Dein Lob Herr ruft der Himmel aus/score

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Lilypond Score

\version "2.20.0"
\language "deutsch"

make-midi-list =
#(define-void-function (name score tempolist)
   ((string? #f) ly:score? list?)
   (for-each
    (lambda (tempo)
      (ly:book-process
       (apply
        ly:make-book
        $defaultpaper
        $defaultheader
        (list score))
       $defaultpaper
       #{
         \midi {
           \tempo 4 = $tempo
         }
       #}
       (format #f "~a_~a"
         (or name "midi")
         tempo)))
    tempolist))

#(define ((chord-name->german-markup-text-alteration B-instead-of-Bb) pitch lowercase?)

   (define (pitch-alteration-semitones pitch)
     (inexact->exact (round (* (ly:pitch-alteration pitch) 2))))

   (define (conditional-string-downcase str condition)
     (if condition
         (string-downcase str)
         str))

   (let* ((name (ly:pitch-notename pitch))
          (alt-semitones  (pitch-alteration-semitones pitch))
          (n-a (if (member (cons name alt-semitones) `((6 . -1) (6 . -1)))
                   (cons 7 (+ (if B-instead-of-Bb 1 1) alt-semitones))
                   (cons name alt-semitones))))
     (make-line-markup
      (list
       (make-simple-markup
        (conditional-string-downcase
         (vector-ref #("C" "D" "E" "F" "G" "A" "H" "B") (car n-a))
         lowercase?))
       (let ((alteration (/ (cdr n-a) 2)))
         (cond
          ((and (equal? lowercase? #f) (= alteration FLAT) (= (car n-a) 7)) (make-simple-markup ""))
          ((and (= alteration FLAT) (or (= (car n-a) 5) (= (car n-a) 2) )) (make-simple-markup "s"))
          ((= alteration FLAT) (make-simple-markup "es"))
          ((and (= alteration DOUBLE-FLAT) (or (= (car n-a) 5)(= (car n-a) 2) )) (make-simple-markup "ses"))
          ((= alteration DOUBLE-FLAT) (make-simple-markup "eses"))
          ((= alteration SHARP) (make-simple-markup "is"))
          ((= alteration DOUBLE-SHARP) (make-simple-markup "isis"))
          (else empty-markup)))))))

#(define germanChords (chord-name->german-markup-text-alteration #t))

\layout {
  \context {
    \Voice
    beamExceptions = #'()
    \override BreathingSign.text =
    \markup { \musicglyph #"scripts.lvarcomma" }
    \override Stem.neutral-direction = #down
    \override Script.outside-staff-priority = #'()
    \override Script.padding = #1
    \override Tie.thickness = #1
    \override PhrasingSlur.thickness = #3
    \override Rest.voiced-position = #0
    \override MultiMeasureRest.expand-limit = #3
  }
  \context {
    \Staff
    printPartCombineTexts = ##f
    beamExceptions = #'()
    \override BreathingSign.text =
    \markup { \musicglyph #"scripts.lvarcomma" }
    \override InstrumentName.font-features = #'("smcp")
  }
  \context {
    \Score
    \override VerticalAxisGroup.remove-first = ##t
    skipBars = ##f
    \override MetronomeMark.font-size = #1
    \override MetronomeMark.font-shape = #'caps
    \override BarLine.thick-thickness = 5
    \override Timing.beamExceptions = #'()
    barNumberVisibility = #all-bar-numbers-visible
    \override BarNumber.color = #(rgb-color 0.7 0.7 0.7)
    \override BarNumber.layer = #-200
    \override BarNumber.padding = #0.4
    \override BarNumber.outside-staff-priority =#'()
    \override BarNumber.after-line-breaking = ##f
    \override BarNumber.font-size = #-1
    \override BarNumber.font-series = #'bold
    \override BarNumber.self-alignment-X = #0
    \override BarNumber.break-visibility = #end-of-line-invisible
  }
  \context {
    \ChordNames
    chordNameLowercaseMinor = ##f
    \remove Staff_performer
    chordRootNamer = #germanChords
    \override ChordName.font-name = #"Orator10 BT"
    chordNoteNamer = #(chord-name->german-markup #f)
    \override ChordName.X-offset =
    #ly:self-alignment-interface::aligned-on-x-parent
    \override ChordName.self-alignment-X = #CENTER
    \override ChordName.font-name = #"Arial Narrow"
    \override ChordName.layer = #2
    \override ChordName.font-size = #-0.5
    noChordSymbol = ##f
  }
  \context {
    \Lyrics
    \override VerticalAxisGroup.staff-affinity = #CENTER
  }
}

