LSR/1043
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Beschreibung
Lilypond has amazing drawing capabilities. This example demonstrates how to draw a Stradella bass system as described here Stradella bass system.
The Buttons Ab , C and E are marked. To mark a specific button by outlining it, enter its row and column number: first number: column (0=Beses , 19=A#) Second number: row (1=diminished chord, 2=7th chord, 3=minor chord, 4=major chord, 5=root note, 6=counter bass note) If the parameters are outside this range no button is outlined. Change the scale factor to a number you like. Usage: \markup \scale #'(0.75 . 0.75) \accordion-bass #4 #2
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
% LSR workaround:
#(set! paper-alist (cons '("snippet" . (cons (* 160 mm) (* 155 mm))) paper-alist))
\paper {
#(set-paper-size "snippet")
tagline = ##f
}
\markup\vspace #.5
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
%% %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
%% Drawing a standard Stradella Accordion Bass
%% %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
#(define (create-pitch-list by-pitch result count)
"@var{result}is supposed to be a list containing a single pitch.
A list of pitches is returned. Each pitch is transposed by @var{by-pitch} in
relation to the previous transposed pitch.
This is done @var{count} times.
Finally each calculated pitches pitch-ocatave is set zero.
Example:
(create-pitch-list (ly:make-pitch 0 1 0) (list (ly:make-pitch 0 0 0)) 2)
->
'(#<Pitch c' > #<Pitch d' > #<Pitch e' >)"
(if (zero? count)
(map
(lambda (p)
(ly:make-pitch
0
(ly:pitch-notename p)
(ly:pitch-alteration p)))
(reverse result))
(create-pitch-list
by-pitch
(cons (ly:pitch-transpose (car result) by-pitch) result)
(1- count))))
#(define cycle-of-fifths ;; define circle of fifths as pitchlist
(create-pitch-list (ly:make-pitch 0 4 0) (list (ly:make-pitch 0 6 -1)) 19))
#(define counter-basses ;; define counter bass notes as pitchlist
(create-pitch-list (ly:make-pitch 0 4 0) (list (ly:make-pitch 0 1 -1/2)) 19))
%% %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
%% pitch+music functions and definitions
%% %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
#(define (pitch-equals? p1 p2)
(and
(= (ly:pitch-alteration p1) (ly:pitch-alteration p2))
(= (ly:pitch-notename p1) (ly:pitch-notename p2))))
#(define (note-name->string pitch)
(let* ((a (ly:pitch-alteration pitch))
(n (ly:pitch-notename pitch)))
(make-concat-markup
(list
(make-simple-markup
(vector-ref #("C" "D" "E" "F" "G" "A" "B") n))
(if (= a 0)
(make-line-markup (list empty-markup))
(make-line-markup
(list
(alteration->text-accidental-markup a)
(make-hspace-markup 0.1))))))))
#(define (chord-superscript n)
;; get the superscript for row n
;; counter bass notes and root notes have no superscript
(cond
((= n 2) "M")
((= n 3) "m")
((= n 4) "7")
((= n 5) "o")
(else "")))
#(define (get-index p)
;; get the index of a pitch p in the circle of fifths
;; this number is needed to create the labels of the bass buttons
(list-index (lambda (x) (pitch-equals? x p)) cycle-of-fifths))
#(define (chord-name->markup p n)
;; make the name from a chord with pitch p in row n
;; you get an error when the pitch is not in the circle of fifths
(let* ((i (get-index p))
(terz (note-name->string (list-ref counter-basses i)))
(bas (note-name->string (list-ref cycle-of-fifths i)))
;; root name of the button
(simple
(if (= n 0) terz bas)))
(make-concat-markup
(list
simple
(make-smaller-markup
(make-raise-markup 0.6 (make-simple-markup (chord-superscript n))))))))
#(define-markup-command (accordion-bass layout props i-col i-row)
(index? index?)
