Cz op840 nr 15

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Carl Czerny, 50 Melodische Übungen op. 840

Mit unterschiedlichen Instrumenten klingt die Midi-Datei nicht ganz so steril.

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Cz op840 nr 15.png

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Lilypond-Code

\version "2.20.0"
\language "deutsch"

\include "defn.ily"
exercise ="15"

durde = \markup "D Dur."
durfr = \markup "Ré majeur."
molde = \markup \bold { "D moll. " }
molfr = \markup \italic { "(Ré mineur.)" }

myTitel = #(string-append "Melodische Übung " durde)

RH= \relative c''' {
  \time 2/4
  \key d \major
  \repeat volta 2
  {
    a16*2/3-4 ( h a fis-2 d fis a h a fis d fis
    a h a fis d fis
    a8-. ) fis'-5-.
    \myott #1
    e16*2/3-2 ( fis e a8-. ) d,16*2/3-1 ( e d a'8-. )
    e16*2/3-2 fis g fis e d
    \ottava #0
    cis-4 h a g-1 fis-2 e-1
    a-4 ( h a fis d fis a h a fis d fis
    a h a fis d fis a8-4-. ) d-5-.
    gis,16*2/3-3 fis e fis gis a-1
    \myott #1
    h cis d-1 e fis gis
    a-5 e-3 cis-2
    \ottava #0
    a-1 e-3 cis-2 a8_1 r
  }
  \repeat volta 2
  {
    \override Fingering.direction= #DOWN
    a,16*2/3-1 ais-2 h-1 his-2 cis-3 d-1 dis-2 e-1 eis-2 fis-3 g-1 gis-2
    \override Fingering.direction = #'()
    a-1 ais h his cis d dis e eis fis g-1 gis-2
    \myott #1
    a-3 h a gis-2 a-1 h cis-3 d cis h cis-3 d-1
    e-3 fis e dis-2 e-1 fis g!-3 e fis g e fis
    g-3 fis a-4 g fis e g fis a g fis e
    fis-3 e g-4 fis e d fis e g fis e d
    e-2 a-5 g-4 fis-3 f-2 e-1 dis-2 d-1 cis-2 c-1 h-3 b-2
    \ottava #0
    a-1 gis-2 g-1 fis-2 f-1 e-3 dis-2 e-1 f-2 fis-3 g-1 gis-3
    a-4 ( h a fis d fis a h a fis d fis
    a h a fis d fis a8-4-. ) fis'-3-.
    \myott #1
    e16*2/3-2 ( fis e a8-. )
    d,16*2/3 ( e d a'8-. )
    e16*2/3-2 fis g fis e d
    \ottava #0
    cis-4 h a g-1 fis-2 e-1
    a-4 ( h a fis d fis a8-4-. ) d-5-.
    d16*2/3-4 ( e d h g h d8-4-. ) g-5-.
    fis16*2/3-3 e d cis-3 h a cis-4 h a g-1 fis-3 e
    d fis a d a fis d8
    r^\markup "Fine."
  }
  \key f \major
  \set Staff.beatStructure = #'(2)
  \tag #'Moll
  {
    \repeat volta 2
    {
      < a f' >8-. q-. q-. q-.
      < g e' >-. q-. q-. q-.
      < f d' >-. q-. < g e' >-. q-.
      < e-1 a-2 >4^> ( cis'16-4 a-1 e'-3 cis-2 )
      < a e' g >8-. q-. q-. q-.
      < a d f >-. q-. q-. q-.
      e'-. b' ( a-. ) cis,-.
      d-. f-. d-. r
    }
    \repeat volta 2
    {
      < a cis e >-. q-. q-. q-.
      < a d f >-. q-. q-. q-.
      < a e' g >8-. q-. < a d f >-. q-.
      < cis e >2^>
      < d a' >8-. q-. q-. q-.
      < d b' >4^> e16-2 ( f g e
      a8-.[ ) a-.] cis,-. cis-.
      d4. r8
    }
  }
}

LH = \relative c' {
  \clef bass
  \key d \major
  \mergeDifferentlyDottedOn
  \mergeDifferentlyHeadedOn
  \set Staff.beatStructure = #'(2)
  \repeat volta 2
  {
    \voiceOne
    \clef treble
    fis8 ( a fis a )
    fis8 ( a fis a )
    g a fis a
    a, < cis e > < cis e >4
    fis8 a fis a
    fis a fis a
    h d h d
    \oneVoice
    < a cis>8 r8 r4
  }
  \repeat volta 2
  {
    \clef bass
    < a,, e' g!>4 q
    < a d fis > q
    < a cis e >2 R2
    < cis e a >4 q
    < d fis a > q
    < a cis > r4 R2
    \voiceOne
    fis'8 a fis a
    fis a fis a
    g a fis a
    a, < cis e > < cis e>4
    fis8 a fis a
    d h d h
    \clef treble
    d fis cis g' fis4
    \oneVoice
    r4
  }
  \clef bass
  \key f \major
  \tag #'Moll
  {
    \repeat volta 2
    {
      < d f >8-. q-. q-. q-.
      < a cis >-. q-. q-. q-.
      < b d >-. q-. < g b >-. q-.
      < a cis >2->
      cis8-. cis-. cis-. cis-.
      d-. d-. d-. d-.
      < g, b d e >4 \clef treble < a e' g >
      < d f >8-. < d a' >-. < d f >-. r
    }
    \clef bass
    \repeat volta 2
    {
      a,8 ( cis16 e a8 [ g ]
      f-3 a-1 f-2 d-3
      cis-4 a-5 d-3 f-2
      a-1 b-2 a-3 g-4 )
      < f a d >8 q < fis c'! d > q
      < g b d > [ q ]
      \clef treble
      < g b d e > q
      < a d f > q < a e' g > [ q ]
      < d f >-. < f a >-. < d f >-.
      r
    }
  }
}