myTitel = "Dein Lob, Herr, ruft der Himmel aus"
mycomp=\markup \line \fontsize #0 {
  "M: Albert Curtz 1659"
}
sop = \relative c' {
  \time 6/4
  \key b \major
  \autoBeamOff
  \override Slur.details.max-slope = #1
  \override Score.RehearsalMark.self-alignment-X = #-2.5
  \mark \markup \fontsize #-3 { \note #"2" #UP }
  \tempo 2=43
  \partial 4
  f4 f2 f4
  b2 b4 c2 c4
  d2 \breathe d4 b2 f4
  g2 b4 b2 a4
  b2 \breathe d4 c ( b ) a
  b2 a4 g2.
  f4 r
  c f2 g4
  a2 f4 g2 a4
  b2 \breathe f4 g2 f4
  g2 f4 es4. ( f8 ) es ( d )
  c2 \breathe f4 g2 f4
  es2 d4 c2.
  b2
  \bar "|."
}

alt = \relative c' {
  c4 d2 c4
  f2 es4 e2 f4
  f2 fis4 d es c
  d2 f4 g2 f4
  f2 b4 e,2 f4 f2 f4
  f e8 d e4 c s c
  c2 e4 f2 d4
  es2 es4 f2 c4
  es2 d4 d2 d4
  b2 b4 a2 d4
  c2 c4 b2 b4
  b2 a4 f2
}

ten = \relative c' {
  \key b \major
  \clef bass
  a4 b2 a4
  b2 g4
  g2 a4 b2 a4
  g2 a4 b2 ~ b4 ~
  b2 a4 f2 f4
  g2 f4 b2 a4
  c2 b4 a4 r f
  a2 c4 c2 b4 ~
  b2 a4 b2 a4
  b2 ~ b4 b2 a4
  g2 f4 f2 \breathe f4
  es2 f4 g2 f4
  g2 f4 d2
}

bas = \relative c {
  f4 f2 f4
  d f es
  c2 ~ c4 d2 ~ d4 ~
  d2 c4 b2 d4
  es2 c4 d2 b4
  c2 ~ c4 d2 c4
  c2. ~ c4 s c
  c2 ~ c4 ~ c2 d4
  es d c d2 c4
  es2 b4 ~ b2 d4
  g, c4 b4 f2 a4
  c2 ~ c4 es2 b4
  c4 es a, b2
}

Akk=
\chordmode {
  f4 b2 f4
  b2 c4:m c2 f4
  b2 d4 g2:m f4
  g2:m b4 es2 f4
  b2 q4 c2:7 f4 b2 f4
  c2. f4 s f
  f2 c4 f2 b4
  es2 f4:7 b2 f4
  es2 b4 g2:m d4:m
  es2 b4 f2 d4:m
  c2:m f4 es2 b4
  c2:m7 f4 b2
}

Struktur =
{
  \override Score.NonMusicalPaperColumn.page-break-permission = ##f
  \override Score.SpacingSpanner.common-shortest-duration = #(ly:make-moment 1/20)
}

lyr = \lyricmode {
  Dein Lob, Herr, ruft der Him -- mel aus,
  das blau -- e, licht -- er -- füll -- te Haus
  mit so -- viel Zung'n als Ster -- nen.
  Der wei -- ße Tag, die schwar -- ze Nacht,
  wann sie ab -- wech -- seln von der Wacht,
  sie kün -- dens aus den Fer -- nen.
}

kopf=\header {
  title = \myTitel
  subtitle = "GL 203 (alt: 470)"
  subsubtitle = ##f
  piece = "Notensatz: lilypond.miraheze.org"
  composer = \markup { #mycomp }
  poet = "Augsburg 1669"
}

\bookpart {

  \paper {
    top-margin = 25\mm
    ragged-right = ##f
    ragged-last = ##f
    ragged-bottom = ##f
    ragged-last-bottom = ##t
    bottom-margin = 25\mm
    indent = #0
    line-width = 170\mm
    print-all-headers = ##f
    #(include-special-characters)
    print-first-page-number = ##t
    first-page-number = #1
    oddFooterMarkup = ##f
    evenFooterMarkup = ##f
    oddHeaderMarkup = #oddFooterMarkup
    evenHeaderMarkup = #evenFooterMarkup
    markup-system-spacing.padding = #6
    system-system-spacing.padding = #4
  }
  \kopf
  \score
  {
    <<
      \new ChordNames \Akk
      <<
        \new PianoStaff="leadsheet"
        <<
          \new Staff="Discant"
          <<
            \new Voice="Alt" { \voiceOne \sop }
            \new Voice { \voiceTwo \alt }
          >>
          \new Lyrics \lyricsto Alt \lyr
          \new Staff="Bass"
          <<
            \new Voice { \voiceOne \ten }
            \new Voice { \voiceTwo \bas }
            \new NullVoice \Struktur
          >>
        >>
      >>
    >>
  }
}