Carl Czerny, Op.840 Nr.5/score
(Weitergeleitet von Cz op840 nr 5/score)
\version "2.20.0"
\language "deutsch"
\include "defn.ily"
exercise ="5"
durde = \markup "C Dur."
durfr = \markup "Ut majeur."
molde = \markup \bold { "C moll. " }
molfr = \markup \italic { "(Ut mineur.)" }
myTitel = #(string-append "Melodische Übung " durde)
RH= \relative c'' {
\time 2/4
\key c \major
\set Timing.baseMoment = #(ly:make-moment 1/8)
\set Staff.beatStructure = #'(1 1 1 1) % abhängig vom Takt
\set fingeringOrientations = #'(left) %% für Akkorde!
\override Fingering.direction = #UP %% für Einzelnoten!
\override Fingering.padding = #0.8
\override Fingering.staff-padding = #'()
\override Fingering.avoid-slur = #'inside
\repeat volta 2 {
r8
c32-.-1
( d e f g8-5-. ) g32-1 ( a h c
d8-5-. ) d32-5 ( c h a g8-1-. ) g'32-5 ( f e d
e8-3-. ) e32-5 ( d c h a8-. ) d32-5 ( c h a
g8 ) f'!32-4 g f e d c-1 h-4 a g f-1 e-3 d
c8-. c32 ( d e f g8-. ) g32 ( a h c
d8-. ) d32 ( c h a g8-. ) h32-5 ( a g f
e8-. ) a32-5 ( g f e d8-. ) g32-5 ( f e d
c d e-3 f-1 g a h c ) c,8-. r8
}
\repeat volta 2 {
\set Staff.beatStructure = #'(4)
< h-3 d-5 >8 q q q
< c d >^4^5 q q q < fis,-1 a-2 d-5 >_[ q q q] < g h d > q q q r8
\set Staff.beatStructure = #'(1 1 1 1 )
d''32-5 ( c h a g8-. ) h32-5 ( a g fis
e8-. ) e'32-5 ( d c h a8-.) c32-4 ( h a g
fis-3 g a g fis e d e fis-3 g-1 a h c-1 d e fis )
\set Staff.beatStructure = #'(2 2 )
e16 ( d ) h-. g-1-. f!-3 ( e f d )
\set Staff.beatStructure = #'(1 1 1 1 )
c8-2-. c32-1 ( d e f g8-5-. ) g32 ( a h c
d8-. ) d32 ( c h a g8-. ) g'32 ( f e d
< e-3>8-. ) e32-5 ( d c h a8-. ) d32 c h a
g-1 a h-3 c-1 d e f!-4 e d c-1 h-4 a g f-1 e-3 d-2
\set Staff.beatStructure = #'(4 )
< c-1 e-3 >8 q q q < a c d >[ q] < c d a' > q
\set Staff.beatStructure = #'(1 1 1 1 )
h32-5 c d c h a g a h-3 c-1 d e f-1 g a h
\myott #1
c-1 d e f-1 g a h c c,8 \ottava #0 r8^\markup "Fine."
}
\key es \major
\set Staff.beatStructure = #'(4 )
\tag #'Moll
{
\repeat volta 2 {
es,4-3 ( f16 es d c )
as'4-3 ( b16 as g f )
es8-2 ( d g d )
f4 ( es16-. ) g,-1 ( c-2 d-3
es4-4f16-5 es-3 d-2 c-1 )
c'4-5_> ( b16 as g f )
\set Staff.beatStructure = #'(2 2 )
b8-5 ( g16-4 es-1 as8-5 f16-3 d-1
es-3 b-1 g'-5 b,-1 es8-3 ) r8
}
\repeat volta 2 {
g8-5 g f16 ( es d c-1
d4-3 g, )
g'8 g ( f16 es d c ) d4. g,8
es'4-3 ( f16 es d c )
c'4 ( b16 a g f )
es8-3 ( g16 c, es-3 d-2 f-4 h, c8 ) r8 r4
}
}
}
LH = \relative c' {
\clef bass
\key c \major
\voiceOne
\mergeDifferentlyHeadedOn
\mergeDifferentlyDottedOn
\set Staff.beatStructure = #'(4 ) % abhängig vom Takt
\set fingeringOrientations = #'(up)
\override Fingering.direction = #DOWN
\override Fingering.staff-padding = #'()
\clef treble
\repeat volta 2 {
c8 < e g > q q h < f' g > q q
c[ < e g >] d < fis c' > h
\oneVoice
r8 r4
\voiceOne
\clef bass
c,,8 < e g > q q h < f' g > q q
c < e g > g, < h d > e
\oneVoice
r8 r4
}
\set Staff.beatStructure = #'(1 1 1 1 )
\repeat volta 2 {
r8 g,32-5 ( a h c d8-1 ) d32 ( e fis g
a8-1-. ) a32-4 ( g fis e d4-5^> )
r8 d32-5 ( e fis g a8-1-. ) a32-4 ( h c d
h8-.-3 ) d32-1 ( c h a g4-5_> )
\voiceOne
\set Staff.beatStructure = #'(4 )
h,8 < d g > q q c < e a > q q d < a' c > q q h
\oneVoice
r8 r4
\voiceOne
\clef treble
%\mergeDifferentlyHeadedOn
c8 < e g > q q h < f' g > q q
c < e g > d < fis c' > h
\oneVoice
r8 r4
\set Staff.beatStructure = #'(1 1 1 1)
\clef bass
c,,8-5-. c32-5( d e f g8-1-. ) g32-4( a h c
f,8-5-. ) f32-3( g a g fis4-3_> )
\voiceOne
\set Staff.beatStructure = #'(4)
g8-5 < d' f! > <d f> q
\oneVoice
< c e > q q r8
}
\key es \major
\set Staff.beatStructure = #'(2 2)
\tag #'Moll
{
\repeat volta 2 {
c,16 ( g' es g c,8 ) r
f16 ( c' as c f,8 ) r
g16 ( f' h, f' g, f' h, f' )
h, ( g' d g c,8-. ) r
