Carl Czerny, Op.840 Nr.6
(Weitergeleitet von Cz op840 nr 6)
\version "2.20.0"
\language "deutsch"
\include "defn.ily"
exercise ="6"
durde = \markup "A moll."
durfr = \markup "La mineur."
molde = \markup \bold { "A Dur. " }
molfr = \markup \italic { "(La majeur.)" }
myTitel = #(string-append "Melodische Übung " durde)
RH= \relative c'' {
\time 6/8
\key c \major \partial 8
\set Timing.beamExceptions = #'()
\set Timing.baseMoment = #(ly:make-moment 1/8)
\set Staff.beatStructure = #'(3 3) % abhängig vom Takt
\override Fingering.padding = #0.8
\override Fingering.staff-padding = #'()
\override Fingering.avoid-slur = #'inside
\set fingeringOrientations = #'(up) %% für Akkorde!
\override Fingering.direction = #UP %% für Einzelnoten!
\override Slur.height-limit = #4
\repeat volta 2 {
\slashedGrace f8 e16-3 ( dis-2
e8-1 a-3 c-5_>~ c a e )
e( h' d_>~ d h e, )
e8-1 ( a-3 c~-5_> c a e )
gis-2 ( h4~ ) h8 e, e e-1 ( a16-2 h c8~-4 c h-2 a-1 )
\slashedGrace c8 b16-2 ( a b d-4 f8~ f e d )
c4-2 ( e8-5 h!4 e8 a,4. r8 r)
}
\tag #'umbruch \break
\repeat volta 2 {
e8 e( fis gis-3 a-1 h c)
c4-3 ( h8 a ) r a
a-5 ( a, ) a \grace { c16 d! } c8.-3 ( h16 a8 )
< gis~ h^~ e~ >4. < gis h e >8 e' e
e-1 ( a-2 c-4 \grace { c16 d } c8.-3 h16-2 a8-1 )
\override Fingering.avoid-slur = #'outside
\grace { f16-1 b-2 d-4 } f4.-5-.~ f8( e d ) c-2 ( e-5-. ) e-. h ( e-. ) e-.
a,4. r8
r8^\markup "Fine."
}
\tag #'umbruch \break
\key a \major
\override Fingering.avoid-slur = #'inside
\tag #'Moll
{
\repeat volta 2 {
e8
< cis-2 e-4 >4. ( < a-1 cis-2 >8 < d-3 fis-5 > < cis e > < h~ d~ >4. )
< h d >8 < h-2 d-4 > q
< h-2 d-4 >4. ( < gis-1 h-2 >8 < cis-3 e-5 > < h d > )
< a~ cis~ >4. < a cis >8
%\once \override Voice.Slur #'positions = #'(3 . 3.5)
a( e' )
dis16-3 ( cis h cis dis e-1 fis gis a-1 h cis dis-4
\myott #1 e-1 gis h-5 a gis fis e-1 dis-4 cis h a-1 gis-3 ) \ottava #0
fis-2 ( gis fis eis fis-2 a-5 ) h,8-. cis-. dis-.
e16-2 ( h e gis h gis e8 ) r
}
\repeat volta 2 {
e-5 < h d! gis~ >4. gis'8 ( fis e )
< cis-2 e-3 >4. a'8 ( cis, e )
\override Fingering.avoid-slur = #'outside
\override Slur.outside-staff-priority = #500
\override Fingering.outside-staff-priority = #1000
< cis-2 e-4 > ( < h d > ) q < h-2 d-4 > ( < a cis > ) q
< gis h >4. r8 e'-5 e
\override Fingering.avoid-slur = #'inside
\override Fingering.outside-staff-priority = #100
cis16-3 ( h a h cis d-1 e fis gis-4 a-1 cis-3 a-1
gis-3 fis eis fis gis ais-4 h-1 cis-2 e!-4 d cis h )
e-5 ( cis a e cis' a d-5 h-3 gis-1 e-1 d-4 h-2
a-1 cis e a e cis a8 ) r
}
}
}
LH = \relative c' {
\clef bass \key c \major \partial 8
\mergeDifferentlyHeadedOn
\mergeDifferentlyDottedOn
\set fingeringOrientations = #'(left) %% für Akkorde!
%\override Fingering.direction = #UP %% für Einzelnoten!
\override Fingering.padding = #0.8
\override Fingering.staff-padding = #'()
\repeat volta 2 {
\slashedGrace s8 r8
\voiceOne
a4. a gis gis a f
\oneVoice
e8( gis h e-1 d!-2 h-4 )
\voiceOne
a4. a d, d e e
\oneVoice
< a c >8 e'-2( c-3 a-5 ) r
}
\repeat volta 2 {
r
\voiceOne
e4. e e a f f
\oneVoice
e8( gis h e ) e, ( d
\voiceOne
c4.) c d d e e
\oneVoice
< a c >8 e[-2( c]-3 a-5 ) r
}
\key a \major
\tag #'Moll
{
\repeat volta 2
{
r
\override Fingering.direction = #DOWN
a16-5( cis-3 d e-1 fis-3 gis a8 ) r r
\once \override Slur.details.max-slope = #0.2
e,16-5_( gis-3 h-2 e-1 gis h e8 ) r r
e,,16 ( gis a h-1 cis-3 d e8 ) r8 r
a,16 cis e a e cis a8 r8 r
\clef treble
< a' h dis fis >4 r8 q4 r8
< gis h e >4 r8 q4 r8
< a' cis fis >4 r8 q4 r8
< e~ gis~ >4. < e gis >8 r
}
\repeat volta 2
{
r
\clef bass
e,,16( gis h e gis h e8 ) r r
\override Fingering.avoid-slur = #'inside
\stemUp
e,,16-5_( a-3 cis-2 e-1 a-3 cis-2
\stemNeutral
e8 ) r8 r
< gis, e' >4 r8 < a e' >4 r8
\revert Fingering.direction
e16( e' d cis-3 h-1 a gis fis-4 e-1 d cis h-4 )
a4 r8 < cis e a >4 r8
< d fis h >4 r8 q4 r8
< e a cis >4 r8 < e gis d' >4 r8
< a~ cis~ >4. q8 r
}
}
}
LHii = \relative c' {
\voiceTwo
\repeat volta 2 {
\slashedGrace s8 s8
a < c e > q a q q
gis < h e > q gis q q
a < c e > q f, < a dis > q
s2.
