Cz op840 nr 22

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Carl Czerny, 50 Melodische Übungen op. 840

Mit unterschiedlichen Instrumenten klingt die Midi-Datei nicht ganz so steril.

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Cz op840 nr 22.png

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Lilypond-Code

\version "2.20.0"
\language "deutsch"

\include "defn.ily"
exercise ="22"

durde = \markup "D moll."
durfr = \markup "Ré mineur."
molde = \markup \bold { "D Dur. " }
molfr = \markup \italic { "(Ré majeur.)" }

myTitel = #(string-append "Melodische Übung " durde)

RH= \relative c'' {
  \key f \major
  \time 9/8
  \repeat volta 2
  {
    d4-3 d8( f-5 e d cis4-2 a8)
    e'4-3 e8( g-5 f e d4-2 a8)
    a'4-5 a8-3 a( g f b-5 a g
    f4.-3)( e8) r r r4 a,8-1(
    b4-2 a8-1 cis4-2 e8-1 a4-2 cis8-4)
    d4.-5~ d8( a-2 f-1 b-4 g-2 e-1 )
    d4-2( a8 f'4. e8 f e
    d4) r8 r4 r8 r4 r8
  }
  \repeat volta 2
  {
    a'4-5( a8 \slashedGrace b a g a c-5 a f
    a4.-3 g a
    f4-1) f8-3 \slashedGrace g f( e f a-5 f d
    < e cis >2.)-2-4 r4 r8
    \override Fingering.avoid-slur = #'inside
    d4-1( f8-2 a4-1 d8-3 f4 d8)
    d-4( c b-2) b-3( a g-1) g-3( f e-1)
    a4-5( f8 d4 f8-3 e f e
    d4) r8 r4 r8 r4 r8^\markup "Fine."
  }
  \key d \major
  \tag #'Moll
  {
    \repeat volta 2
    {
      a'8-1( h16-2 cis-3 d-1 e-2 fis4-4 d8-2 a4.-1)
      a8( h16 cis d e fis4 d8 a4.)
      a'16-4( h a fis e8-.) a16( h a fis e8-.) fis16-3( g fis e d8-.)
      e16-2( fis e d-1 cis-3 h a8-.) a-. a-. a-. a-. a-.
      \myott #1
      a8( h16 cis d e fis4-3 d8-1 a'4.-5)
      gis8-3( e16 fis gis a-4 h4-5 gis8-2 e'4.-5)
      e16-5( d cis d a8-.) e16-5( d cis h a8-.)
      a'16-5( gis fis e d8-.)
      cis8-3( e-.) cis-. h-2( d-.) h-. a-. a-. a-.
      \ottava #0
    }
    \repeat volta 2
    {
      < a g! >-3-4-. q-. q-. q-. q-. q-. q-. q-. q-.
      < a fis > q q q q q q q q
      < a g > q q q q q q q q
      < a fis >-. d16[-1( e fis-3 e] d-1 e-2 d-1 cis-3 h a g-3 fis g e fis g-3)
      \myott #1
      a8-1( h16 cis-3 d-1 e-2 fis4-4 d8 a4.-1)
      h8-3( cis16 dis-4 e-1 fis-2 g4-3 e8 h'4. )
      a16-5( g fis e d8-.) \ottava #0
      a16-5( g fis e d8-.) g16-4( fis e d cis8-.)
      d8-3( a-1 fis'-4 d a' fis d ) r r
    }
  }
}

LH = \relative c {
  \clef bass
  \key f \major
  \repeat volta 2
  {
    d8( f a d, f a e g a
    cis, g' a cis, g' a d, f a)
    f( a d f, a d g, b e
    a, d f a, cis e a, cis e)
    g, cis e g, a e' g, a e'
    f, a d f, a d g, b e
    \clef treble
    a d f a, d f a, cis g'
    d f a d, f a d, r r
  }
  \repeat volta 2
  {
    \clef bass
    f,, a c f, a c f, a c
    c, f a c, e g cis, e a
    d, f a d, f a d, f a
    \override Fingering.avoid-slur = #'inside
    a,-5( cis-4 e-3 a-1 b-2 a-1 g-2 f g )
    f-5 a d f, a d f, a d
    g, b d g, b d g, b e
    \clef treble
    a, d f a, d f a, cis g'
    d f a d, f a d, r r
  }
  \key d \major
  \tag #'Moll
  {
    \repeat volta 2
    {
      \voiceOne
      d8-4 < fis a >-1-2 q
      \repeat unfold 5 { d q q }
      cis < e a > q cis q q d < fis a > q
      a, < cis e > q a < e' g > q a, < cis e > q
      \repeat unfold 3 { d < fis a > q }
      d < e gis h > q d q q d q q
      cis < e a > q cis q q d < fis a > q
      e < a cis > q e < gis d' > q
      \oneVoice
      < a cis > r r
    }
    \override Score.BreakAlignment.break-align-orders =
    #(make-vector 3
       '(left-edge
         cue-clef
         staff-bar
         clef
         ))
    \clef bass
    \repeat volta 2
    {
      a,8-5 a16-5( h cis d-2 e4-1 cis8-2 a4.-4)
      d4-1( a8-2 fis4-4 a8-1 fis4-2 d8-3)
      a8-5 a16( h cis d e4 cis8 a4.)
      d8 r r < fis d' > r r < a e' > r r
      \clef treble
      \voiceOne
      \repeat unfold 3 { d < fis a > q }
      g, < h e > q g q q g q q
      a < d fis > q a q q a q q
      \oneVoice
      < d fis > r r q r r r4 r8
    }
  }
}

