Ein Haus voll Glorie schauet Kurzfassung/score
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Lilypond Score
\version "2.22.0"
\language "deutsch"
make-midi-list =
#(define-void-function (name score tempolist)
((string? #f) ly:score? list?)
(for-each
(lambda (tempo)
(ly:book-process
(apply
ly:make-book
$defaultpaper
$defaultheader
(list score))
$defaultpaper
#{
\midi {
\tempo 4 = $tempo
}
#}
(format #f "~a_~a"
(or name "midi")
tempo)))
tempolist))
#(define ((chord-name->german-markup-text-alteration B-instead-of-Bb) pitch lowercase?)
(define (pitch-alteration-semitones pitch)
(inexact->exact (round (* (ly:pitch-alteration pitch) 2))))
(define (conditional-string-downcase str condition)
(if condition
(string-downcase str)
str))
(let* ((name (ly:pitch-notename pitch))
(alt-semitones (pitch-alteration-semitones pitch))
(n-a (if (member (cons name alt-semitones) `((6 . -1) (6 . -1)))
(cons 7 (+ (if B-instead-of-Bb 1 1) alt-semitones))
(cons name alt-semitones))))
(make-line-markup
(list
(make-simple-markup
(conditional-string-downcase
(vector-ref #("C" "D" "E" "F" "G" "A" "H" "B") (car n-a))
lowercase?))
(let ((alteration (/ (cdr n-a) 2)))
(cond
((and (equal? lowercase? #f) (= alteration FLAT) (= (car n-a) 7)) (make-simple-markup ""))
((and (= alteration FLAT) (or (= (car n-a) 5) (= (car n-a) 2) )) (make-simple-markup "s"))
((= alteration FLAT) (make-simple-markup "es"))
((and (= alteration DOUBLE-FLAT) (or (= (car n-a) 5)(= (car n-a) 2) )) (make-simple-markup "ses"))
((= alteration DOUBLE-FLAT) (make-simple-markup "eses"))
((= alteration SHARP) (make-simple-markup "is"))
((= alteration DOUBLE-SHARP) (make-simple-markup "isis"))
(else empty-markup)))))))
#(define germanChords (chord-name->german-markup-text-alteration #t))
\layout {
\context {
\Voice
beamExceptions = #'()
\override BreathingSign.text =
\markup { \musicglyph #"scripts.lvarcomma" }
\override Stem.neutral-direction = #down
\override Script.outside-staff-priority = #'()
\override Script.padding = #1
\override Tie.thickness = #1
\override PhrasingSlur.thickness = #3
\override Rest.voiced-position = #0
\override MultiMeasureRest.expand-limit = #3
}
\context {
\Staff
printPartCombineTexts = ##f
beamExceptions = #'()
\override BreathingSign.text =
\markup { \musicglyph #"scripts.lvarcomma" }
\override InstrumentName.font-features = #'("smcp")
}
\context {
\Score
\override VerticalAxisGroup.remove-first = ##t
skipBars = ##f
\override MetronomeMark.font-size = #1
\override MetronomeMark.font-shape = #'caps
\override BarLine.thick-thickness = 5
\override Timing.beamExceptions = #'()
barNumberVisibility = #all-bar-numbers-visible
\override BarNumber.color = #(rgb-color 0.7 0.7 0.7)
\override BarNumber.layer = #-200
\override BarNumber.padding = #0.4
\override BarNumber.outside-staff-priority =#'()
\override BarNumber.after-line-breaking = ##f
\override BarNumber.font-size = #-1
\override BarNumber.font-series = #'bold
\override BarNumber.self-alignment-X = #0
\override BarNumber.break-visibility = #end-of-line-invisible
}
\context {
\ChordNames
chordNameLowercaseMinor = ##f
\remove Staff_performer
chordRootNamer = #germanChords
\override ChordName.font-name = #"Orator10 BT"
chordNoteNamer = #(chord-name->german-markup #f)
\override ChordName.X-offset =
#ly:self-alignment-interface::aligned-on-x-parent
\override ChordName.self-alignment-X = #CENTER
\override ChordName.font-name = #"Arial Narrow"
\override ChordName.layer = #2
\override ChordName.font-size = #-0.5
noChordSymbol = ##f
}
\context {
\Lyrics
\override VerticalAxisGroup.staff-affinity = #CENTER
}
}
myTitel = "Ein Haus voll Glorie schauet"
mycomp=\markup \line \fontsize #0 {
"M: Adolf Lohmann"
}
sop = \relative c'' {
\time 2/2
\override Score.RehearsalMark.break-align-symbols = #'(time-signature)
\override Score.TimeSignature.break-align-anchor-alignment = #CENTER
\mark \markup { \fontsize #-3.5 \note {2} #UP }
\key c \major
\autoBeamOff
\numericTimeSignature
\partial 4
g4
c g a h
g2 e4 \breathe g
c d h a
g2 r4 e4
g4 g a h
c2 d4 \breathe f
e c c\fermata h\fermata
c1\fermata
\bar "|."
}
alt = \relative c'' {
g4 e e f d
e2 c4 e
f f d d
e2 s4 c
e4 e f d
e g h g
g2 f2
e1
}
ten = \relative c' {
\key c \major
\numericTimeSignature
\clef bass
h4
c c a h
g2 ~ g4 g
a2 f2
g2 r4 g
e2 f2
g2 g4 g
g2 a4 h
g1
}
bas = \relative c' {
g4 ~ g e f g
e2 c4 c
c f d2
c2 s4 e
c2 c4 h
c2 d4 d
e2 f4 d c1
}
Akk=
\chordmode {
g4:7
c2 f4 g
c1
f4 d:m g2:7
c s4 c
c2 f4 g
c2 g4 g:7
c c f g c
}
Struktur =
{
\override Score.NonMusicalPaperColumn.page-break-permission = ##f
\override Score.SpacingSpanner.common-shortest-duration = #(ly:make-moment 1/66)
\override PianoStaff.VerticalAxisGroup.staff-staff-spacing =
#'((basic-distance . 14)
(padding . 6))
%\tempo 4=88
}
kopf=\header {
title = \markup { \myTitel " instrumental" }
subtitle = "GL 478 (alt: 639)"
subsubtitle = \markup \column { "Kurzfassung" " " " " }
poet= "Notensatz: lilypond.miraheze.org"
composer = "M: Joseph Hermann Mohr (1834-1892) 1875"
piece = ##f
}
%ccc=
\bookpart {
\paper {
top-margin = 40\mm
ragged-right = ##f
ragged-last = ##f
ragged-bottom = ##t
ragged-last-bottom = ##t
bottom-margin = 25\mm
indent = #0
line-width = 160\mm
print-all-headers = ##t
#(include-special-characters)
print-first-page-number = ##t
first-page-number = #1
oddFooterMarkup = ##f
evenFooterMarkup = ##f
oddHeaderMarkup = #oddFooterMarkup
evenHeaderMarkup = #evenFooterMarkup
markup-system-spacing.padding = #4
system-system-spacing.padding = #8
markup-markup-spacing.padding = #2
}
\score
{
<<
\new ChordNames \Akk
<<
\new PianoStaff="leadsheet"
<<
\new Staff="Discant"
<<
\new Voice="Alt" { \voiceOne \sop }
\new Voice { \voiceTwo \alt }
>>
\new Staff="Bass"
<<
\new Voice { \voiceOne \ten }
\new Voice { \voiceTwo \bas }
\new NullVoice \Struktur
>>
>>
>>
>>
\kopf
}
}