
\voiceOne
fis'4. e8 4 d
s1
\oneVoice
s2 s4 s8. < h, e g h >16
\set doubleSlurs = ##t
< h d g h >4 ( < a d fis a >8.) < d fis a c >16
q4 ( < d g h >8.) < fis a c e >16
q4 ( < g h d >8.) < c d fis a >16 q4 < h d g h >
< fis' a c e >4. q8 < d fis a c >4 < c d fis a >
\set doubleSlurs = ##f
< a c d fis > < fis a c d > c' ( h )
< fis' a c e >4. < fis a c d >8 < d fis a c >4 < c d fis a >
< a c d fis > < fis a c d > c' ( h )
d2 ( c ) h ( a )
< g d h >4 r < d h > r s1
\bar "|."
}
runter = { \change Staff="down" \voiceOne }
rauf = { \change Staff="up" \voiceTwo }
RHii =
\relative c' {
s8
s1 s s
s2
\voiceTwo
< d g > s1 s2 q
< fis a >1
\arp #-4 #-1
< h, d fis >1\arpeggio s1 s
\omit TupletBracket
\omit TupletNumber
\oneVoice
\tupletSpan 4
\oneVoice
\tuplet 3/2
{
\runter r8 fis( c' d c fis,) r a( c < d fis > c a) \rauf
\slurUp
fis'( a c) fis,( a c) e,( a c) d,( a' c)
c,( e g) c,( e g) h,( d g) a,( d fis)
\slurNeutral
\runter
g,( h d) fis,( ais d) g,( h d) gis,( h d)
\rauf \oneVoice
\slurDown
r a( d a' d, a r) h( d < f h > d h)
r c( d < fis! c' > d c) r c( d < fis a > d c)
\voiceTwo \slurNeutral
c e g c,( e g) h,( d g) a,( d fis)
\runter
g,( h e) fis,( ais d) g,( h e) fis,( a d)
r e,( h' e h e,) r e( a < cis e > a e)
r d a' d a d, r fis a < d fis > a fis
\rauf
\oneVoice
h( d g h g d) a( cis e a e cis)
r a( d a' d, a) r d( fis d' fis, d)
h( d g h g d) a( cis e a e cis)
r a( d a' d, a) r a( d fis d a)
r gis( d' < e gis > d gis,) r d'( e gis e d)
r d( fis a fis d) r a( d a' d, a)
r g( d' e d g,) r g( cis e cis g)
\runter
\override Script.direction = #UP
r fis( a d a fis) fis'-^( d a) \rauf \oneVoice
\override Script.direction = #UP
a'-^( fis d)
d'-^( a fis) fis'( d a) a'( fis d) c'( fis, d)
h'( d, c) a'( d, c) g'( c, a) fis'( c a)
e' a, fis d'( a fis c' fis, d a' fis d)
r g( d) r fis( d) r g( d) r gis( d)
r a'( d,) r h'( d,) r c'( d,) r cis'( d,)
r d'( d,) r fis( es) r g( d) r gis( d)
r a'( d,) r h'( d,) r < fis c' >( d) r < fis d' >( d)
h( d g h g d) c d( fis c' fis, d)
d( g h d h g) e( g a e' a, g)
h,( d g h g d) fis,( c' d fis d c)
g( h d g d h) a( h dis a' dis, h)
gis( d' e gis e d) d[( e h' d h e,])
c[( e a c a e]) a,[( c e a e c])
g[( h d g d h]) a[( c d fis d c])
\runter
g, d' cis d cis d cis d cis d cis d
\rauf
\oneVoice
r8 a'( c fis c a) r c( fis a fis c)
\voiceTwo \slurUp
fis( a c) fis,( a c) e,( a c) d,( a' c)
\oneVoice
r g,( d' g d g,) r a( c < e g > c a)
r a( c < c fis > c a < a d g >4) r8. s8
}
s8 |
s1 s s
s2 < d g >1*1/2
s1 s2 < d g >1*1/2
< fis a >1 < a, d fis >\arpeggio
}
LHi =
\relative c, {
\mergeDifferentlyDottedOff
\mergeDifferentlyHeadedOff
\clef bass
\tonart
r8
\tupletSpan 4
\tuplet 3/2 {
c8( d' cis d cis d) cis( d cis d cis d)
\omit TupletBracket
\omit TupletNumber
\repeat unfold 2 { d,( d' cis d cis d d, d' cis d cis d) }
\voiceOne
\repeat unfold 2 {
cis( d cis d cis d) r d( cis d cis d)
r d( cis d cis d cis d cis d cis d)
}
\repeat unfold 3 { r d( cis d cis d cis d cis d cis d) }
}
\oneVoice
s1 s
< e g >2 < d g >4 < c d >
\voiceTwo
< h d > < ais d > < h d > < eis, d' >
< fis fis' >2 < gis gis' > < a a' > q
< e' g > d4 < c d >
< d h > < d ais > < d h > < d ais >
gis,2 g
fis d \oneVoice g g' fis < a d, >
g, g' fis d h h
a < a fis' > a a
< d d, >1 q < fis a, d, > < d a' c >2. c4
c'( ais h eis,)
fis( g a ais)
h( a h eis,)
e( g a d,)
< d g g, >2 < d a a' > < d h h' > < c e g a >
d d, g < f f' >
< e e' > < gis gis' >
< a a' > c d d,
\once \override NoteColumn.force-hshift = 1
g1
d2 d'
< d a' d >4. < g a c >8 g4 fis
h,2 c4 a
d2 \tupletSpan 4
\tuplet 3/2
{
\stemDown
< g g, >8[ d( cis d cis d])
\stemNeutral
\slurUp
d,([ d' cis d cis d] cis[ d cis d cis d)]
d,( d' cis d cis d) d\rest d( cis d cis d)
d,( d' cis d cis d) d\rest d( cis d cis d)
\repeat unfold 2 {
d\rest d( cis d cis d) d\rest d( cis d cis d)
d\rest d( cis d cis d cis d cis d cis d)
}
d\rest d( cis d cis d cis d cis d cis d)
d\rest d( cis d cis d) d\rest d( cis d cis d)
}
< g d g, >1\fermata
}
LHii =
\relative c, {
s8
\voiceTwo
s1 s s d2 g s d
d g d1 d
g2 g g1 d d'
s1 * 35
d,1
\once \override NoteColumn.force-hshift = 2
d2 d
\once \override NoteColumn.force-hshift = 2 d d
d g d1 d2 g
}
\score {
\new StaffGroup
<<
\new Dynamics \dynalt
\new Staff = "Alt" \with { instrumentName = \markup \fontsize #2 #"Voce" }
\new Voice = "alt" \Alt
\new Lyrics \lyricsto "alt" \versi
\new Lyrics \lyricsto "alt" \versii
\new PianoStaff
\with { instrumentName = \markup \fontsize #2 "Pianof:" }
<<
\new Staff = "up"
<<
\new Voice \RHi
\context Voice { s2. * 6 \override Staff.BarNumber.stencil = ##f }
\new Voice \RHii
>>
\new Dynamics \rdyn
\new Staff = "down"
<<
\new Voice \LHi
\new Voice \LHii
\new NullVoice \struktur
>>
\new Dynamics \ldyn
>>
>>
}
#(set-global-staff-size 24)
\include "articulate.ly"
#(define ((chord-name->german-markup-text-alteration B-instead-of-Bb) pitch lowercase?)
(define (pitch-alteration-semitones pitch)
(inexact->exact (round (* (ly:pitch-alteration pitch) 2))))
(define (conditional-string-downcase str condition)
(if condition
(string-downcase str)
str))
(let* ((name (ly:pitch-notename pitch))
(alt-semitones (pitch-alteration-semitones pitch))
(n-a (if (member (cons name alt-semitones) `((6 . -1) (6 . -1)))
(cons 7 (+ (if B-instead-of-Bb 1 1) alt-semitones))
(cons name alt-semitones))))
(make-line-markup
(list
(make-simple-markup
(conditional-string-downcase
(vector-ref #("C" "D" "E" "F" "G" "A" "H" "B") (car n-a))
lowercase?))