;; draw a standard stradella accordion bass with 120 buttons
;; mark the button in column i-col and i-row in a different color
;; column 1: B doubleflat, col 10: C, col 20: A#
;; the rows: 1=diminished chord, 2=7th chord,
;; 3=minor chord, 4=major chord, 5=root note, 6=counter bass note
#:properties ((font-size 0) (thickness 2.5) (offset 3.5)(circle-padding 0.2))
(let* ((ref-mrkp (interpret-markup layout props
;; This markup should have the largest extension and will serve
;; as a reference to calculate the largest circle diameter
;; needed for button labels, checking out the horizontal extent
;; of B DOUBLEFLAT sup M
#{
\markup
\fontsize #font-size \concat {
"B"
\musicglyph #"accidentals.flatflat"
\smaller \raise #0.6 "M"
}
#}))
(ref-mrkp-x-ext (ly:stencil-extent ref-mrkp X))
;; calculating padding from circle-padding
(pad (* (magstep font-size) circle-padding 2))
;; adding pad to extent of widest button label
;; don't mess radius with diameter!
(dm-circle (+ (/ (cdr ref-mrkp-x-ext) 2) pad))
;; distance between two buttons in a row
(col-dist (+ (* 2 dm-circle) pad))
;; you can vary the distance between the button rows
(row-y-dist 0.95)
;; horizontal shifting of the botton rows
(h-shift (+ dm-circle pad))
(thick
(* (magstep font-size)
(ly:output-def-lookup layout 'line-thickness)))
(my-circle (make-circle-stencil dm-circle thick #f))
(default-marked-button-stencil-proc
(lambda (val)
(ly:stencil-add
(ly:stencil-in-color
(make-circle-stencil dm-circle 0 #t)
1 1 1)
(make-circle-stencil
(- dm-circle (* 5 thick)) (* val thick) #f)))))
(apply ly:stencil-add
empty-stencil
(map
(lambda (z)
(ly:stencil-translate
(apply ly:stencil-add
empty-stencil
(map
(lambda (x)
(let* ((chord-name-mrkp
(chord-name->markup (list-ref cycle-of-fifths x) z))
(init-m
(interpret-markup layout props
(if (= z 0)
(make-override-markup
`(thickness . ,(* 10 thick))
(make-underline-markup chord-name-mrkp))
chord-name-mrkp)))
(m
(ly:make-stencil
(ly:stencil-expr init-m)
(ly:stencil-extent init-m X)
(ly:stencil-extent
;; stencil of a simple ref-markup to get correct
;; baseline for all chord-name-markups
(interpret-markup layout props "B")
Y))))
(ly:stencil-translate-axis
(ly:stencil-add
;; mark C-Button
(if (and (= 1 z)(= 9 x))
(default-marked-button-stencil-proc 5)
empty-stencil)
;; mark Ab- and E-Buttons
(if (and (= 1 z)(or (= 5 x)(= 13 x)))
(default-marked-button-stencil-proc 2.5)
empty-stencil)
;; mark Button in column i-col and row i-row
;; (some calculation is done because we draw row 6 first
;;and work our way upwards)
(if (and (= (- 6 i-row) z)(= (1- i-col) x))
(make-circle-stencil dm-circle 0.7 #f)
empty-stencil)
;; this is our chord name as button label
;; underlined if counter bass note
(centered-stencil m)
;; this is the button
my-circle)
(* x col-dist)
X)))
;; loop through all columns
(iota 20 0)))
;; calculate horizontal and vertical shift relative to the leftmost
;; button in the row with the diminished chords
(cons (* z h-shift) (* z col-dist (- row-y-dist)))))
;; loop through all rows
(iota 6)))))
\markup \column {
\vspace #2
"Draw a standard Accordion bass system using Markup-funcions of Lilypond."
\line { "The Buttons A" \flat ", C and E are marked." }
"It's possible to mark a specific button, entering its row and column number"
"Example:"
\line {
\underline "first number:"
"column (1=B"
\concat {
\hspace #-0.5 \super \fontsize #1 \doubleflat
", 20=A"
}
\hspace #-0.5 \super \sharp
")"
}
\line {
\underline "second number:"
"row (1=diminished chord, 2=7th chord, "
}
" 3=minor chord, 4=major chord, 5=root note, 6=counter bass note)"
"If the parameters are outside this range no button is colored."