LHii = \relative c' {
  \voiceTwo
  \repeat volta 2
  {
    d4 d d d cis d a2
    d4 d d d e e < a cis>8 s4.
  }
  \repeat volta 2
  {
    s2 * 8
    d,,4 d d d cis d a2
    d4 d g g
    a a d s4
  }
  \tag #'Moll
  {
    \repeat volta 2
    {
      s2 * 16
    }
  }
}

dynamics = {
  \override Score.RehearsalMark.self-alignment-X = #-1
  \mark \markup { \center-align "Allegretto giocoso" }
  s2\p s s s
  s-\markup { \italic cresc. } s
  s\f s
  s\p
  s4 s-\markup { \italic cresc. } s2 s
  s\f s
  s4 s-\markup { \italic dim. } s2
  s\p s s
  s-\markup { \italic cresc. }
  s\f s s s
  \mark \markup \fontsize #-1.5 { \bold \molde \italic \molfr }
  s\p s2 * 7
  s2\f s s s
  s\p s s
  \override Score.RehearsalMark.direction = #DOWN
  \mark \markup "D.C. sino al fine."
}

#(set! paper-alist (cons '("mein Format" . (cons 290 330)) paper-alist))

\paper {
  #(include-special-characters)
  #(define fonts
     (set-global-fonts
      #:music "Ross"
      #:brace "emmentaler"
      #:roman "Century Schoolbook L"
      #:sans "sans-serif"
      #:typewriter "monospace"
      ))
}

aa= \paper
{
  %#(set-paper-size "a3")
  #(set-paper-size "mein Format")
  top-markup-spacing.basic-distance = #1
  system-system-spacing.basic-distance = #16
  markup-system-spacing.basic-distance = 16
  markup-system-spacing.padding = 4
  oddHeaderMarkup = ##f
  evenHeaderMarkup = ##f
  oddFooterMarkup = ##f
  evenFooterMarkup = ##f
  ragged-right = ##f
  ragged-last = ##f
  ragged-bottom = ##t
  ragged-last-bottom = ##t
  top-margin = 0
  bottom-margin = 0
  left-margin = 15\mm
  %line-width = 260\mm
  right-margin = #left-margin
  page-breaking = #ly:one-page-breaking
  annotate-spacing = ##f

}

cc=\paper {
  line-width = 165\mm
  top-margin = 20\mm
  bottom-margin = 20\mm
  annotate-spacing = ##f
  evenFooterMarkup = ##f
  oddFooterMarkup = ##f
  evenHeaderMarkup = ##f
  oddHeaderMarkup = ##f
  page-breaking = #ly:minimal-breaking
  system-system-spacing = #'((basic-distance . 10)
                             (minimum-distance . 8)
                             (padding . 2)
                             (stretchability . 60))
}

%\aa   %% Ausgabe auf einer Seite
\cc   %% Ausgabe im A4-Format

%dd=
\bookpart {
  \header {
    title = \myTitel
    subtitle = \markup \concat { "Op.840, №" \exercise }
    subsubtitle = ##f
    poet = ##f
    composer = "Carl Czerny (1791-1857)"
    piece = ##f
    opus = ##f
  }
  \score {
    \new PianoStaff
    <<
      \new BarNumberStaff="Discant"
      <<
        \new Voice \RH
      >>
      \new Dynamics\dynamics
      \new Staff="Bass"
      <<
        \new Voice \LH
        \new Voice \LHii
      >>
    >>
    \layout {
      \context {
        \PianoStaff
        instrumentName = \markup {
          \center-column {
            \line { \bold \huge { "№" } \number { \exercise "." } }
            \line \large { \durde }
            \italic \line { \durfr }
          }
        }
        shortInstrumentName = ""
        \override VerticalAxisGroup.staff-staff-spacing.basic-distance = #10
        \override VerticalAxisGroup.staff-staff-spacing.padding = #4
      }
      \context {
        \Score
        %\override SpacingSpanner.common-shortest-duration = #(ly:make-moment 1/10)
        \override SpacingSpanner.common-shortest-duration = #(ly:make-moment 1/7)
      }
    }
  }
}

%bb=
\score {
  {
    <<
      \new Staff {
        \set Staff.midiInstrument = "pan flute"
        \unfoldRepeats
        \RH
        \removeWithTag #'Moll \RH
      }
      \new Staff {
        \set Staff.midiInstrument = #"vibraphone"
        \unfoldRepeats
        \LH
        \removeWithTag #'Moll \LH
      }
      \new Staff {
        \set Staff.midiInstrument = #"vibraphone"
        \clef bass \unfoldRepeats
        \LHii
        \removeWithTag #'Moll \LHii
      }
    >>
  }
  \midi {
    \tempo 4=100
  }
}