(let ((alteration (/ (cdr n-a) 2)))
(cond
((and (equal? lowercase? #f) (= alteration FLAT) (= (car n-a) 7)) (make-simple-markup ""))
((and (= alteration FLAT) (or (= (car n-a) 5) (= (car n-a) 2) )) (make-simple-markup "s"))
((= alteration FLAT) (make-simple-markup "es"))
((and (= alteration DOUBLE-FLAT) (or (= (car n-a) 5)(= (car n-a) 2) )) (make-simple-markup "ses"))
((= alteration DOUBLE-FLAT) (make-simple-markup "eses"))
((= alteration SHARP) (make-simple-markup "is"))
((= alteration DOUBLE-SHARP) (make-simple-markup "isis"))
(else empty-markup)))))))
#(define germanChords (chord-name->german-markup-text-alteration #t))
editorsColor = #grey
ed =
#(define-music-function (grob col mus)
(symbol-list-or-symbol? (color? editorsColor) ly:music?)
;; for abbreviations, we need a symbol instead of a one-element list
(let ((grob (if (= 1 (length grob)) (car grob) grob)))
(case
grob
;; define abbreviations
;; which call the function recursively with a value
;; leading into the (else) clause
;; (or to _another_ abbreviation)
;; be careful to avoid infinite recursion :-)
;; – abbreviation names must not be actual grob names
;; (at least if they’re used in the corresponding
;; clause) or recursion will be infinite also
;; It is recommended to use singular forms only
;; for abbreviations.
((Caut) #{ \ed Staff.AccidentalCautionary #})
((LedgerLine) #{ % barline is workaround to issue 3949
\stopStaff
\ed Staff.LedgerLineSpanner {
\startStaff
$mus
\stopStaff
}
\startStaff #})
((Mmr) #{ \ed MultiMeasureRest $mus #})
((Note) #{ \ed Staff.Accidental
\ed Beam
\ed Dots
\ed Flag
\ed LedgerLine
\ed NoteHead
\ed Rest
\ed Stem $mus #})
((Pitch) #{ \ed NoteHead $mus #})
((Suggest) #{ \ed Staff.AccidentalSuggestion #})
((StemWithFlag) #{ \ed Stem \ed Flag $mus #})
((Tuplet) #{ \ed TupletNumber \ed TupletBracket $mus #})
;; ‘normal’ case
(else
#{
\override $grob . color = #col
$mus
\revert $grob . color
#}))))
#(define new-stil
(lambda (grob)
(let* ((sz (ly:grob-property grob 'font-size 0.0))
(mult (magstep sz))
(dir (ly:grob-property grob 'direction))
(thick 0.15)
(radius 0.7)
(scaled-radius (* mult radius))
(ps-command-string
(format #f
"
0 ~a translate
~a setlinewidth
~a 0 moveto
0 0 ~a 180 0 ~a
stroke
"
;mult
(* thick dir)
thick
(- scaled-radius)
scaled-radius
(if (negative? dir) "arcn" "arc"))))
(ly:make-stencil
(list 'embedded-ps
(format #f
"
gsave currentpoint translate
~a
grestore
"
ps-command-string))
(cons (- scaled-radius) scaled-radius)
(cons
(if (negative? dir) 0 (- scaled-radius))
(if (negative? dir) scaled-radius 0))))))
soft =
-\tweak stencil #new-stil \fermata
#(define-markup-command (golo-schu layout props titel nr ton)
(string? string? string?)
(interpret-markup layout props
#{
\markup
{
\column {
\override #'(baseline-skip . 2)
\column
{
\fill-line \override #'(baseline-skip . 2.5) {
\huge \larger \larger \bold
\center-column
{
$titel
\fontsize #-3 \line { "GL № 711/" $nr \fontsize #-1 \concat { " (bis 2013 № 802/" $nr ) } }
" "
}
}
\column
\fontsize #-1.5
{
\fill-line {
"T: Josel Ph. Neumann (1774-1849)" "M: Franz Schubert (1797-1828)"
}
\fill-line {
"Notensatz: lilypond.miraheze.org" "Deutsche Messe D872"
}
\fill-line {
"" \concat { "Originaltonart: " $ton "-Dur" }
}
}
}
}
}
#}
)
)
#(define-markup-command (text-fromproperty layout props text-1 symbol text-2)
(markup? symbol? markup?)
#:category other
(let ((m (chain-assoc-get symbol props)))
(if (markup? m)
;; prevent infinite loops by clearing the interpreted property:
(interpret-markup
layout
(cons (list (cons symbol `(,property-recursive-markup ,symbol))) props)
(make-concat-markup (list text-1 m text-2)))
empty-stencil)))
#(define-markup-command (tonart-fromproperty layout props text-1 symbol symbol2)
(markup? symbol? symbol?)
#:category other
(let* ((m (chain-assoc-get symbol props))
(ton (chain-assoc-get symbol2 props))
(dur (if (markup? ton) ton "-Dur"))
)
(if (markup? m)
;; prevent infinite loops by clearing the interpreted property:
(interpret-markup
layout
(cons (list (cons symbol `(,property-recursive-markup ,symbol))) props)
(make-concat-markup (list text-1 m dur)))
empty-stencil)))
dropLyrics =
#(define-scheme-function (l)(number?)
#{
\override LyricText.extra-offset = #`(0 . ,l)
\override LyricHyphen.extra-offset = #`(0 . ,l)
\override LyricExtender.extra-offset = #`(0 . ,l)
\override StanzaNumber.extra-offset = #`(0 . ,l)
#}
)
raiseLyrics = {
\revert LyricText.extra-offset
\revert LyricHyphen.extra-offset
\revert LyricExtender.extra-offset
\revert StanzaNumber.extra-offset
}
\paper {
#(include-special-characters)
indent = #0
ragged-right = ##f
ragged-last = ##f
print-all-headers = ##f
print-first-page-number = ##f
oddFooterMarkup = ##f
evenFooterMarkup = ##f
oddHeaderMarkup = #oddFooterMarkup
evenHeaderMarkup = #evenFooterMarkup
bookTitleMarkup = ##f
scoreTitleMarkup =
\markup {
\override #'((baseline-skip . 2) )
\column {
\fill-line \override #'(baseline-skip . 2.5) {
\huge \larger \larger \bold
\center-column {
\fromproperty #'header:title
\fontsize #-2.5 {
\fill-line { \fromproperty #'header:subtitle }
}
\fontsize #-3 \line {
\text-fromproperty "GL № " #'header:new-number ""
\fontsize #-1
\text-fromproperty " (bis 2013 № " #'header:old-number ")"
}
" "
}
}
\fontsize #-1.5 {
\fill-line {
\fromproperty #'header:poet \fromproperty #'header:composer
}
\fill-line {
"Notensatz: lilypond.miraheze.org" ""
\tonart-fromproperty "Originaltonart: " #'header:key #'header:dur
}
\fill-line {
\fromproperty #'header:instrument
\fromproperty #'header:arranger
}
}
}
}
}
orgel =
%Notensatz für Orgelnoten 4stimmig + Text + Harmonisierung + Umbrüche
#(define-music-function (sop alt ten bas akk stru lyr p)
(ly:music? ly:music? ly:music? ly:music? ly:music? ly:music? ly:music? ly:pitch?)
#{
<<
\new ChordNames \transpose c $p $akk
\new PianoStaff="leadsheet"
<<
\new Staff="up"
<<
\new Voice="Alt"
\with { \consists Ambitus_engraver }
{ \voiceOne \transpose c $p $sop }
\new Voice { \voiceTwo \transpose c $p $alt }
>>
\new Lyrics \lyricsto Alt $lyr
\new Staff="down"
<<
\new Voice { \voiceOne \transpose c $p $ten }
\new Voice { \voiceTwo \transpose c $p $bas }
\new NullVoice $stru
>>
>>
>>
#}
)
orgels =
%% simple orgelsatz nur SATBs kein Liedtext
#(define-music-function (sop alt ten bas stru p)
(ly:music? ly:music? ly:music? ly:music? ly:music? ly:pitch?)
#{
<<
\new PianoStaff="leadsheet"
<<
\new Staff="up"
<<
\new Voice="Alt"
\with { \consists Ambitus_engraver }
{ \voiceOne \transpose c $p $sop }
\new Voice { \voiceTwo \transpose c $p $alt }
>>
\new Staff="down"
<<
\new Voice { \voiceOne \transpose c $p $ten }
\new Voice { \voiceTwo \transpose c $p $bas }
\new NullVoice $stru
>>
>>
>>
#}
)
orgelo =
% keine Transponiermöglichkeit
#(define-music-function (sop alt ten bas akk stru lyr)
(ly:music? ly:music? ly:music? ly:music? ly:music? ly:music? ly:music?)
