Carl Czerny, Op.840 Nr.21/score
(Weitergeleitet von Cz op840 nr 21/score)
\version "2.20.0"
\language "deutsch"
\include "defn.ily"
exercise ="21"
durfr = \markup \general-align #Y #DOWN { "Si" \flat "majeur." }
durde = \markup "B Dur."
molde = \markup \bold { "B moll. " }
molfr = \markup \general-align #Y #DOWN \italic { "(Si" \flat "mineur.)" }
myTitel = #(string-append "Melodische Übung " durde)
#(define (my-tuplet-number::calc-denominator-text grob)
(let (;; let 'direction evaluate to use the generic tie-markup-command
(dir (ly:grob-property grob 'direction)))
(make-tie-markup
(string-append " " (tuplet-number::calc-denominator-text grob) " "))
))
tupletU = {
\tupletUp
\override TupletNumber.direction = #UP
}
tupletD = {
\tupletDown
\override TupletNumber.direction = #DOWN
}
RH= \relative c'' {
\time 3/4
\key b \major
\mergeDifferentlyDottedOn
\mergeDifferentlyHeadedOn
\set fingeringOrientations = #'(left)
\repeat volta 2
{
\override Rest.staff-position = #0
\voiceOne
d8.( es32 d c4 b
a8. c16 es8) r r4
es8.( f32 es d4 c
b8. d16 f8)-. r r4
\oneVoice
b4(-3 \grace { c32[ b a b] } c8-4 b a g
f es) < es c >4-1-3 ( < d b >-2-4)
\override TupletNumber.text = #my-tuplet-number::calc-denominator-text
c8 g' f es \tuplet 6/4 { d16 f-4 es d es c }
b4(-3 a16)-. f[-.-1 e-.-2 f]-.-2 g-.-2 a-.-1 b-.-2 c-.-3
\voiceOne
<d-4>8. ( es32 d c4 b
a8.-2 c16-4 <es-5 >8-.)
\oneVoice
f,[-. f-. f]-.
\voiceOne
< es'-4 >8.( f32 es d4 c
\oneVoice
< b-2 f-1 >8. d16 f8)-. b,[-. b-. b]-.
b'4(-3 \grace { c32[ b a b] } c8-4 b-3 g-2 e-1
f16-2 c'-5 a-3 f-1 < c es >4-2-4 < d b >-2-3)
\tupletU
\tuplet 6/4 { d16 c h c es g } b,4-2(
\voiceOne
d8. c16 c4 b8)
\oneVoice
\override Fingering.avoid-slur = #'inside
f[ ( b d-4])
< c a >4-1-3 ( < f a, >8 < a c, > < g b, > < f a, >
< e g, >8.-1-4 < f a, >16 < g b, >8) r r4
< e c >8-1-2( g-4 < b g >[-1-3 < d b > < c a > < b g >]
< a f >8.-1-3 < b g >16 < c a >8) r r4
r16 c-1( f-4 e d c-1 b-4 a \grace { g[ a] } g-2 f a f-1)
g-4( f e d-1 cis-2 d e d c-1 b-3 a-2 g-1 )
c8-3[ ( \grace { d16[-4 c-3 b]-2 } c-1 f]-2 a8[-4 f-2 \slashedGrace e8 c'8. e,16]-1)
g8-5( f e f c-1 es-4)
\voiceOne
< d-4 >8.( es32 d c4 b
\oneVoice
\tupletD
\tuplet 6/4 { a16-2 b a g a c } es8 ) r r4
\voiceOne
es8.-1( f32 es d4 c
\oneVoice
\tuplet 6/4 { b16-3 c b a b d } f8-. ) r r4
f'16-4( es d c b-4 a g f es-3 d c b-3
\set Staff.beamExceptions =
\beamExceptions {
16[ 16] 16[ 16] 16[ 16] 16[ 16] 16[ 16] 16[ 16]
}
a-2 g-1) c'-4( b-3) fis-2( g-3) a-4( g-3) d-1( es-2) f-3( es-2)
d[-1( f-2 b-5-.) r32 b,]-2(
\voiceOne
d4. c8-3)
\oneVoice
b8 r r4 r^\markup "Fine."
}
\key des \major
\tag #'Moll
{
\repeat volta 2
{
\set Staff.beatStructure = #'(1 1 1)
\set Staff.beamExceptions = #'()
f4-1( des'-4 b-2)
c8.[-1( f16]-4) f4.( es8)
es-3( des c-1 b-2 a b )
< c a >4 r r
\override TrillSpanner.outside-staff-priority = ##f
des-2( f-4 \afterGrace e-2\startTrillSpan { d32-1\stopTrillSpan es-2 }
f8.-1 as16-3 c-5 h c as f-2 c-1 as-2 f-1 )
r8 < des' b >-3-5-. ( r < c as >-2-4 r < e, b >-2-4-.)