"Change the scale factor to a number you like."
\line {
"Usage:"
\bold " \markup \scale #'(0.75 . 0.75) \accordion-bass #4 #2"
}
\vspace #1
}
\markup \scale #'(0.75 . 0.75) \accordion-bass #5 #1
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
% LSR workaround:
#(set! paper-alist (cons '("snippet" . (cons (* 160 mm) (* 155 mm))) paper-alist))
\paper {
#(set-paper-size "snippet")
tagline = ##f
}
\markup\vspace #.5
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
%% %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
%% Drawing a standard Stradella Accordion Bass
%% %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
#(define (create-pitch-list by-pitch result count)
"@var{result}is supposed to be a list containing a single pitch.
A list of pitches is returned. Each pitch is transposed by @var{by-pitch} in
relation to the previous transposed pitch.
This is done @var{count} times.
Finally each calculated pitches pitch-ocatave is set zero.
Example:
(create-pitch-list (ly:make-pitch 0 1 0) (list (ly:make-pitch 0 0 0)) 2)
->
'(#<Pitch c' > #<Pitch d' > #<Pitch e' >)"
(if (zero? count)
(map
(lambda (p)
(ly:make-pitch
0
(ly:pitch-notename p)
(ly:pitch-alteration p)))
(reverse result))
(create-pitch-list
by-pitch
(cons (ly:pitch-transpose (car result) by-pitch) result)
(1- count))))
#(define cycle-of-fifths ;; define circle of fifths as pitchlist
(create-pitch-list (ly:make-pitch 0 4 0) (list (ly:make-pitch 0 6 -1)) 19))
#(define counter-basses ;; define counter bass notes as pitchlist
(create-pitch-list (ly:make-pitch 0 4 0) (list (ly:make-pitch 0 1 -1/2)) 19))
%% %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
%% pitch+music functions and definitions
%% %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
#(define (pitch-equals? p1 p2)
(and
(= (ly:pitch-alteration p1) (ly:pitch-alteration p2))
(= (ly:pitch-notename p1) (ly:pitch-notename p2))))
#(define (note-name->string pitch)
(let* ((a (ly:pitch-alteration pitch))
(n (ly:pitch-notename pitch)))
(make-concat-markup
(list
(make-simple-markup
(vector-ref #("C" "D" "E" "F" "G" "A" "B") n))
(if (= a 0)
(make-line-markup (list empty-markup))
(make-line-markup
(list
(alteration->text-accidental-markup a)
(make-hspace-markup 0.1))))))))
#(define (chord-superscript n)
;; get the superscript for row n
;; counter bass notes and root notes have no superscript
(cond
((= n 2) "M")
((= n 3) "m")
((= n 4) "7")
((= n 5) "o")
(else "")))
#(define (get-index p)
;; get the index of a pitch p in the circle of fifths
;; this number is needed to create the labels of the bass buttons
(list-index (lambda (x) (pitch-equals? x p)) cycle-of-fifths))
#(define (chord-name->markup p n)
;; make the name from a chord with pitch p in row n
;; you get an error when the pitch is not in the circle of fifths
(let* ((i (get-index p))
(terz (note-name->string (list-ref counter-basses i)))
(bas (note-name->string (list-ref cycle-of-fifths i)))
;; root name of the button
(simple
(if (= n 0) terz bas)))
(make-concat-markup
(list
simple
(make-smaller-markup
(make-raise-markup 0.6 (make-simple-markup (chord-superscript n))))))))
#(define-markup-command (accordion-bass layout props i-col i-row)
(index? index?)