#{
<<
\new ChordNames $akk
\new PianoStaff="leadsheet"
<<
\new Staff="up"
<<
\new Voice="Alt"
\with { \consists Ambitus_engraver }
{ \voiceOne $sop }
\new Voice { \voiceTwo $alt }
>>
\new Lyrics \lyricsto Alt $lyr
\new Staff="down"
<<
\new Voice { \voiceOne $ten }
\new Voice { \voiceTwo $bas }
\new NullVoice $stru
>>
>>
>>
#}
)
orgelp =
%% Orgelsatz mit Pedal
#(define-music-function (sop alt ten bas ped akk stru lyr p)
(ly:music? ly:music? ly:music? ly:music? ly:music? ly:music? ly:music? ly:music? ly:pitch?)
#{
<<
\new ChordNames \transpose c $p $akk
\new PianoStaff="leadsheet"
<<
\new Staff="up"
<<
\new Voice="Alt"
\with { \consists Ambitus_engraver }
{ \voiceOne \transpose c $p $sop }
\new Voice { \voiceTwo \transpose c $p $alt }
>>
\new Lyrics \lyricsto Alt $lyr
\new Staff="down"
<<
\new Voice { \voiceOne \transpose c $p $ten }
\new Voice { \voiceTwo \transpose c $p $bas }
\new NullVoice $stru
>>
>>
\new StaffGroup
\new Staff="Pedal" \with {
\magnifyStaff #5/7
}
<<
\new Voice \transpose c $p $ped
>>
>>
#}
)
orgelpo =
%% Orgelnoten mit Pedal ohne Transponierung
#(define-music-function (sop alt ten bas ped akk stru lyr)
(ly:music? ly:music? ly:music? ly:music? ly:music? ly:music? ly:music? ly:music?)
#{
<<
\new ChordNames $akk
\new PianoStaff="leadsheet"
<<
\new Staff="up"
<<
\new Voice="Alt"
\with { \consists Ambitus_engraver }
{ \voiceOne $sop }
\new Voice { \voiceTwo $alt }
>>
\new Lyrics \lyricsto Alt $lyr
\new Staff="down"
<<
\new Voice { \voiceOne $ten }
\new Voice { \voiceTwo $bas }
\new NullVoice $stru
>>
>>
\new StaffGroup
\new Staff="Pedal" \with {
\magnifyStaff #5/7
}
<<
\new Voice $ped
>>
>>
#}
)
orgelly =
%% eine 2. Textzeile unterhalb
#(define-music-function (sop alt ten bas akk stru lyr lyrii p)
(ly:music? ly:music? ly:music? ly:music? ly:music? ly:music? ly:music? ly:music? ly:pitch?)
#{
<<
\new ChordNames \transpose c $p $akk
\new PianoStaff="leadsheet"
<<
\new Staff="up"
<<
\new Voice="Alt"
\with { \consists Ambitus_engraver }
{ \voiceOne \transpose c $p $sop }
\new Voice { \voiceTwo \transpose c $p $alt }
>>
\new Lyrics \lyricsto Alt $lyr
\new Lyrics \lyricsto Alt $lyrii
\new Staff="down"
<<
\new Voice { \voiceOne \transpose c $p $ten }
\new Voice { \voiceTwo \transpose c $p $bas }
\new NullVoice $stru
>>
>>
>>
#}
)
orgelpre =
%Notensatz für Vorspiel 4stimmig + Umbrüche
#(define-music-function (sop alt ten bas stru p)
(ly:music? ly:music? ly:music? ly:music? ly:music? ly:pitch?)
#{
<<
\new PianoStaff="up"
<<
\new Staff="up"
<<
\new Voice="Alt" { \voiceOne \transpose c $p $sop }
\new Voice { \voiceTwo \transpose c $p $alt }
>>
\new Staff="down"
<<
\new Voice { \voiceOne \transpose c $p $ten }
\new Voice { \voiceTwo \transpose c $p $bas }
\new NullVoice $stru
>>
>>
>>
#}
)
make-midi-list =
#(define-void-function (name score tempolist)
((string? #f) ly:score? list?)
(for-each
(lambda (tempo)
(ly:book-process
(apply
ly:make-book
$defaultpaper
$defaultheader
(list score))
$defaultpaper
#{
\midi {
\tempo 4 = $tempo
}
#}
(format #f "~a_~a"
(or name (substring (ly:parser-output-name) 4))
tempo)))
tempolist))
formidi =
%erzeugen des Scores für Midi
#(define-music-function (sop alt ten bas voc)
(ly:music? ly:music? ly:music? ly:music? ly:music?)
#{
<<
\new Staff {
\new Voice {
\set Staff.midiInstrument = "choir aahs"
$voc
}
}
\new Staff <<
\set Staff.midiInstrument = "Church Organ"
\new Voice $sop
\new Voice $alt
\new Voice $ten
\new Voice $bas
>>
>>
#}
)
#(define myMidi "C:/Manuela/_Lilypond/orgel/Golo/midi/")
midi-list =
#(define-void-function (name sop alt ten bas voc tempolist)
((string? #f) ly:music? ly:music? ly:music? ly:music? ly:music? list?)
(for-each
(lambda (tempo)
(ly:book-process
(apply
ly:make-book
$defaultpaper
$defaultheader
(list (scorify-music #{
<<
\unfoldRepeats \new Staff {
\new Voice {
\set Staff.midiInstrument = "choir aahs"
$voc
}
}
\unfoldRepeats \new Staff <<
\set Staff.midiInstrument = "Church Organ"
\new Voice $sop
\new Voice $alt
\new Voice $ten
\new Voice $bas
>>
>>
#})))
$defaultpaper
#{
\midi {
\tempo 4 = $tempo
}
#}
(format #f "~a_~a"
(or name (string-append myMidi (ly:parser-output-name)))
tempo)))
tempolist))
midi-list-paus =
#(define-void-function (name sop alt ten bas voc pause tempolist)
((string? #f) ly:music? ly:music? ly:music? ly:music? ly:music? ly:music? list?)
(for-each
(lambda (tempo)
(ly:book-process
(apply
ly:make-book
$defaultpaper
$defaultheader
(list (scorify-music #{
<<
\unfoldRepeats \new Staff {
\new Voice {
\set Staff.midiInstrument = "choir aahs"
$pause $voc
}
}
\unfoldRepeats
<<
\new Staff \with { midiInstrument = #"church organ" }
{ $pause $sop }
\new Staff \with { midiInstrument = #"church organ" }
{ $pause $alt }
\new Staff \with { midiInstrument = #"church organ" }
{ $pause $ten }
\new Staff \with { midiInstrument = #"church organ" }
{ $pause $bas }
>>
>>
#})))
$defaultpaper
#{
\midi {
\tempo 4 = $tempo
}
#}
(format #f "~a_~a"
(or name (string-append myMidi (ly:parser-output-name)))
tempo)))
tempolist))
mynote =
#(define-music-function (m)
(ly:duration?)
#{
\override Score.RehearsalMark.break-align-symbols = #'(time-signature)
\once \override Score.RehearsalMark.self-alignment-X = #-1
\mark \markup \fontsize #-3.5 \note { $m } #UP
#}
)
mynotes =
#(define-music-function (m n)
(ly:duration? ly:duration?)
#{
\override Score.RehearsalMark.break-align-symbols = #'(time-signature)
\once \override Score.RehearsalMark.self-alignment-X = #-1
\mark \markup \concat { \fontsize #-3.5 \note { $m } #UP " /" \fontsize #-3.5 \note { $n } #UP }
#}
)
myottava =
#(define-music-function (o) (integer?)
