Cz op840 nr 23

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Carl Czerny, 50 Melodische Übungen op. 840

Mit unterschiedlichen Instrumenten klingt die Midi-Datei nicht ganz so steril.

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Cz op840 nr 23.png

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Lilypond-Code

\version "2.20.0"
\language "deutsch"

\include "defn.ily"
exercise ="23"

durfr = \markup \general-align #Y #DOWN { "Mi" \flat "majeur." }
durde = \markup "Es Dur."
molde = \markup \bold { "C moll. " }
molfr = \markup \italic { "(Ut mineur.)" }

myTitel = #(string-append "Melodische Übung " durde)

RH= \relative c'' {
  \key es \major
  \time 3/4
  \partial 4
  \repeat volta 2
  {
    b8.-2( g16
    es'4-4) r es8.-3( b16-1
    g'4-5) r8. g16-5( f8. es16
    d4-2) d( f16-4 es d es
    f4) r b,8.-1( d16-2
    f4-4 ) r b,8.-16 ( f'16-3
    as4-5) r8. as16-5( g8. f16
    es4-2) es( g16-4 f es g
    g4) r8 b-4( c b)
    b8.( d,16) d4 d
    es8.-2( g16-4 b8-5-.) b[-4( c b])
    b8.( d,16) d4 d
    es8.( g16 b4.-5) b8-4
    a16-3( g f g a b-4 c-1 d
    \myott #1
    \override Fingering.avoid-slur = #'inside
    es f-1 g a
    b c-1 d es f-4 es d c b-4 a g f
    es-3 d c b-2) d8.-4( es16-5 c8.-3 d16-4)
    b8 \ottava #0 r r4
  }
  \repeat volta 2
  {
    r4
    < b, as f d > q r
    < b f d > q r
    < b-2 g-1 >( q < d-5 b-3 as-2 >
    < es-3 b-2 > g8-5) r r4
    < es des b g > q r
    < e b g > q r
    < es c >( q < g es des >
    < as-4 es-2 > c8-5) c[-4( h c]
    des8.-5 c16) c4 g(
    b as8-2) as[-3( g as]
    c8.-5 b16) b4 f(
    as g8) r b16-4 as g f
    es-2 f-1 g as b-4 c-1 d es
    \myott #1
    f-1 g as b
    c-1 d es-3 d c-1 b-4 as g f-1 es-3 d c
    \ottava #0
    b-2( es-5 b-2 g-1 es8.-2) es16( g8. f16)
    es4 r
  }
  \tag #'Moll
  {
    \repeat volta 2
    {
      \break g,-1
      es'16-3( f es d c8-.) d-. es-3-. f-1-.
      g16( as g as g8-.) d-1-. g-5-. f-.
      es16( f es d c8-1-.) es-5-. d-. c-.
      d16-4( cis d h g4) r8 d''8-2
      f16-4( es d c-1 h-4 as g f-1 es-3 d c h-2 )
      c-1( d es f-1 g a h-4 c-1 d es f g-5)
      f8[-4-. d]-. es-3-. c-. d[-3-. h]-.
      c r r4
    }
    \repeat volta 2
    {
      es,8-2 c-1
      g'16-2( as g as g8-.) g-. g-. g-.
      g16( as g as g8-.) g-. g-. g-.
      < h-3 g-1 >-. q-. q-. q-. < d g, >16( c h c )
      < d g, >8 r r4 r
      c,16-1( d es-3 f-1 g a h-4 c-1
      \myott #1
      d es-3 f-1 g)
      as-3( b as b c4-5 b16 as g f-1)
      es8-.-3 g-. es-. g-. f-.-4 d-.
      c8
      \ottava #0
      r r4
    }
  }
}

LH = \relative c' {
  \key es \major
  \override Fingering.avoid-slur = #'inside
  \clef bass
  \repeat volta 2
  {
    r4
    < g-2 es-4 >( < b-1 g-2 >) r
    < g es >( < b g >) r
    < as f b, > q < g es b >
    < f d b > r r
    < d-3 b-5 >( < as'-1 d,-3 >) r
    < d, b >( < as' d, >) r
    < b g > q < b d, >
    < b es, > r r
    as8-3( b-2 as b as b
    g-4 b-2 g b g b
    as b as b as b)
    \voiceOne
    g es' b es g, es'
    \oneVoice
    < es c f, >2 q4
    < d b > r r
    r < b-2 g-5 > < es a, f >
    < d b >8 r b, r
  }
  \repeat volta 2
  {
    b8.-5( d16-3
    f4) r b,8.-5( f'16-2
    as4.-1 g16-3 as-2 b-1 as-2 g-1 f-2
    es4-3) es( g16 f es f
    g4-1 es8) r es8.-5( g16-3
    b4-1) r es,8.-1( b'16-2
    des4.-1 c16-3 des-2 es-1 des-2 c-1 b-2
    as4-3) as( c16 b as b
    c4 as8) r r4
    \voiceOne
    e8 g b c b g
    f c' as c f, c'
    \override Fingering.staff-padding = #'()
    \override Fingering.direction = #DOWN
    \override Fingering.padding = #1
    d, f as b as f-3
    es b'-1 g-2 b-1
    \oneVoice
    r4
    < es b g >2.
    < es-1 as,-4 >4 r r
    \clef treble
    < g es b > q < as d, b > < g es >
    \clef bass
    es,
  }
  \tag #'Moll
  {
    \repeat volta 2
    {
      r4
      \clef treble
      < g' es c >8-. r q-. r q-. r
      < g f d h > r q r q r
      < g es c > r q r q r
      < h, g >4 r8
      \clef bass
      < d h g >-. q-. q-.
      < d h a f >2.
      < c g es >4 r r
      < d as f >8 r < es c g > r < f d g, > r
      < es c > r c, r
    }
    \repeat volta 2
    {
      r4
      < h'-3 d-1 >8( g-5 q g < c-2 es-1 > g-5)
      < h d >8( g q g < c es > g)
      \override Slur.height-limit = #4
      \override Slur.details.max-slope = 0
      < f'-1 d-2 >( g, q g < c es > g )
      < h-3 d-1 > g[-2( f-3 g-2 d-3 g]-2 )
      < c g es >2.
      < c as f >4. q8 q q
      < es c g > r q r < f h, g > r
      < es c > r c, r
    }
  }
}

