Carl Czerny, Op.840 Nr.14
(Weitergeleitet von Cz op840 nr 14)
\version "2.20.0"
\language "deutsch"
\include "defn.ily"
exercise ="14"
durde = \markup "A moll."
durfr = \markup "La mineur."
molde = \markup \bold { "A Dur. " }
molfr = \markup \italic { "(La majeur.)" }
myTitel = #(string-append "Melodische Übung " durde)
RH= \relative c'' {
\time 6/8
\override Slur.height-limit = #4
\set Staff.beatStructure = #'(3 3)
\repeat volta 2
{
e4 e8-1 ( a4-3 ) a8
\grace { a32 h } c4.-5_> ( a4 e8
f4-2 ) f8 ( a-4 g f )
e4.~ e8 ( f-4 e-3
d4 ) d8 d-2 ( e-4 d-3
c4. h8 d f )
a,4 a8 ( c4 h8 )
a4 r8 r4 r8
}
\repeat volta 2
{
< gis-2 h-4 >4( < a-1 c-3 >8 < h d >4 < a c >8 )
< a-1 c-3 >4.( < gis-2 h-4 > )
< a-1 c-3 >4 q8 ( < c e >4 <a c >8 )
< gis-2 h-4 >2.
e'8 e e e e e
e e e e e e
e ( a-. ) a-. a ( dis, ) dis
e4 r8 r4 r8
e4 e8 ( a4 ) a8
\grace { a32 h } c4._> ( a )
f4 f8 ( a g f )
e4.~ e8 ( f e
d4 ) d8 ( h' gis d )
c4 ( a'8 ) h, ( d f
e4 ) a,8 ( c4 h8 )
a4 r8 r4 r8^\markup "Fine."
}
\key a \major
\tag #'Moll
{
\repeat volta 2
{
<<
{
\override Slur.height-limit = #6
< cis a >4 ( q8 q4 q8
\voiceOne
<cis-5>4 h8 a4 cis8 )
<e-5>8 ( d-4-. ) <cis-3>-. e ( d-. ) cis-.
}
\\
{
s2.
\voiceTwo
<gis-2>4. a4 a8
<h-2>4 <a-1>8 h4 a8
}
>>
< gis~ h~>4. q8 h[-1 ( e]-4 )
dis8( cis8-.) h8-. dis8( cis8-.) h8-.
h ( e-. ) gis-. h4 ( gis8-4 )
fis-3 ( a-. ) fis-. \grace e-4 dis-3 ( fis-. ) dis-.
e4. r4 r8
}
\repeat volta 2
{
gis8-4( fis8-.) e8-. gis8( fis8-.) e8-.
e4 ( a8 cis,-2 fis-5 e )
d8( h8-.) e8-. cis8( a8-.) e'8-.
h e[-. fis]-. gis-3-. a-1-. h-.
cis4-3 cis8 cis8( h8-.) a8-1-.
< fis-3 a-5 >4. ( < d-2 fis-4>4 < h d>8 )
cis-2 ( fis e ) h ( fis' e ) a,4 r8 r4 r8
}
}
}
LH = \relative c' {
\clef bass
\mergeDifferentlyDottedOn
\mergeDifferentlyHeadedOn
\override Slur.height-limit = #6
\repeat volta 2
{
a8-5 ( c-3 e-1 a, c e a, c e a, c e )
a, ( d f a, d f a, c e a, c e )
gis, ( h e gis, h e a, c e d, f h )
e, a c e, gis d'
a c e a, r r
}
\repeat volta 2
{
e ( e'-. ) e-. e-. e-. e-.