(let ((text (case o
((0) #f)
((1 -1) "8")
((2 -2) "15"))))
#{
\ottava #o
\set Staff.ottavation = #text
#}))
chExceptionMusic = {
<c e gis>1-\markup "(m)"
<c f g>1-\markup \super "4"
}
% Convert music to list and prepend to existing exceptions.
chExceptions = #(append
(sequential-music-to-chord-exceptions chExceptionMusic #t)
ignatzekExceptions)
\layout {
\context {
\Voice
beamExceptions = #'()
\override BreathingSign.text =
\markup { \musicglyph "scripts.lvarcomma" }
\override Stem.neutral-direction = #down
\override Script.outside-staff-priority = #'()
\override Script.padding = #1
\override Tie.thickness = #1
\override PhrasingSlur.thickness = #3
\override Rest.voiced-position = #0
\override MultiMeasureRest.expand-limit = #3
\consists Horizontal_bracket_engraver
\override HorizontalBracket.direction = #UP
\override HorizontalBracket.bracket-flare = #'(0 . 0)
\override HorizontalBracketText.text = \markup \italic "Intro"
\override HorizontalBracket.shorten-pair = #'(.5 . .5)
}
\context {
\Lyrics
\override VerticalAxisGroup.staff-affinity = #CENTER
\override LyricText.font-size = #-1.5
\override StanzaNumber.font-size = #-1.5
}
\context {
\Staff
printPartCombineTexts = ##f
beamExceptions = #'()
\override BreathingSign.text =
\markup { \musicglyph "scripts.lvarcomma" }
\override InstrumentName.font-features = #'("smcp")
\consists #Span_stem_engraver
% \consists Measure_spanner_engraver
% \override MeasureSpanner.text = \markup \italic "Intro"
}
\context {
\Score
\override VerticalAxisGroup.remove-first = ##t
skipBars = ##f
\override MetronomeMark.font-size = #1
\override MetronomeMark.font-shape = #'caps
\override BarLine.thick-thickness = 5
\override Timing.beamExceptions = #'()
\override BarNumber.color = #(rgb-color 0.7 0.7 0.7)
\override BarNumber.layer = #-200
\override BarNumber.padding = #0.4
\override BarNumber.outside-staff-priority =#'()
\override BarNumber.after-line-breaking = ##f
\override BarNumber.font-size = #-1
\override BarNumber.font-series = #'bold
\override BarNumber.self-alignment-X = #0
\override BarNumber.break-visibility = #end-of-line-invisible
\override SystemStartBar.collapse-height = #4
}
\context {
\ChordNames
chordNameLowercaseMinor = ##f
\remove Staff_performer
chordRootNamer = #germanChords
\override ChordName.font-name = #"Orator10 BT"
chordNoteNamer = #(chord-name->german-markup #f)
\override ChordName.X-offset =
#ly:self-alignment-interface::aligned-on-x-parent
chordNameExceptions = #chExceptions
\override ChordName.self-alignment-X = #CENTER
\override ChordName.font-name = #"Arial Narrow"
\override ChordName.layer = #2
\override ChordName.font-size = #-0.5
noChordSymbol = ##f
\consists Horizontal_bracket_engraver
\override HorizontalBracket.direction = #UP
\override HorizontalBracket.bracket-flare = #'(0 . 0)
\override HorizontalBracketText.text = \markup \italic "Intro"
}
\context {
\PianoStaff
\override StaffGrouper.staffgroup-staff-spacing.basic-distance = #2
\override StaffGrouper.staffgroup-staff-spacing.minimum-distance = #0
}
\context {
\StaffGroup
\override SystemStartBracket.collapse-height = #4
\override SystemStartBracket.thickness = #.2
}
}
oob = { \once \override Score.BarNumber.stencil = ##f \bar "" }
bnf = \once \override Score.BarNumber.stencil = ##f
gloria = \markup \override #'(baseline-skip . 2) \left-column {
\line { Gloria: Ehre sei Gott }
\line {
Stichwort: \italic "Herr, erbarme dich unser"
}
\line { manchmal sagt der P so etwas ähnliches wie \italic "Ehre sei Gott in der Höhe" }
}
sanctus = \markup \override #'(baseline-skip . 2) \left-column {
\line { Lobpreis Gottes: Heilig, heilig, heilig }
\line {
Stichwort: \italic "und singen mit den Engeln das Lob deiner Herrlichkeit"
}
}
antwortlied = \markup \override #'(baseline-skip . 2) \left-column {
\line { Antwortlied: nach der ersten Lesung }
\line {
Stichwort: \italic "Wort des lebendigen Gottes"
}
}
gabenbereitung = \markup \override #'(baseline-skip . 2) \left-column {
\wordwrap { Gabenbereitung (Offertorium): Beginn der Eucharistiefeier, nach den Fürbitten }
\vspace #.2
\line {
Stichwort: \italic "darum bitten wir durch Christus, unsern Herrn"
}
}
agnus = \markup \override #'(baseline-skip . 2) \left-column {
\line { Agnus Dei: Pfarrer zerbricht Hostie in mehrere Teile }
\line {
wann: nach dem Friedensgruß
}
}
danklied = \markup \override #'(baseline-skip . 2) \left-column {
\line { Danklied }
\line {
wann: nach der Kommunionausteilung
}
}
auszug = \markup \override #'(baseline-skip . 2) \left-column {
\line { Auszug, Verabschiedung }
\line {
Stichwort: \italic "gehet hin in Frieden"
}
}
halleljua = \markup \override #'(baseline-skip . 3) \left-column {
\line { 1x leise }
\line {
1x leise, Vorbeter singt
}
\line {
1x laut, Gemeinde singt
}
\line { Vorbeter betet }
\line {
1x laut, Gemeinde singt
}
}
noambitus = {
\override AmbitusLine.stencil = ##f
\override AmbitusNoteHead.stencil = ##f
}
myintro =
#(define-music-function (m) ((string? #f) )
#{
\override HorizontalBracketText.text = \markup \italic { "Intro" $m }
#})
%% Zusatztext und extra-offset sind optional
%% es müssen beide Parameter angegeben werden, wenn einer angegeben wird
mybrack =
#(define-music-function (t n m) ((string? #f) (number? 3.5) ly:music?)
#{
{
\once \override HorizontalBracket.Y-extent = #'(0 . 0)
\once \override HorizontalBracketText.Y-extent = #'(0 . 0)
\once \override HorizontalBracket.extra-offset = #`(0 . ,n)
\once \override HorizontalBracketText.extra-offset = #`(0 . ,n)
\once \override HorizontalBracketText.text =
\markup \italic { "Intro" #(or t "") }
<>\startGroup
$m
\stopGroup
}
#})
%% ein optionaler Parameter
%% n ... extra-offset, nach oben verschieben
%% der Standardwert ist für einen ChordNames-context oberhalb berechnet
%% der Zusatztext wird auf \null gesetzt
mybrack-offset =
#(define-music-function (n m) ((number? 3.5) ly:music?)
#{
{
\mybrack "" $n $m
}
#})
#(define (lined-nh grob)
(let* ((default-stil (ly:note-head::print grob))
(default-stil-x-lngth
(interval-length (ly:stencil-extent default-stil X)))
(line-thickness (ly:staff-symbol-line-thickness grob))
(staff-space (ly:staff-symbol-staff-space grob))
(font-size
(assoc-get 'font-size
(ly:prob-property (ly:grob-property grob 'cause) 'tweaks)))
(corr
(if (number? font-size)
(magstep font-size)
1))
(lne
(make-line-stencil
(* 1.9 corr line-thickness)
0
(/ (* 1.25 corr staff-space) -2)
0
(/ (* 1.25 corr staff-space) 2))))
(ly:stencil-add
lne
(ly:stencil-translate-axis
default-stil (* 0.95 corr line-thickness) X)
(ly:stencil-translate-axis
lne (+ (* 1.9 corr line-thickness) default-stil-x-lngth) X))))
#(set-global-staff-size 24)
\include "articulate.ly"
#(define ((chord-name->german-markup-text-alteration B-instead-of-Bb) pitch lowercase?)
(define (pitch-alteration-semitones pitch)
(inexact->exact (round (* (ly:pitch-alteration pitch) 2))))
(define (conditional-string-downcase str condition)
(if condition
(string-downcase str)
str))
(let* ((name (ly:pitch-notename pitch))
(alt-semitones (pitch-alteration-semitones pitch))
(n-a (if (member (cons name alt-semitones) `((6 . -1) (6 . -1)))
(cons 7 (+ (if B-instead-of-Bb 1 1) alt-semitones))
(cons name alt-semitones))))
(make-line-markup
(list
(make-simple-markup
(conditional-string-downcase
(vector-ref #("C" "D" "E" "F" "G" "A" "H" "B") (car n-a))
lowercase?))