;; draw a standard stradella accordion bass with 120 buttons
;; mark the button in column i-col and i-row in a different color
;; column 1: B doubleflat, col 10: C, col 20: A#
;; the rows: 1=diminished chord, 2=7th chord,
;; 3=minor chord, 4=major chord, 5=root note, 6=counter bass note
#:properties ((font-size 0) (thickness 2.5) (offset 3.5)(circle-padding 0.2))
(let* ((ref-mrkp (interpret-markup layout props
;; This markup should have the largest extension and will serve
;; as a reference to calculate the largest circle diameter
;; needed for button labels, checking out the horizontal extent
;; of B DOUBLEFLAT sup M
#{
\markup
\fontsize #font-size \concat {
"B"
\musicglyph #"accidentals.flatflat"
\smaller \raise #0.6 "M"
}
#}))
(ref-mrkp-x-ext (ly:stencil-extent ref-mrkp X))
;; calculating padding from circle-padding
(pad (* (magstep font-size) circle-padding 2))
;; adding pad to extent of widest button label
;; don't mess radius with diameter!
(dm-circle (+ (/ (cdr ref-mrkp-x-ext) 2) pad))
;; distance between two buttons in a row
(col-dist (+ (* 2 dm-circle) pad))
;; you can vary the distance between the button rows
(row-y-dist 0.95)
;; horizontal shifting of the botton rows
(h-shift (+ dm-circle pad))
(thick
(* (magstep font-size)
(ly:output-def-lookup layout 'line-thickness)))
(my-circle (make-circle-stencil dm-circle thick #f))
(default-marked-button-stencil-proc
(lambda (val)
(ly:stencil-add
(ly:stencil-in-color
(make-circle-stencil dm-circle 0 #t)
1 1 1)
(make-circle-stencil
(- dm-circle (* 5 thick)) (* val thick) #f)))))
(apply ly:stencil-add
empty-stencil
(map
(lambda (z)
(ly:stencil-translate
(apply ly:stencil-add
empty-stencil
(map
(lambda (x)
(let* ((chord-name-mrkp
(chord-name->markup (list-ref cycle-of-fifths x) z))
(init-m
(interpret-markup layout props
(if (= z 0)
(make-override-markup
`(thickness . ,(* 10 thick))
(make-underline-markup chord-name-mrkp))
chord-name-mrkp)))
(m
(ly:make-stencil
(ly:stencil-expr init-m)
(ly:stencil-extent init-m X)
(ly:stencil-extent
;; stencil of a simple ref-markup to get correct
;; baseline for all chord-name-markups
(interpret-markup layout props "B")
Y))))
(ly:stencil-translate-axis
(ly:stencil-add
;; mark C-Button
(if (and (= 1 z)(= 9 x))
(default-marked-button-stencil-proc 5)
empty-stencil)
;; mark Ab- and E-Buttons
(if (and (= 1 z)(or (= 5 x)(= 13 x)))
(default-marked-button-stencil-proc 2.5)
empty-stencil)
;; mark Button in column i-col and row i-row
;; (some calculation is done because we draw row 6 first
;;and work our way upwards)
(if (and (= (- 6 i-row) z)(= (1- i-col) x))
(make-circle-stencil dm-circle 0.7 #f)
empty-stencil)
;; this is our chord name as button label
;; underlined if counter bass note
(centered-stencil m)
;; this is the button
my-circle)
(* x col-dist)
X)))
;; loop through all columns
(iota 20 0)))
;; calculate horizontal and vertical shift relative to the leftmost
;; button in the row with the diminished chords
(cons (* z h-shift) (* z col-dist (- row-y-dist)))))
;; loop through all rows
(iota 6)))))
\markup \column {
\vspace #2
"Draw a standard Accordion bass system using Markup-funcions of Lilypond."
\line { "The Buttons A" \flat ", C and E are marked." }
"It's possible to mark a specific button, entering its row and column number"
"Example:"
\line {
\underline "first number:"
"column (1=B"
\concat {
\hspace #-0.5 \super \fontsize #1 \doubleflat
", 20=A"
}
\hspace #-0.5 \super \sharp
")"
}
\line {
\underline "second number:"
"row (1=diminished chord, 2=7th chord, "
}
" 3=minor chord, 4=major chord, 5=root note, 6=counter bass note)"
"If the parameters are outside this range no button is colored."
"Change the scale factor to a number you like."
\line {
"Usage:"
\bold " \markup \scale #'(0.75 . 0.75) \accordion-bass #4 #2"
}
\vspace #1
}
\markup \scale #'(0.75 . 0.75) \accordion-bass #5 #1