e e e e e e
\voiceOne
a,4. a
\oneVoice
e8 e' e e e e
\clef treble
\slurDown
< gis h >4(-4-2 < a c >8-3-1 < h d >4-2-1 < a c >8-3-1
< a c >4.-3-1 < gis h >-4-2 )
\slurNeutral
\once \override Slur.details.max-slope = #0
< a c >( < f a > )
< e gis>8( h'-1 gis-2
\clef bass e-1 d-2 h-4 )
a c e a, c e \grace { s32 s } a,8 c e a, c e a, d f a, d f
a, c e a, c e gis, h e gis, h e
a, c e d, f h
e, ( a c e, gis d'
< a c >-. )
\once \override Slur.details.max-slope = #0
e[ ( c] a ) r r
}
\key a \major
\tag #'Moll
{
\repeat volta 2
{
\set fingeringOrientations = #'(left)
< a'-3 e'-1>4 q8 q4 q8
< e d' >4. < a cis >4 < a e' >8
< gis e' >4 < a e'>8 < gis e'>4 < a e'>8
e ( gis h e ) r r
\clef treble
< h fis' a >4 q8 q4 q8
< e gis >4 q8 < gis, h e >4 q8
< a cis fis>4 q8 < h fis' a>4 q8
< e gis >( h' gis e4 ) r8
}
\clef bass
\repeat volta 2
{
e, ( h' d e, h' d )
e, a cis e, a cis
e, gis h e, a cis
< e, gis h >4 r8 r4 r8
a, ( cis e a, cis e d fis a d, fis h )
\once \override Slur.details.max-slope = #0
e, ( a cis e, gis d' )
< a cis > ( e' cis a ) r
r
}
}
}
LHii = \relative c' {
\repeat volta 2
{
s2. * 8
}
\repeat volta 2
{
s2. s
\voiceTwo
a8 e' e a, e' e
s2. * 13
}
\tag #'Moll
{
\repeat volta 2
{
s2. * 16
}
}
}
dynamics = {
\override Score.RehearsalMark.self-alignment-X = #-1
\mark \markup { \center-align "Allegretto." }
s2.\p s2. * 7
s2.\f s s s
s\p s s
s-\markup { \italic cresc. }
s\f s2. * 7
s2.-\markup { \dynamic p \italic dol. } s s s s
s4.\< s\> s2.\! s s s s
s8 s\< s2 s2.\sf
s\sf\> s\p
\override Score.RehearsalMark.direction = #DOWN
\mark \markup "D.C. sino al fine."
}
#(set! paper-alist (cons '("mein Format" . (cons 290 330)) paper-alist))
\paper {
#(include-special-characters)
#(define fonts
(set-global-fonts
#:music "Ross"
#:brace "emmentaler"
#:roman "Century Schoolbook L"
#:sans "sans-serif"
#:typewriter "monospace"
))
}
aa= \paper
{
%#(set-paper-size "a3")
#(set-paper-size "mein Format")
top-markup-spacing.basic-distance = #1
system-system-spacing.basic-distance = #16
markup-system-spacing.basic-distance = 16
markup-system-spacing.padding = 4
oddHeaderMarkup = ##f
evenHeaderMarkup = ##f
oddFooterMarkup = ##f
evenFooterMarkup = ##f
ragged-right = ##f
ragged-last = ##f
ragged-bottom = ##t
ragged-last-bottom = ##t
top-margin = 0
bottom-margin = 0
left-margin = 15\mm
%line-width = 260\mm
right-margin = #left-margin
page-breaking = #ly:one-page-breaking
annotate-spacing = ##f
}
cc=\paper {
line-width = 165\mm
top-margin = 20\mm
bottom-margin = 20\mm
annotate-spacing = ##f
evenFooterMarkup = ##f
oddFooterMarkup = ##f
evenHeaderMarkup = ##f
oddHeaderMarkup = ##f
page-breaking = #ly:minimal-breaking
system-system-spacing = #'((basic-distance . 10)
(minimum-distance . 8)
(padding . 2)
(stretchability . 60))
}
%\aa %% Ausgabe auf einer Seite
\cc %% Ausgabe im A4-Format
%dd=
\bookpart {
\header {
title = \myTitel
subtitle = \markup \concat { "Op.840, №" \exercise }
subsubtitle = ##f
poet = ##f
composer = "Carl Czerny (1791-1857)"
piece = ##f
opus = ##f
}
\score {
\new PianoStaff
<<
\new BarNumberStaff="Discant"
<<
\new Voice \RH
>>
\new Dynamics\dynamics
\new Staff="Bass"
<<
\new Voice \LH
\new Voice \LHii
>>
>>
\layout {
\context {
\PianoStaff
instrumentName = \markup {
\center-column {
\line { \bold \huge { "№" } \number { \exercise "." } }
\line \large { \durde }
\italic \line { \durfr }
}
}
shortInstrumentName = ""
\override VerticalAxisGroup.staff-staff-spacing.basic-distance = #10
\override VerticalAxisGroup.staff-staff-spacing.padding = #4
}
\context {
\Score
%\override SpacingSpanner.common-shortest-duration = #(ly:make-moment 1/10)
\override SpacingSpanner.common-shortest-duration = #(ly:make-moment 1/16)
}
}
}
}
bb=
\score {
{
<<
\new Staff {
\set Staff.midiInstrument = "pan flute"
\unfoldRepeats \RH
\removeWithTag #'Moll \RH
}
\new Staff {
\set Staff.midiInstrument = #"vibraphone"
\unfoldRepeats \LH
\removeWithTag #'Moll \LH
}
\new Staff {
\set Staff.midiInstrument = "fx 4 (atmosphere)"
\clef bass \unfoldRepeats \LHii
\removeWithTag #'Moll \LHii
}
>>
}
\midi {
\tempo 4=116
}
}