(let ((alteration (/ (cdr n-a) 2)))
(cond
((and (equal? lowercase? #f) (= alteration FLAT) (= (car n-a) 7)) (make-simple-markup ""))
((and (= alteration FLAT) (or (= (car n-a) 5) (= (car n-a) 2) )) (make-simple-markup "s"))
((= alteration FLAT) (make-simple-markup "es"))
((and (= alteration DOUBLE-FLAT) (or (= (car n-a) 5)(= (car n-a) 2) )) (make-simple-markup "ses"))
((= alteration DOUBLE-FLAT) (make-simple-markup "eses"))
((= alteration SHARP) (make-simple-markup "is"))
((= alteration DOUBLE-SHARP) (make-simple-markup "isis"))
(else empty-markup)))))))
#(define germanChords (chord-name->german-markup-text-alteration #t))
editorsColor = #grey
ed =
#(define-music-function (grob col mus)
(symbol-list-or-symbol? (color? editorsColor) ly:music?)
;; for abbreviations, we need a symbol instead of a one-element list
(let ((grob (if (= 1 (length grob)) (car grob) grob)))
(case
grob
;; define abbreviations
;; which call the function recursively with a value
;; leading into the (else) clause
;; (or to _another_ abbreviation)
;; be careful to avoid infinite recursion :-)
;; – abbreviation names must not be actual grob names
;; (at least if they’re used in the corresponding
;; clause) or recursion will be infinite also
;; It is recommended to use singular forms only
;; for abbreviations.
((Caut) #{ \ed Staff.AccidentalCautionary #})
((LedgerLine) #{ % barline is workaround to issue 3949
\stopStaff
\ed Staff.LedgerLineSpanner {
\startStaff
$mus
\stopStaff
}
\startStaff #})
((Mmr) #{ \ed MultiMeasureRest $mus #})
((Note) #{ \ed Staff.Accidental
\ed Beam
\ed Dots
\ed Flag
\ed LedgerLine
\ed NoteHead
\ed Rest
\ed Stem $mus #})
((Pitch) #{ \ed NoteHead $mus #})
((Suggest) #{ \ed Staff.AccidentalSuggestion #})
((StemWithFlag) #{ \ed Stem \ed Flag $mus #})
((Tuplet) #{ \ed TupletNumber \ed TupletBracket $mus #})
;; ‘normal’ case
(else
#{
\override $grob . color = #col
$mus
\revert $grob . color
#}))))
#(define new-stil
(lambda (grob)
(let* ((sz (ly:grob-property grob 'font-size 0.0))
(mult (magstep sz))
(dir (ly:grob-property grob 'direction))
(thick 0.15)
(radius 0.7)
(scaled-radius (* mult radius))
(ps-command-string
(format #f
"
0 ~a translate
~a setlinewidth
~a 0 moveto
0 0 ~a 180 0 ~a
stroke
"
;mult
(* thick dir)
thick
(- scaled-radius)
scaled-radius
(if (negative? dir) "arcn" "arc"))))
(ly:make-stencil
(list 'embedded-ps
(format #f
"
gsave currentpoint translate
~a
grestore
"
ps-command-string))
(cons (- scaled-radius) scaled-radius)
(cons
(if (negative? dir) 0 (- scaled-radius))
(if (negative? dir) scaled-radius 0))))))
soft =
-\tweak stencil #new-stil \fermata
#(define-markup-command (golo-schu layout props titel nr ton)
(string? string? string?)
(interpret-markup layout props
#{
\markup
{
\column {
\override #'(baseline-skip . 2)
\column
{
\fill-line \override #'(baseline-skip . 2.5) {
\huge \larger \larger \bold
\center-column
{
$titel
\fontsize #-3 \line { "GL № 711/" $nr \fontsize #-1 \concat { " (bis 2013 № 802/" $nr ) } }
" "
}
}
\column
\fontsize #-1.5
{
\fill-line {
"T: Josel Ph. Neumann (1774-1849)" "M: Franz Schubert (1797-1828)"
}
\fill-line {
"Notensatz: lilypond.miraheze.org" "Deutsche Messe D872"
}
\fill-line {
"" \concat { "Originaltonart: " $ton "-Dur" }
}
}
}
}
}
#}
)
)
#(define-markup-command (text-fromproperty layout props text-1 symbol text-2)
(markup? symbol? markup?)
#:category other
(let ((m (chain-assoc-get symbol props)))
(if (markup? m)
;; prevent infinite loops by clearing the interpreted property:
(interpret-markup
layout
(cons (list (cons symbol `(,property-recursive-markup ,symbol))) props)
(make-concat-markup (list text-1 m text-2)))
empty-stencil)))
#(define-markup-command (tonart-fromproperty layout props text-1 symbol symbol2)
(markup? symbol? symbol?)
#:category other
(let* ((m (chain-assoc-get symbol props))
(ton (chain-assoc-get symbol2 props))
(dur (if (markup? ton) ton "-Dur"))
)
(if (markup? m)
;; prevent infinite loops by clearing the interpreted property:
(interpret-markup
layout
(cons (list (cons symbol `(,property-recursive-markup ,symbol))) props)
(make-concat-markup (list text-1 m dur)))
empty-stencil)))
dropLyrics =
#(define-scheme-function (l)(number?)
#{
\override LyricText.extra-offset = #`(0 . ,l)
\override LyricHyphen.extra-offset = #`(0 . ,l)
\override LyricExtender.extra-offset = #`(0 . ,l)
\override StanzaNumber.extra-offset = #`(0 . ,l)
#}
)
raiseLyrics = {
\revert LyricText.extra-offset
\revert LyricHyphen.extra-offset
\revert LyricExtender.extra-offset
\revert StanzaNumber.extra-offset
}
\paper {
#(include-special-characters)
indent = #0
ragged-right = ##f
ragged-last = ##f
print-all-headers = ##f
print-first-page-number = ##f
oddFooterMarkup = ##f
evenFooterMarkup = ##f
oddHeaderMarkup = #oddFooterMarkup
evenHeaderMarkup = #evenFooterMarkup
bookTitleMarkup = ##f
scoreTitleMarkup =
\markup {
\override #'((baseline-skip . 2) )
\column {
\fill-line \override #'(baseline-skip . 2.5) {
\huge \larger \larger \bold
\center-column {
\fromproperty #'header:title
\fontsize #-2.5 {
\fill-line { \fromproperty #'header:subtitle }
}
\fontsize #-3 \line {
\text-fromproperty "GL № " #'header:new-number ""
\fontsize #-1
\text-fromproperty " (bis 2013 № " #'header:old-number ")"
}
" "
}
}
\fontsize #-1.5 {
\fill-line {
\fromproperty #'header:poet \fromproperty #'header:composer
}
\fill-line {
"Notensatz: lilypond.miraheze.org" ""
\tonart-fromproperty "Originaltonart: " #'header:key #'header:dur
}
\fill-line {
\fromproperty #'header:instrument
\fromproperty #'header:arranger
}
}
}
}
}
orgel =
%Notensatz für Orgelnoten 4stimmig + Text + Harmonisierung + Umbrüche
#(define-music-function (sop alt ten bas akk stru lyr p)
(ly:music? ly:music? ly:music? ly:music? ly:music? ly:music? ly:music? ly:pitch?)
#{
<<
\new ChordNames \transpose c $p $akk
\new PianoStaff="leadsheet"
<<
\new Staff="up"
<<
\new Voice="Alt"
\with { \consists Ambitus_engraver }
{ \voiceOne \transpose c $p $sop }
\new Voice { \voiceTwo \transpose c $p $alt }
>>
\new Lyrics \lyricsto Alt $lyr
\new Staff="down"
<<
\new Voice { \voiceOne \transpose c $p $ten }
\new Voice { \voiceTwo \transpose c $p $bas }
\new NullVoice $stru
>>
>>
>>
#}
)
orgels =
%% simple orgelsatz nur SATBs kein Liedtext
#(define-music-function (sop alt ten bas stru p)
(ly:music? ly:music? ly:music? ly:music? ly:music? ly:pitch?)
#{
<<
\new PianoStaff="leadsheet"
<<
\new Staff="up"
<<
\new Voice="Alt"
\with { \consists Ambitus_engraver }
{ \voiceOne \transpose c $p $sop }
\new Voice { \voiceTwo \transpose c $p $alt }
>>
\new Staff="down"
<<
\new Voice { \voiceOne \transpose c $p $ten }
\new Voice { \voiceTwo \transpose c $p $bas }
\new NullVoice $stru
>>
>>
>>
#}
)
orgelo =
% keine Transponiermöglichkeit
#(define-music-function (sop alt ten bas akk stru lyr)
(ly:music? ly:music? ly:music? ly:music? ly:music? ly:music? ly:music?)