< f as, >4 r8 f[-1 f f]
}
\repeat volta 2
{
f'4.-4( des8-2 as'-5 f-4
ges8.-5 es16-3 as,4.-1 ges'8-5 )
\override TrillSpanner.outside-staff-priority = #'()
\override Fingering.outside-staff-priority = #1
f4-4( es \afterGrace des^2)\startTrillSpan { c32\stopTrillSpan des }
\override Fingering.outside-staff-priority = #'()
c16-1( f-5 e f es f des f e f c-2 f-5)
b,8.-1( b'16-5) b8-5( f-1 es-3 des-2 )
c16-1( des d es e f ges-3 f-2 ges f as g)
\override Fingering.avoid-slur = #'around
r8 < f des >-3-5-.( r < des b f >-. r < c a es >-. )
}
\alternative
{
{
< b des, >4 r8 f[ f f]
}
{
< b des, >4 r f
}
}
}
\bar "|."
}
RHii = \relative c'' {
\voiceTwo
\set fingeringOrientations = #'(left)
\repeat volta 2
{
b4 a b
a4 a8 s s4
a b a
b b8 s s4
s2. s s s
<b-2>4 a b
a <f-1>8 s s4
<f-1>2 f4
s2. s s
s2 a4 a b8 s s4
s2. * 8
b4 a b
s2.
a4 b a
s2. s s
s4 b a s2.
}
\tag #'Moll
{
\repeat volta 2
{
s2. * 8
}
\repeat volta 2
{
s2. * 7
}
\alternative
{
{
s2.
}
{
s2.
}
}
}
}
LH = \relative c' {
\clef bass
\key b \major
\mergeDifferentlyDottedOn
\mergeDifferentlyHeadedOn
\repeat volta 2
{
\clef treble
< f b, >4( < f es > < f d >
< f es c > q8) r r4
< f c >4( < f d > < f es >
< f d > q8) r r4
\clef bass
< es b g >2 q4
< f c a >
\voiceOne
f2
\oneVoice
< c g es >2 q4
\once \set doubleSlurs = ##t
< d f, >( < c f, >8) r8 r4
< f, b, >( < f es > < f d >
< f es c > < a f c >8) r r4
q4 < b f d > < a f es >
< b f d >2 r4
< e c b g >2 q4
< f c a > < f a, > < f b, >
< g, es >4( < d' f, > < es f, > < es b_~ > < d b >8) r r4
\voiceOne
f,8 c' c c c c
\oneVoice
c, ( c' c[ g e g] )
c, c'
\voiceOne
e, c' c c
\oneVoice
f,( c' f[ c a f] )
< f c a >2.
< f d b >4 r < g d b >
< a f c >2 < b g c, >4
< a f > r r
\clef treble
\voiceOne
b8 f' es f d f
\set fingeringOrientations = #'(left)
< es-3 > f a f a f
c f d f es f
d f d f b f
\clef bass
\oneVoice
< b, f d >2.
\voiceOne
\once \override Slur.details.max-slope = 0
\override Slur.height-limit = #6
b2_( h8-2 c-1
\oneVoice
< d b f >4 g < es f, >)
< d b >8 r b, r r4
}
\key des \major
\tag #'Moll
{
\repeat volta 2
{
\voiceOne
\repeat unfold 3 { b16 f' des f }
\repeat unfold 3 { a, f' c f }
\repeat unfold 3 { b,16 f' des f }
\oneVoice
f,( a c f e-2 f-1 ges-2 f-1 es-2 f c f)
\voiceOne
\repeat unfold 2 { b,16 f' des f } b, ges' d g
as, f' c f
\oneVoice
as,8 r r4
b( c c, )
f8 ( c' f) r r4
}
\repeat volta 2
{
\voiceOne
des16 as' f as des, as' f as des, as' f as
c, as' es as c, as' es as c, as' es as
des, as' f as c, a'f a b, b' f b
\oneVoice
< a f >4 r r
\voiceOne
des,16 as' f as des, as' f as des, as' f as
ges4
\oneVoice
r r f, f' f,
}
\alternative
{
{
b b,8 r r4
}
{
b'4 b, r
}
}
}
}
LHii = \relative c' {
\voiceTwo
\repeat volta 2
{
s2. * 5
s4 a b
s2. * 10
f2. s
s4 e2
s2. * 5
b'4 es d
\once \mergeDifferentlyDottedOff
< es c >2.
c4 d es
d d2 s2.