LHii = \relative c' {
  \mergeDifferentlyDottedOn
  \repeat volta 2
  {
    s1*9/8*16
  }
  \tag #'Moll
  {
    \repeat volta 2
    {
      \voiceTwo
      d4. d d d d d
      cis cis d
      a a a
      d d d d d d
      cis cis d
      e e s
    }
    \repeat volta 2
    {
      s1*9/8*4
      d4. d d
      g, g g
      a a a
      s1*9/8
    }
  }
}

dynamics = {
  \override Score.RehearsalMark.self-alignment-X = #-1
  \mark \markup { \center-align "Allegro commodo." }
  s1*9/8\p s
  s\< s2\> s\! s8
  s2 s\< s8 s1*9/8\sf
  s\p s
  s\f s1*9/8*5
  s1*9/8\p s
  \mark \markup \fontsize #-1.5 { \bold \molde \italic \molfr }
  s-\markup { \dynamic p \italic dol. } s s s
  s4. s-\markup { \italic cresc. } s
  s s s\sf
  s1*9/8\p s
  s\f s s
  s8 s4-\markup { \dynamic p \italic dim. } s2.
  s1*9/8\p
  s2.-\markup { \italic cresc. } s4.\sf
  s1*9/8\p
  \override Score.RehearsalMark.direction = #DOWN
  \mark \markup "D.C. sino al fine."
}

#(set! paper-alist (cons '("mein Format" . (cons 290 330)) paper-alist))

\paper {
  #(include-special-characters)
  #(define fonts
     (set-global-fonts
      #:music "Ross"
      #:brace "emmentaler"
      #:roman "Century Schoolbook L"
      #:sans "sans-serif"
      #:typewriter "monospace"
      ))
}

aa= \paper
{
  #(set-paper-size "mein Format")
  top-markup-spacing.basic-distance = #1
  system-system-spacing.basic-distance = #16
  markup-system-spacing.basic-distance = 16
  markup-system-spacing.padding = 4
  oddHeaderMarkup = ##f
  evenHeaderMarkup = ##f
  oddFooterMarkup = ##f
  evenFooterMarkup = ##f
  ragged-right = ##f
  ragged-last = ##f
  ragged-bottom = ##t
  ragged-last-bottom = ##t
  top-margin = 0
  bottom-margin = 0
  left-margin = 15\mm
  right-margin = #left-margin
  page-breaking = #ly:one-page-breaking
  annotate-spacing = ##f

}

cc=\paper {
  line-width = 165\mm
  top-margin = 20\mm
  bottom-margin = 20\mm
  annotate-spacing = ##f
  evenFooterMarkup = ##f
  oddFooterMarkup = ##f
  evenHeaderMarkup = ##f
  oddHeaderMarkup = ##f
  page-breaking = #ly:minimal-breaking
  system-system-spacing = #'((basic-distance . 10)
                             (minimum-distance . 8)
                             (padding . 2)
                             (stretchability . 60))
}

\aa   %% Ausgabe auf einer Seite
%\cc   %% Ausgabe im A4-Format

%dd=
\bookpart {
  \header {
    title = \myTitel
    subtitle = \markup \concat { "Op.840, №" \exercise }
    subsubtitle = ##f
    poet = ##f
    composer = "Carl Czerny (1791-1857)"
    piece = ##f
    opus = ##f
  }
  \score {
    \new PianoStaff
    <<
      \new BarNumberStaff="Discant"
      <<
        \new Voice \RH
      >>
      \new Dynamics\dynamics
      \new Staff="Bass"
      <<
        \new Voice \LH
        \new Voice \LHii
      >>
    >>
    \layout {
      \context {
        \PianoStaff
        instrumentName = \markup {
          \center-column {
            \line { \bold \huge { "№" } \number { \exercise "." } }
            \line \large { \durde }
            \italic \line { \durfr }
          }
        }
        shortInstrumentName = ""
        \override VerticalAxisGroup.staff-staff-spacing.basic-distance = #10
        \override VerticalAxisGroup.staff-staff-spacing.padding = #4
      }
      \context {
        \Score
        %\override SpacingSpanner.common-shortest-duration = #(ly:make-moment 1/10)
        \override SpacingSpanner.common-shortest-duration = #(ly:make-moment 1/7)
      }

    }
  }
}

%bb=
\score {
  {
    <<
      \new Staff {
        \set Staff.midiInstrument = "pan flute"
        \unfoldRepeats \RH
        \removeWithTag #'Moll \RH
      }
      \new Staff {
        \set Staff.midiInstrument = #"vibraphone"
        \unfoldRepeats \LH
        \removeWithTag #'Moll \LH
      }
      \new Staff {
        \set Staff.midiInstrument = "fx 4 (atmosphere)"
        \clef bass \unfoldRepeats \LHii
        \removeWithTag #'Moll \LHii
      }
    >>
  }
  \midi {
    \tempo 4.=100
  }
}