#{
<<
\new ChordNames $akk
\new PianoStaff="leadsheet"
<<
\new Staff="up"
<<
\new Voice="Alt"
\with { \consists Ambitus_engraver }
{ \voiceOne $sop }
\new Voice { \voiceTwo $alt }
>>
\new Lyrics \lyricsto Alt $lyr
\new Staff="down"
<<
\new Voice { \voiceOne $ten }
\new Voice { \voiceTwo $bas }
\new NullVoice $stru
>>
>>
>>
#}
)
orgelp =
%% Orgelsatz mit Pedal
#(define-music-function (sop alt ten bas ped akk stru lyr p)
(ly:music? ly:music? ly:music? ly:music? ly:music? ly:music? ly:music? ly:music? ly:pitch?)
#{
<<
\new ChordNames \transpose c $p $akk
\new PianoStaff="leadsheet"
<<
\new Staff="up"
<<
\new Voice="Alt"
\with { \consists Ambitus_engraver }
{ \voiceOne \transpose c $p $sop }
\new Voice { \voiceTwo \transpose c $p $alt }
>>
\new Lyrics \lyricsto Alt $lyr
\new Staff="down"
<<
\new Voice { \voiceOne \transpose c $p $ten }
\new Voice { \voiceTwo \transpose c $p $bas }
\new NullVoice $stru
>>
>>
\new StaffGroup
\new Staff="Pedal" \with {
\magnifyStaff #5/7
}
<<
\new Voice \transpose c $p $ped
>>
>>
#}
)
orgelpo =
%% Orgelnoten mit Pedal ohne Transponierung
#(define-music-function (sop alt ten bas ped akk stru lyr)
(ly:music? ly:music? ly:music? ly:music? ly:music? ly:music? ly:music? ly:music?)
#{
<<
\new ChordNames $akk
\new PianoStaff="leadsheet"
<<
\new Staff="up"
<<
\new Voice="Alt"
\with { \consists Ambitus_engraver }
{ \voiceOne $sop }
\new Voice { \voiceTwo $alt }
>>
\new Lyrics \lyricsto Alt $lyr
\new Staff="down"
<<
\new Voice { \voiceOne $ten }
\new Voice { \voiceTwo $bas }
\new NullVoice $stru
>>
>>
\new StaffGroup
\new Staff="Pedal" \with {
\magnifyStaff #5/7
}
<<
\new Voice $ped
>>
>>
#}
)
orgelly =
%% eine 2. Textzeile unterhalb
#(define-music-function (sop alt ten bas akk stru lyr lyrii p)
(ly:music? ly:music? ly:music? ly:music? ly:music? ly:music? ly:music? ly:music? ly:pitch?)
#{
<<
\new ChordNames \transpose c $p $akk
\new PianoStaff="leadsheet"
<<
\new Staff="up"
<<
\new Voice="Alt"
\with { \consists Ambitus_engraver }
{ \voiceOne \transpose c $p $sop }
\new Voice { \voiceTwo \transpose c $p $alt }
>>
\new Lyrics \lyricsto Alt $lyr
\new Lyrics \lyricsto Alt $lyrii
\new Staff="down"
<<
\new Voice { \voiceOne \transpose c $p $ten }
\new Voice { \voiceTwo \transpose c $p $bas }
\new NullVoice $stru
>>
>>
>>
#}
)
orgelpre =
%Notensatz für Vorspiel 4stimmig + Umbrüche
#(define-music-function (sop alt ten bas stru p)
(ly:music? ly:music? ly:music? ly:music? ly:music? ly:pitch?)
#{
<<
\new PianoStaff="up"
<<
\new Staff="up"
<<
\new Voice="Alt" { \voiceOne \transpose c $p $sop }
\new Voice { \voiceTwo \transpose c $p $alt }
>>
\new Staff="down"
<<
\new Voice { \voiceOne \transpose c $p $ten }
\new Voice { \voiceTwo \transpose c $p $bas }
\new NullVoice $stru
>>
>>
>>
#}
)
make-midi-list =
#(define-void-function (name score tempolist)
((string? #f) ly:score? list?)
(for-each
(lambda (tempo)
(ly:book-process
(apply
ly:make-book
$defaultpaper
$defaultheader
(list score))
$defaultpaper
#{
\midi {
\tempo 4 = $tempo
}
#}
(format #f "~a_~a"
(or name (substring (ly:parser-output-name) 4))
tempo)))
tempolist))
formidi =
%erzeugen des Scores für Midi
#(define-music-function (sop alt ten bas voc)
(ly:music? ly:music? ly:music? ly:music? ly:music?)
#{
<<
\new Staff {
\new Voice {
\set Staff.midiInstrument = "choir aahs"
$voc
}
}
\new Staff <<
\set Staff.midiInstrument = "Church Organ"
\new Voice $sop
\new Voice $alt
\new Voice $ten
\new Voice $bas
>>
>>
#}
)
#(define myMidi "C:/Manuela/_Lilypond/orgel/Golo/midi/")
midi-list =
#(define-void-function (name sop alt ten bas voc tempolist)
((string? #f) ly:music? ly:music? ly:music? ly:music? ly:music? list?)
(for-each
(lambda (tempo)
(ly:book-process
(apply
ly:make-book
$defaultpaper
$defaultheader
(list (scorify-music #{
<<
\unfoldRepeats \new Staff {
\new Voice {
\set Staff.midiInstrument = "choir aahs"
$voc
}
}
\unfoldRepeats \new Staff <<
\set Staff.midiInstrument = "Church Organ"
\new Voice $sop
\new Voice $alt
\new Voice $ten
\new Voice $bas
>>
>>
#})))
$defaultpaper
#{
\midi {
\tempo 4 = $tempo
}
#}
(format #f "~a_~a"
(or name (string-append myMidi (ly:parser-output-name)))
tempo)))
tempolist))
midi-list-paus =
#(define-void-function (name sop alt ten bas voc pause tempolist)
((string? #f) ly:music? ly:music? ly:music? ly:music? ly:music? ly:music? list?)
(for-each
(lambda (tempo)
(ly:book-process
(apply
ly:make-book
$defaultpaper
$defaultheader
(list (scorify-music #{
<<
\unfoldRepeats \new Staff {
\new Voice {
\set Staff.midiInstrument = "choir aahs"
$pause $voc
}
}
\unfoldRepeats
<<
\new Staff \with { midiInstrument = #"church organ" }
{ $pause $sop }
\new Staff \with { midiInstrument = #"church organ" }
{ $pause $alt }
\new Staff \with { midiInstrument = #"church organ" }
{ $pause $ten }
\new Staff \with { midiInstrument = #"church organ" }
{ $pause $bas }
>>
>>
#})))
$defaultpaper
#{
\midi {
\tempo 4 = $tempo
}
#}
(format #f "~a_~a"
(or name (string-append myMidi (ly:parser-output-name)))
tempo)))
tempolist))
mynote =
#(define-music-function (m)
(ly:duration?)
#{
\override Score.RehearsalMark.break-align-symbols = #'(time-signature)
\once \override Score.RehearsalMark.self-alignment-X = #-1
\mark \markup \fontsize #-3.5 \note { $m } #UP
#}
)
mynotes =
#(define-music-function (m n)
(ly:duration? ly:duration?)
#{
\override Score.RehearsalMark.break-align-symbols = #'(time-signature)
\once \override Score.RehearsalMark.self-alignment-X = #-1
\mark \markup \concat { \fontsize #-3.5 \note { $m } #UP " /" \fontsize #-3.5 \note { $n } #UP }
#}
)
myottava =
#(define-music-function (o) (integer?)