c,16 ( g' es g c,8_. ) r
as16 ( f' c f as,8_. ) r
b16^( g' es g b, as' f as ) < es-3 g-1 >8 q q
r8
}
\repeat volta 2 {
g16 ( h d h g-5 c-2 es-1 c-2 g h d h g h d h )
g16 ( h d h g c es c )
g-5 ( h-2 d-1 h-2 g-1 f es d-4 )
c16 ( g' es g c,8 ) r
as16 ( f' c f as,8 ) r
\stemDown
g16 es' c es g, f'
d f c-4 es g es c8
r8
}
}
}
LHii = \relative c' {
\voiceTwo
\set fingeringOrientations = #'(down)
\override Fingering.direction = #LEFT
\override Fingering.staff-padding = #'()
\repeat volta 2 {
c2 h c4 d g8
s8 s4
c,,2 h c4 g4 c8 s8 s4
}
\repeat volta 2 {
s2 * 4
h2 c2 d2 g8
s s4
c2 h2
c4 d g8 s8 s4
s2 s
g,2 s
}
\tag #'Moll
{
\repeat volta 2
{
s2 * 16
}
}
}
dynamics = {
\override Score.RehearsalMark.self-alignment-X = #-1
\mark \markup "Allegretto animato"
s2_\markup { \dynamic p \italic \large "leggierm." }
s s
s4 s-\markup { \italic \large cresc. }
s2\f
s s s
s\f s2 * 6
s2\> s\p s s
s8 s-\markup { \italic \large cresc. } s4
s2\f
s4 s\sf
s2 s
\mark \markup \fontsize #-1.5 { \bold \molde \italic \molfr }
s-\markup { \dynamic p \italic \large dol. }
s2 s s
s-\markup { \italic \large cresc. } s
s\f s
s\p s s
s4. s8-\markup { \italic \large cresc. } s2
s\sf
\override Score.RehearsalMark.direction = #DOWN
s
\mark \markup "D.C. sino al fine."
}
#(set! paper-alist (cons '("mein Format" . (cons 300 400)) paper-alist))
\paper {
#(include-special-characters)
#(define fonts
(set-global-fonts
#:music "Ross"
#:brace "emmentaler"
#:roman "Century Schoolbook L"
#:sans "sans-serif"
#:typewriter "monospace"
))
}
aa= \paper
{
%#(set-paper-size "a3")
#(set-paper-size "mein Format")
top-markup-spacing.basic-distance = #1
system-system-spacing.basic-distance = #16
markup-system-spacing.basic-distance = 16
markup-system-spacing.padding = 4
oddHeaderMarkup = ##f
evenHeaderMarkup = ##f
oddFooterMarkup = ##f
evenFooterMarkup = ##f
ragged-right = ##f
ragged-last = ##f
ragged-bottom = ##t
ragged-last-bottom = ##t
top-margin = 0
bottom-margin = 0
left-margin = 15\mm
%line-width = 260\mm
right-margin = #left-margin
page-breaking = #ly:one-page-breaking
annotate-spacing = ##f
}
cc=\paper {
line-width = 165\mm
top-margin = 20\mm
bottom-margin = 20\mm
annotate-spacing = ##f
evenFooterMarkup = ##f
oddFooterMarkup = ##f
evenHeaderMarkup = ##f
oddHeaderMarkup = ##f
system-system-spacing = #'((basic-distance . 8)
(minimum-distance . 1)
(padding . 0)
(stretchability . 60))
}
\aa %% Ausgabe auf einer Seite
%\cc %% Ausgabe im A4-Format
%dd=
\bookpart {
\header {
title = \myTitel
subtitle = \markup \concat { "Op.840, №" \exercise }
subsubtitle = ##f
poet = ##f
composer = "Carl Czerny (1791-1857)"
piece = ##f
opus = ##f
}
\score {
\new PianoStaff
<<
\new BarNumberStaff="Discant"
<<
\new Voice \RH
>>
\new Dynamics\dynamics
\new Staff="Bass"
<<
\new Voice \LH
\new Voice \LHii
>>
>>
\layout {
\context {
\PianoStaff
instrumentName = \markup {
\center-column {
\line { \bold \huge { "№" } \number { \exercise "." } }
\line \large { \durde }
\italic \line { \durfr }
}
}
shortInstrumentName = ""
%\override VerticalAxisGroup.staff-staff-spacing.basic-distance = #10
\override VerticalAxisGroup.staff-staff-spacing.padding = #3
}
\context {
\Score
\override SpacingSpanner.common-shortest-duration = #(ly:make-moment 1/10)
%\override SpacingSpanner.common-shortest-duration = #(ly:make-moment 1/7)
}
}
}
}
bb=
\score {
\unfoldRepeats
{
<<
\new Staff {
\set Staff.midiInstrument = "pan flute"
\RH \removeWithTag #'Moll \RH
}
\new Staff {
\set midiInstrument = #"vibraphone"
\LH \removeWithTag #'Moll \LH
}
\new Staff {
\set Staff.midiInstrument = "fx 4 (atmosphere)"
\clef bass \LHii \removeWithTag #'Moll \LHii
}
>>
}
\midi {
\tempo 4=120
}
\layout { }
}