< g, es > s s
}
\tag #'Moll
{
\repeat volta 2
{
b,4( b b
a a a
b b b)
s2.
b4 b b as s s
s2. s
}
\repeat volta 2
{
des4 des des
c c c
des c b s2.
des4 des des es s2
s2.
}
\alternative
{
{
s2.
}
{
s2.
}
}
}
}
dynamics = {
\override Score.RehearsalMark.self-alignment-X = #-1
\mark \markup { \center-align "Andante espressivo." }
s2.\p s s s
s\f s
s\p s s s s s
f\f s16 s\> s8 s2 s2.\! s
s4. s-\markup { \italic dol. } s2. s s s
s\f
s2\> s4\p s2. * 5
s2.\f s s s
\mark \markup \fontsize #-1.5 { \bold \molde \italic \molfr }
s\p
s4\< s2\> s2.\! s
s-\markup { \italic cresc. }
s4 s2\> s2.\p s
s\f s s
s4 s2-\markup { \italic dim. }
s-\p s s s s
\override Score.RehearsalMark.direction = #DOWN
\mark \markup "D.C. sino al fine."
}
#(set! paper-alist (cons '("mein Format" . (cons 300 400)) paper-alist))
\paper {
#(include-special-characters)
#(define fonts
(set-global-fonts
#:music "Ross"
#:brace "emmentaler"
#:roman "Century Schoolbook L"
#:sans "sans-serif"
#:typewriter "monospace"
))
}
aa= \paper
{
#(set-paper-size "mein Format")
top-markup-spacing.basic-distance = #1
system-system-spacing.basic-distance = #16
markup-system-spacing.basic-distance = 16
markup-system-spacing.padding = 4
oddHeaderMarkup = ##f
evenHeaderMarkup = ##f
oddFooterMarkup = ##f
evenFooterMarkup = ##f
ragged-right = ##f
ragged-last = ##f
ragged-bottom = ##t
ragged-last-bottom = ##t
top-margin = 0
bottom-margin = 0
left-margin = 15\mm
right-margin = #left-margin
page-breaking = #ly:one-page-breaking
annotate-spacing = ##f
}
cc=\paper {
line-width = 170\mm
top-margin = 4\mm
bottom-margin = 4\mm
annotate-spacing = ##f
evenFooterMarkup = ##f
oddFooterMarkup = ##f
evenHeaderMarkup = ##f
oddHeaderMarkup = ##f
page-breaking = #ly:minimal-breaking
system-system-spacing.basic-distance = #6
system-system-spacing.minimum-distance = #3
}
%\aa %% Ausgabe auf einer Seite
\cc %% Ausgabe im A4-Format
%dd=
\bookpart {
\header {
title = \myTitel
subtitle = \markup \concat { "Op.840, №" \exercise }
subsubtitle = ##f
poet = ##f
composer = "Carl Czerny (1791-1857)"
piece = ##f
opus = ##f
}
\score {
\new PianoStaff
<<
\new BarNumberStaff="Discant"
<<
\new Voice \RH
\new Voice \RHii
>>
\new Dynamics\dynamics
\new Staff="Bass"
<<
\new Voice \LH
\new Voice \LHii
>>
>>
\layout {
\context {
\PianoStaff
instrumentName = \markup {
\center-column {
\line { \bold \huge { "№" } \number { \exercise "." } }
\line \large { \durde }
\italic \line { \durfr }
}
}
shortInstrumentName = ""
}
\context {
\Score
\override SpacingSpanner.common-shortest-duration = #(ly:make-moment 1/3)
}
}
}
}
bb=
\score {
{
<<
\new Staff {
\set Staff.midiInstrument = "pan flute"
\unfoldRepeats \RH
\removeWithTag #'Moll \RH
}
\new Staff {
\set Staff.midiInstrument = "pan flute"
\unfoldRepeats \RHii
\removeWithTag #'Moll \RHii
}
\new Staff {
\set Staff.midiInstrument = #"vibraphone"
\unfoldRepeats
\LH
\removeWithTag #'Moll \LH
}
\new Staff {
\set Staff.midiInstrument = "fx 4 (atmosphere)"
\clef bass
\unfoldRepeats
\LHii
\removeWithTag #'Moll \LHii
}
>>
}
\midi {
\tempo 4=104
}
}