(let ((text (case o
((0) #f)
((1 -1) "8")
((2 -2) "15"))))
#{
\ottava #o
\set Staff.ottavation = #text
#}))
chExceptionMusic = {
<c e gis>1-\markup "(m)"
<c f g>1-\markup \super "4"
}
% Convert music to list and prepend to existing exceptions.
chExceptions = #(append
(sequential-music-to-chord-exceptions chExceptionMusic #t)
ignatzekExceptions)
\layout {
\context {
\Voice
beamExceptions = #'()
\override BreathingSign.text =
\markup { \musicglyph "scripts.lvarcomma" }
\override Stem.neutral-direction = #down
\override Script.outside-staff-priority = #'()
\override Script.padding = #1
\override Tie.thickness = #1
\override PhrasingSlur.thickness = #3
\override Rest.voiced-position = #0
\override MultiMeasureRest.expand-limit = #3
\consists Horizontal_bracket_engraver
\override HorizontalBracket.direction = #UP
\override HorizontalBracket.bracket-flare = #'(0 . 0)
\override HorizontalBracketText.text = \markup \italic "Intro"
\override HorizontalBracket.shorten-pair = #'(.5 . .5)
}
\context {
\Lyrics
\override VerticalAxisGroup.staff-affinity = #CENTER
\override LyricText.font-size = #-1.5
\override StanzaNumber.font-size = #-1.5
}
\context {
\Staff
printPartCombineTexts = ##f
beamExceptions = #'()
\override BreathingSign.text =
\markup { \musicglyph "scripts.lvarcomma" }
\override InstrumentName.font-features = #'("smcp")
\consists #Span_stem_engraver
% \consists Measure_spanner_engraver
% \override MeasureSpanner.text = \markup \italic "Intro"
}
\context {
\Score
\override VerticalAxisGroup.remove-first = ##t
skipBars = ##f
\override MetronomeMark.font-size = #1
\override MetronomeMark.font-shape = #'caps
\override BarLine.thick-thickness = 5
\override Timing.beamExceptions = #'()
\override BarNumber.color = #(rgb-color 0.7 0.7 0.7)
\override BarNumber.layer = #-200
\override BarNumber.padding = #0.4
\override BarNumber.outside-staff-priority =#'()
\override BarNumber.after-line-breaking = ##f
\override BarNumber.font-size = #-1
\override BarNumber.font-series = #'bold
\override BarNumber.self-alignment-X = #0
\override BarNumber.break-visibility = #end-of-line-invisible
\override SystemStartBar.collapse-height = #4
}
\context {
\ChordNames
chordNameLowercaseMinor = ##f
\remove Staff_performer
chordRootNamer = #germanChords
\override ChordName.font-name = #"Orator10 BT"
chordNoteNamer = #(chord-name->german-markup #f)
\override ChordName.X-offset =
#ly:self-alignment-interface::aligned-on-x-parent
chordNameExceptions = #chExceptions
\override ChordName.self-alignment-X = #CENTER
\override ChordName.font-name = #"Arial Narrow"
\override ChordName.layer = #2
\override ChordName.font-size = #-0.5
noChordSymbol = ##f
\consists Horizontal_bracket_engraver
\override HorizontalBracket.direction = #UP
\override HorizontalBracket.bracket-flare = #'(0 . 0)
\override HorizontalBracketText.text = \markup \italic "Intro"
}
\context {
\PianoStaff
\override StaffGrouper.staffgroup-staff-spacing.basic-distance = #2
\override StaffGrouper.staffgroup-staff-spacing.minimum-distance = #0
}
\context {
\StaffGroup
\override SystemStartBracket.collapse-height = #4
\override SystemStartBracket.thickness = #.2
}
}
oob = { \once \override Score.BarNumber.stencil = ##f \bar "" }
bnf = \once \override Score.BarNumber.stencil = ##f
gloria = \markup \override #'(baseline-skip . 2) \left-column {
\line { Gloria: Ehre sei Gott }
\line {
Stichwort: \italic "Herr, erbarme dich unser"
}
\line { manchmal sagt der P so etwas ähnliches wie \italic "Ehre sei Gott in der Höhe" }
}
sanctus = \markup \override #'(baseline-skip . 2) \left-column {
\line { Lobpreis Gottes: Heilig, heilig, heilig }
\line {
Stichwort: \italic "und singen mit den Engeln das Lob deiner Herrlichkeit"
}
}
antwortlied = \markup \override #'(baseline-skip . 2) \left-column {
\line { Antwortlied: nach der ersten Lesung }
\line {
Stichwort: \italic "Wort des lebendigen Gottes"
}
}
gabenbereitung = \markup \override #'(baseline-skip . 2) \left-column {
\wordwrap { Gabenbereitung (Offertorium): Beginn der Eucharistiefeier, nach den Fürbitten }
\vspace #.2
\line {
Stichwort: \italic "darum bitten wir durch Christus, unsern Herrn"
}
}
agnus = \markup \override #'(baseline-skip . 2) \left-column {
\line { Agnus Dei: Pfarrer zerbricht Hostie in mehrere Teile }
\line {
wann: nach dem Friedensgruß
}
}
danklied = \markup \override #'(baseline-skip . 2) \left-column {
\line { Danklied }
\line {
wann: nach der Kommunionausteilung
}
}
auszug = \markup \override #'(baseline-skip . 2) \left-column {
\line { Auszug, Verabschiedung }
\line {
Stichwort: \italic "gehet hin in Frieden"
}
}
halleljua = \markup \override #'(baseline-skip . 3) \left-column {
\line { 1x leise }
\line {
1x leise, Vorbeter singt
}
\line {
1x laut, Gemeinde singt
}
\line { Vorbeter betet }
\line {
1x laut, Gemeinde singt
}
}
noambitus = {
\override AmbitusLine.stencil = ##f
\override AmbitusNoteHead.stencil = ##f
}
myintro =
#(define-music-function (m) ((string? #f) )
#{
\override HorizontalBracketText.text = \markup \italic { "Intro" $m }
#})
%% Zusatztext und extra-offset sind optional
%% es müssen beide Parameter angegeben werden, wenn einer angegeben wird
mybrack =
#(define-music-function (t n m) ((string? #f) (number? 3.5) ly:music?)
#{
{
\once \override HorizontalBracket.Y-extent = #'(0 . 0)
\once \override HorizontalBracketText.Y-extent = #'(0 . 0)
\once \override HorizontalBracket.extra-offset = #`(0 . ,n)
\once \override HorizontalBracketText.extra-offset = #`(0 . ,n)
\once \override HorizontalBracketText.text =
\markup \italic { "Intro" #(or t "") }
<>\startGroup
$m
\stopGroup
}
#})
%% ein optionaler Parameter
%% n ... extra-offset, nach oben verschieben
%% der Standardwert ist für einen ChordNames-context oberhalb berechnet
%% der Zusatztext wird auf \null gesetzt
mybrack-offset =
#(define-music-function (n m) ((number? 3.5) ly:music?)