a8 < c e >8 q a q q
d, < f b > q d q q
e < a c > q e < gis d' > q
s2 s8
}
\repeat volta 2 {
s
e8 < h' d > q e, < a c > q
e < gis d' > q a < c e > q
f, < a dis > q f q q
s2.
c8 < e a > q c q q
d < f b > q d q q
e < a c > q e < gis d' > q
s2 s8
}
\tag #'Moll
{
\repeat volta 4 {
s8
s2. * 7
s2 s8
}
}
}
dynamics = {
\override Score.RehearsalMark.self-alignment-X = #-1
\mark \markup "Allegretto moderato"
\once \override TextScript.X-offset = #-3
s8-\markup { \dynamic p \italic \large dol. }
s2. * 4
s8 s-\markup { \italic \large cresc. } s2
s4 s2\sf\> s2.\p s2 s8
s\p s2.\< s\sf\> s\!
s2 s4-\markup { \italic \large cresc. }
s2.
s\f\> s\p s2 s8
s8-\markup \whiteout { \dynamic p \italic \large dol. }
s2. s s s
s4. s\< s\> s\!
s2.\p s2 s8
s\f s2. s
s\p s
s4. s-\markup { \italic \large cresc. }
s2.
s4.\sf s-\markup { \italic \large dim. }
\override Score.RehearsalMark.direction = #DOWN
s4
\mark \markup "D.C. sino al fine."
}
#(set! paper-alist (cons '("mein Format" . (cons 280 330)) paper-alist))
\paper {
#(include-special-characters)
#(define fonts
(set-global-fonts
#:music "Ross"
#:brace "emmentaler"
#:roman "Century Schoolbook L"
#:sans "sans-serif"
#:typewriter "monospace"
))
}
aa= \paper
{
%#(set-paper-size "a3")
#(set-paper-size "mein Format")
top-markup-spacing.basic-distance = #1
system-system-spacing.basic-distance = #16
markup-system-spacing.basic-distance = 16
markup-system-spacing.padding = 4
oddHeaderMarkup = ##f
evenHeaderMarkup = ##f
oddFooterMarkup = ##f
evenFooterMarkup = ##f
ragged-right = ##f
ragged-last = ##f
ragged-bottom = ##t
ragged-last-bottom = ##t
top-margin = 0
bottom-margin = 0
left-margin = 15\mm
%line-width = 260\mm
right-margin = #left-margin
page-breaking = #ly:one-page-breaking
annotate-spacing = ##f
}
cc=\paper {
line-width = 165\mm
top-margin = 20\mm
bottom-margin = 20\mm
annotate-spacing = ##f
evenFooterMarkup = ##f
oddFooterMarkup = ##f
evenHeaderMarkup = ##f
oddHeaderMarkup = ##f
system-system-spacing = #'((basic-distance . 10)
(minimum-distance . 8)
(padding . 2)
(stretchability . 60))
}
%\aa %% Ausgabe auf einer Seite
\cc %% Ausgabe im A4-Format
dd=
\bookpart {
\header {
title = \myTitel
subtitle = \markup \concat { "Op.840, №" \exercise }
subsubtitle = ##f
poet = ##f
composer = "Carl Czerny (1791-1857)"
piece = ##f
opus = ##f
}
\score {
\new PianoStaff
<<
\new BarNumberStaff="Discant"
<<
\new Voice %\removeWithTag #'umbruch %% auskommentieren bei A4
\RH
>>
\new Dynamics\dynamics
\new Staff="Bass"
<<
\new Voice \LH
\new Voice \LHii
>>
>>
\layout {
\context {
\PianoStaff
instrumentName = \markup {
\center-column {
\line { \bold \huge { "№" } \number { \exercise "." } }
\line \large { \durde }
\italic \line { \durfr }
}
}
shortInstrumentName = ""
\override VerticalAxisGroup.staff-staff-spacing.basic-distance = #10
\override VerticalAxisGroup.staff-staff-spacing.padding = #5
}
\context {
\Score
\override SpacingSpanner.common-shortest-duration = #(ly:make-moment 1/7)
}
}
}
}
%bb=
\score {
\unfoldRepeats
{
<<
\new Staff {
\set Staff.midiInstrument = "pan flute"
\removeWithTag #'umbruch
\RH \removeWithTag #'Moll \removeWithTag #'umbruch \RH
}
\new Staff {
\set Staff.midiInstrument = #"vibraphone"
\LH \removeWithTag #'Moll \LH
}
\new Staff {
\set Staff.midiInstrument = "fx 4 (atmosphere)"
\clef bass \LHii \removeWithTag #'Moll \LHii
}
>>
}
\midi {
\tempo 4=120
}
\layout { }
}