LHii = \relative c' {
  \voiceTwo
  \mergeDifferentlyDottedOn
  \mergeDifferentlyHeadedOn
  \repeat volta 2
  {
    s4
    s2. * 11
    g2-5 g4
    s2. s s
    s2
  }
  \repeat volta 2
  {
    s4
    s2. * 8
    e2. f2 f4
    d!2.
    es2-4 s4
    s2. s s s2
  }
  \tag #'Moll
  {
    \repeat volta 2
    {
      s4
      s2. * 7 s2
    }
    \repeat volta 2
    {
      s4
      s2. * 7 s2
    }
  }
}

dynamics = {
  \override Score.RehearsalMark.self-alignment-X = #-1
  \mark \markup { \center-align "Allegro vivace" }
  s4\p
  s2. * 10
  s4 s2-\markup { \italic cresc. } s2.
  s\f s s s2
  s4\p s2. s s
  s2 s4\f s2.
  s\sf s
  s4. s\p s2. s s
  s2 s4\f s2. s s s2
  \mark \markup \fontsize #-1.5 { \bold \molde \italic \molfr }
  s4\p s2. s s
  s4. s\< s2.\f
  s4 s2\> s2.\p s2
  s4\p s2.
  s2 s4-\markup { \italic cresc. } s2. s
  s\f
  s4 s2\sf
  s4\p
  \override Score.RehearsalMark.direction = #DOWN
  \mark \markup "D.C. sino al fine."
}

#(set! paper-alist (cons '("mein Format" . (cons 290 400)) paper-alist))

\paper {
  #(include-special-characters)
  #(define fonts
     (set-global-fonts
      #:music "Ross"
      #:brace "emmentaler"
      #:roman "Century Schoolbook L"
      #:sans "sans-serif"
      #:typewriter "monospace"
      ))
}

aa= \paper
{
  %#(set-paper-size "a3")
  #(set-paper-size "mein Format")
  top-markup-spacing.basic-distance = #1
  system-system-spacing.basic-distance = #16
  markup-system-spacing.basic-distance = 16
  markup-system-spacing.padding = 4
  oddHeaderMarkup = ##f
  evenHeaderMarkup = ##f
  oddFooterMarkup = ##f
  evenFooterMarkup = ##f
  ragged-right = ##f
  ragged-last = ##f
  ragged-bottom = ##t
  ragged-last-bottom = ##t
  top-margin = 0
  bottom-margin = 0
  left-margin = 15\mm
  %line-width = 260\mm
  right-margin = #left-margin
  page-breaking = #ly:one-page-breaking
  annotate-spacing = ##f

}

cc=\paper {
  line-width = 165\mm
  top-margin = 20\mm
  bottom-margin = 20\mm
  annotate-spacing = ##f
  evenFooterMarkup = ##f
  oddFooterMarkup = ##f
  evenHeaderMarkup = ##f
  oddHeaderMarkup = ##f
  page-breaking = #ly:minimal-breaking
  system-system-spacing.padding = #0
%   system-system-spacing = #'((basic-distance . 10)
%                              (minimum-distance . 8)
%                              (padding . 2)
%                              (stretchability . 60))
}

%\aa   %% Ausgabe auf einer Seite
\cc   %% Ausgabe im A4-Format

%dd=
\bookpart {
  \header {
    title = \myTitel
    subtitle = \markup \concat { "Op.840, №" \exercise }
    subsubtitle = ##f
    poet = ##f
    composer = "Carl Czerny (1791-1857)"
    piece = ##f
    opus = ##f
  }
  \score {
    \new PianoStaff
    <<
      \new BarNumberStaff="Discant"
      <<
        \new Voice \RH
      >>
      \new Dynamics\dynamics
      \new Staff="Bass"
      <<
        \new Voice \LH
        \new Voice \LHii
      >>
    >>
    \layout {
      \context {
        \PianoStaff
        instrumentName = \markup {
          \center-column {
            \line { \bold \huge { "№" } \number { \exercise "." } }
            \line \large { \durde }
            \italic \line { \durfr }
          }
        }
        shortInstrumentName = ""
        \override VerticalAxisGroup.staff-staff-spacing.basic-distance = #10
        \override VerticalAxisGroup.staff-staff-spacing.padding = #4
      }
      \context {
        \Score
        %\override SpacingSpanner.common-shortest-duration = #(ly:make-moment 1/10)
        \override SpacingSpanner.common-shortest-duration = #(ly:make-moment 1/7)
      }

    }
  }
}

bb=
\score {
  {
    <<
      \new Staff {
        \set Staff.midiInstrument = "pan flute"
        \unfoldRepeats \RH
        \removeWithTag #'Moll \RH
      }
      \new Staff {
        \set Staff.midiInstrument = #"vibraphone"
        \unfoldRepeats \LH
        \removeWithTag #'Moll \LH
      }
      \new Staff {
        \set Staff.midiInstrument = "fx 4 (atmosphere)"
        \clef bass \unfoldRepeats \LHii
        \removeWithTag #'Moll \LHii
      }
    >>
  }
  \midi {
    \tempo 4=96
  }
}