#{
{
\mybrack "" $n $m
}
#})
#(define (lined-nh grob)
(let* ((default-stil (ly:note-head::print grob))
(default-stil-x-lngth
(interval-length (ly:stencil-extent default-stil X)))
(line-thickness (ly:staff-symbol-line-thickness grob))
(staff-space (ly:staff-symbol-staff-space grob))
(font-size
(assoc-get 'font-size
(ly:prob-property (ly:grob-property grob 'cause) 'tweaks)))
(corr
(if (number? font-size)
(magstep font-size)
1))
(lne
(make-line-stencil
(* 1.9 corr line-thickness)
0
(/ (* 1.25 corr staff-space) -2)
0
(/ (* 1.25 corr staff-space) 2))))
(ly:stencil-add
lne
(ly:stencil-translate-axis
default-stil (* 0.95 corr line-thickness) X)
(ly:stencil-translate-axis
lne (+ (* 1.9 corr line-thickness) default-stil-x-lngth) X))))
\layout {
\context {
\Voice
beamExceptions = #'()
\override BreathingSign.text =
\markup { \musicglyph "scripts.lvarcomma" }
\override Stem.neutral-direction = #down
\override Script.outside-staff-priority = #'()
\override Script.padding = #1
\override Tie.thickness = #1
\override PhrasingSlur.thickness = #3
\override Rest.voiced-position = #0
\override MultiMeasureRest.expand-limit = #3
\consists Horizontal_bracket_engraver
\override HorizontalBracket.direction = #UP
\override HorizontalBracket.bracket-flare = #'(0 . 0)
\override HorizontalBracketText.text = \markup \italic "Intro"
\override HorizontalBracket.shorten-pair = #'(.5 . .5) %% schaut schöner aus über den Akkorden
}
\context {
\Lyrics
\override VerticalAxisGroup.staff-affinity = #CENTER
}
\context {
\Staff
printPartCombineTexts = ##f
beamExceptions = #'()
\override BreathingSign.text =
\markup { \musicglyph "scripts.lvarcomma" }
\override InstrumentName.font-features = #'("smcp")
}
\context {
\Score
\override VerticalAxisGroup.remove-first = ##t
skipBars = ##f
\override MetronomeMark.font-size = #1
\override MetronomeMark.font-shape = #'caps
\override BarLine.thick-thickness = 5
barNumberVisibility = #all-bar-numbers-visible
\override Timing.beamExceptions = #'()
\override BarNumber.color = #(rgb-color 0.7 0.7 0.7)
\override BarNumber.layer = #-200
\override BarNumber.padding = #0.4
\override BarNumber.outside-staff-priority =#'()
\override BarNumber.after-line-breaking = ##f
\override BarNumber.font-size = #-1
\override BarNumber.font-series = #'bold
\override BarNumber.self-alignment-X = #0
\override BarNumber.break-visibility = #end-of-line-invisible
\override SystemStartBar.collapse-height = #4
}
\context {
\ChordNames
chordNameLowercaseMinor = ##f
\remove Staff_performer
chordRootNamer = #germanChords
\override ChordName.font-name = #"Orator10 BT"
chordNoteNamer = #(chord-name->german-markup #f)
\override ChordName.X-offset =
#ly:self-alignment-interface::aligned-on-x-parent
\override ChordName.self-alignment-X = #CENTER
\override ChordName.font-name = #"Arial Narrow"
\override ChordName.layer = #2
\override ChordName.font-size = #-0.5
noChordSymbol = ##f
}
\context {
\PianoStaff
\override StaffGrouper.staffgroup-staff-spacing.basic-distance = #2
\override StaffGrouper.staffgroup-staff-spacing.minimum-distance = #0
}
\context {
\StaffGroup
\override SystemStartBracket.collapse-height = #4
\override SystemStartBracket.thickness = #.2
}
}
oob = { \once \override Score.BarNumber.stencil = ##f \bar "" }
gloria = \markup \override #'(baseline-skip . 2) \left-column {
\line { Gloria: Ehre sei Gott }
\line {
Stichwort: \italic "Herr, erbarme dich unser"
}
\line { manchmal sagt der P so etwas ähnliches wie \italic "Ehre sei Gott in der Höhe" }
}
sanctus = \markup \override #'(baseline-skip . 2) \left-column {
\line { Lobpreis Gottes: Heilig, heilig, heilig }
\line {
Stichwort: \italic "und singen mit den Engeln das Lob deiner Herrlichkeit"
}
}
antwortlied = \markup \override #'(baseline-skip . 2) \left-column {
\line { Antwortlied: nach der ersten Lesung }
\line {
Stichwort: \italic "Wort des lebendigen Gottes"
}
}
gabenbereitung = \markup \override #'(baseline-skip . 2) \left-column {
\wordwrap { Gabenbereitung (Offertorium): Beginn der Eucharistiefeier, nach den Fürbitten }
\vspace #.2
\line {
Stichwort: \italic "darum bitten wir durch Christus, unsern Herrn"
}
}
agnus = \markup \override #'(baseline-skip . 2) \left-column {
\line { Agnus Dei: Pfarrer zerbricht Hostie in mehrere Teile }
\line {
wann: nach dem Friedensgruß
}
}
danklied = \markup \override #'(baseline-skip . 2) \left-column {
\line { Danklied }
\line {
wann: nach der Kommunionausteilung
}
}
auszug = \markup \override #'(baseline-skip . 2) \left-column {
\line { Auszug, Verabschiedung }
\line {
Stichwort: \italic "gehet hin in Frieden"
}
}
halleljua = \markup \override #'(baseline-skip . 3) \left-column {
\line { 1x leise }
\line {
1x leise, Vorbeter singt
}
\line {
1x laut, Gemeinde singt
}
\line { Vorbeter betet }
\line {
1x laut, Gemeinde singt
}
}
noambitus = {
\override AmbitusLine.stencil = ##f
\override AmbitusNoteHead.stencil = ##f
}
\layout {
\context {
\Voice
beamExceptions = #'()
\override BreathingSign.text =
\markup { \musicglyph "scripts.lvarcomma" }
\override Stem.neutral-direction = #down
\override Script.outside-staff-priority = #'()
\override Script.padding = #1
\override Tie.thickness = #1
\override PhrasingSlur.thickness = #3
\override Rest.voiced-position = #0
\override MultiMeasureRest.expand-limit = #3
\consists Horizontal_bracket_engraver
\override HorizontalBracket.direction = #UP
\override HorizontalBracket.bracket-flare = #'(0 . 0)
\override HorizontalBracketText.text = \markup \italic "Intro"
\override HorizontalBracket.shorten-pair = #'(.5 . .5) %% schaut schöner aus über den Akkorden
}
\context {
\Lyrics
\override VerticalAxisGroup.staff-affinity = #CENTER
}
\context {
\Staff
printPartCombineTexts = ##f
beamExceptions = #'()
\override BreathingSign.text =
\markup { \musicglyph "scripts.lvarcomma" }
\override InstrumentName.font-features = #'("smcp")
}
\context {
\Score
\override VerticalAxisGroup.remove-first = ##t
skipBars = ##f
\override MetronomeMark.font-size = #1
\override MetronomeMark.font-shape = #'caps
\override BarLine.thick-thickness = 5
barNumberVisibility = #all-bar-numbers-visible
\override Timing.beamExceptions = #'()
\override BarNumber.color = #(rgb-color 0.7 0.7 0.7)
\override BarNumber.layer = #-200
\override BarNumber.padding = #0.4
\override BarNumber.outside-staff-priority =#'()
\override BarNumber.after-line-breaking = ##f
\override BarNumber.font-size = #-1
\override BarNumber.font-series = #'bold
\override BarNumber.self-alignment-X = #0
\override BarNumber.break-visibility = #end-of-line-invisible
\override SystemStartBar.collapse-height = #4
}
\context {
\ChordNames
chordNameLowercaseMinor = ##f
\remove Staff_performer
chordRootNamer = #germanChords
\override ChordName.font-name = #"Orator10 BT"
chordNoteNamer = #(chord-name->german-markup #f)
\override ChordName.X-offset =
#ly:self-alignment-interface::aligned-on-x-parent
\override ChordName.self-alignment-X = #CENTER
\override ChordName.font-name = #"Arial Narrow"
\override ChordName.layer = #2
\override ChordName.font-size = #-0.5
noChordSymbol = ##f
}
\context {
\PianoStaff
\override StaffGrouper.staffgroup-staff-spacing.basic-distance = #2
\override StaffGrouper.staffgroup-staff-spacing.minimum-distance = #0
}
\context {
\StaffGroup
\override SystemStartBracket.collapse-height = #4
\override SystemStartBracket.thickness = #.2
}
}
oob = { \once \override Score.BarNumber.stencil = ##f \bar "" }
gloria = \markup \override #'(baseline-skip . 2) \left-column {
\line { Gloria: Ehre sei Gott }
\line {
Stichwort: \italic "Herr, erbarme dich unser"
}
\line { manchmal sagt der P so etwas ähnliches wie \italic "Ehre sei Gott in der Höhe" }
}
sanctus = \markup \override #'(baseline-skip . 2) \left-column {
\line { Lobpreis Gottes: Heilig, heilig, heilig }
\line {
Stichwort: \italic "und singen mit den Engeln das Lob deiner Herrlichkeit"
}
}
antwortlied = \markup \override #'(baseline-skip . 2) \left-column {
\line { Antwortlied: nach der ersten Lesung }
\line {
Stichwort: \italic "Wort des lebendigen Gottes"
}
}
gabenbereitung = \markup \override #'(baseline-skip . 2) \left-column {
\wordwrap { Gabenbereitung (Offertorium): Beginn der Eucharistiefeier, nach den Fürbitten }
\vspace #.2
\line {
Stichwort: \italic "darum bitten wir durch Christus, unsern Herrn"
}
}
agnus = \markup \override #'(baseline-skip . 2) \left-column {
\line { Agnus Dei: Pfarrer zerbricht Hostie in mehrere Teile }
\line {
wann: nach dem Friedensgruß
}
}
danklied = \markup \override #'(baseline-skip . 2) \left-column {
\line { Danklied }
\line {
wann: nach der Kommunionausteilung
}
}
auszug = \markup \override #'(baseline-skip . 2) \left-column {
\line { Auszug, Verabschiedung }
\line {
Stichwort: \italic "gehet hin in Frieden"
}
}
halleljua = \markup \override #'(baseline-skip . 3) \left-column {
\line { 1x leise }
\line {
1x leise, Vorbeter singt
}
\line {
1x laut, Gemeinde singt
}
\line { Vorbeter betet }
\line {
1x laut, Gemeinde singt
}
}
noambitus = {
\override AmbitusLine.stencil = ##f
\override AmbitusNoteHead.stencil = ##f
}