Carl Czerny, Op.840 Nr.13/score
(Weitergeleitet von Cz op840 nr 13/score)
\version "2.20.0"
\language "deutsch"
\include "defn.ily"
exercise ="13"
durde = \markup "D moll."
durfr = \markup "Ré mineur."
molde = \markup \bold { "D Dur. " }
molfr = \markup \italic { "(Ré majeur.)" }
myTitel = #(string-append "Melodische Übung " durde)
RH= \relative c'' {
\partial 4
\key f \major
\repeat volta 2
{
a8._1 a16 d8 r a8 r f' r d r
e2-4 ( a, )
e'8-3 r a, r g' r e r
f2-3 ( d-1 )
b'8-4 r b r b r b r
a4. ( f8 d ) r d4
cis4 cis d < d f >
< cis e >2.
}
\repeat volta 2
{
a8.-1 ( cis!16-2
e16-4 a, cis-2 a e' a, cis a e' a, cis a e' a, cis a )
f'-5 a, d-3 a f' a, d a f' a, d a f' a, d a
g' a, e' a, g' a, e' a, f' a, d a f' a, d a
< cis-2 e-4 >2 r
a'8-2 r a r d r d r
b2-3 g
f8-2 r a r e r a r
d,4 r
r^\markup "Fine."
}
\key d \major
\set Timing.baseMoment = #(ly:make-moment 1/4)
\set Staff.beatStructure = #'(2 2 ) %% abhängig vom Takt
\tag #'Moll
{
\repeat volta 2
{
a4-1 (
fis'4.-4 e8 d ) r a4 (
fis'4. e8 d ) r a4
a'-5 ( e g8-4 fis e d
< cis-2 e-4 >2. )
e4-1
e'-5_> ( h8-2 ) r e4_> ( h8 ) r
d8-4 ( cis h a gis-3 fis gis a-5
cis,4-2 ) cis ( \slashedGrace e8 d8 cis d h
a2 ) r4
}
\repeat volta 2
{
<<
{
\oneVoice
a4 \(
< e'-2 g!-4 > q < d fis > q
\voiceOne
fis-5 e-4 d-3 \) \oneVoice r8 a
\voiceOne
a'4-5 ( g-4 ) g-4 ( fis-3 ) e2-5
}
\\ {
s4 s1
cis2-2 d4 s4 e2-2 d-1 cis
}
>>
r4 a (
fis'4. e8 d ) r d4-1 (
< h' d >4. < a cis >8 < g h >4 ) r
< fis-2 a-4 > fis ( \slashedGrace a8 g fis g e d2 ) r4
}
}
}
LH = \relative c' {
\mergeDifferentlyHeadedOn
\mergeDifferentlyDottedOn
\clef bass
\repeat volta 2
{
r4
d,16 a' f a d, a' f a c, a' f a d, a' f a
cis, a' g a cis, a' g a cis, a' g a cis, a' g a
cis, a' e a cis, a' e a cis, a' e a cis, a' e a
d, a' f a d, a' f a d, a' f a d, a' f a
g d' b d g, d' b d g, d' b d g, d' b d
f, d' a d f, d' a d f, d' a d f, d' a d
e, a g a e a g a d, a' f a d, a' f a
a,8[ ( cis e a] a,4 )
}
\repeat volta 2
{
r a' a g-2 g-1
f2 d cis4 cis d d
a'8[ ( a, cis e] a-1[ b-2 a-3 g-4] )
f16-5 d' a d f, d' a d f, d' a d f, d' a d
g, d' b d g, d' b d g, d' b d g, d' b d
a f' d f a, f' d f a, f' cis g' a, g' cis, g'
< d-3 f-2 >8 d-1 ( a-2 f-4 ) d r
}
\key d \major
\tag #'Moll
{
\repeat volta 2
{
r4
\voiceOne
fis8 a g a fis a fis a
fis a g a fis a fis a
cis,2 d
\oneVoice
a8-( cis e g-1 cis-2 e-1 cis-2 a-4 )
\voiceOne
gis2 gis a d, e e a
\oneVoice
a4
}
\repeat volta 2
{
r4
cis8-3 ( a-5 cis a d a d a
\clef treble
g' a, g' a, fis'-1 a,-5 fis' a,- )
cis-4 ( a' cis, a' d, a' d, a' )
a, ( a' e cis-3
\clef bass a-1 g fis e-4 )
\voiceOne
d8 a' fis a dis, a' fis a
g, d' h d g, d' h d
a fis' d fis a, g' cis, g'
d fis a fis d4
}
}
}
LHii = \relative c {
\repeat volta 2
{
s4
s1 * 15 s2.
}
\voiceTwo
\tag #'Moll
{
\repeat volta 2
{
s4
d2 d2 d d
cis8 a' g a d, a' fis a
s1
gis8 e' d e gis, e' d e
a, e' cis e d, a' fis a
e cis' a cis e, d' gis, d'
a cis e cis s4
}
\repeat volta 2
{
s4
s1 * 4
d,2 d g, g a a d d4
}
}
}
dynamics = {
\override Score.RehearsalMark.self-alignment-X = #-1
\mark \markup { \center-align "Molto Allegro animato." }
s4\f
s1 * 7
s2. s4\p s1 s s
s-\markup { \italic cresc. } s s s s2.
\mark \markup \fontsize #-1.5 { \bold \molde \italic \molfr }
\once \override TextScript.X-offset = #-4
s4-\markup { \dynamic p \italic dol. } s1 * 7 s2.
s4\p s1 s s
s2 s-\markup { \italic cresc. } s1
s\sf s\p
\override Score.RehearsalMark.direction = #DOWN
\mark \markup "D.C. sino al fine."
}
#(set! paper-alist (cons '("mein Format" . (cons 290 320)) paper-alist))
\paper {
#(include-special-characters)
#(define fonts
(set-global-fonts
#:music "Ross"
#:brace "emmentaler"
#:roman "Century Schoolbook L"
#:sans "sans-serif"
#:typewriter "monospace"
))
}
aa= \paper
{
%#(set-paper-size "a3")
#(set-paper-size "mein Format")
top-markup-spacing.basic-distance = #1
system-system-spacing.basic-distance = #16
markup-system-spacing.basic-distance = 16
markup-system-spacing.padding = 4
oddHeaderMarkup = ##f
evenHeaderMarkup = ##f
oddFooterMarkup = ##f
evenFooterMarkup = ##f
ragged-right = ##f
ragged-last = ##f
ragged-bottom = ##t
ragged-last-bottom = ##t
top-margin = 0
bottom-margin = 0
left-margin = 15\mm
%line-width = 260\mm
right-margin = #left-margin
page-breaking = #ly:one-page-breaking
annotate-spacing = ##f
}
cc=\paper {
line-width = 165\mm
top-margin = 20\mm
bottom-margin = 20\mm
annotate-spacing = ##f
evenFooterMarkup = ##f
oddFooterMarkup = ##f
evenHeaderMarkup = ##f
oddHeaderMarkup = ##f
page-breaking = #ly:minimal-breaking
system-system-spacing = #'((basic-distance . 10)
(minimum-distance . 8)
(padding . 2)
(stretchability . 60))
}
%\aa %% Ausgabe auf einer Seite
\cc %% Ausgabe im A4-Format
%dd=
\bookpart {
\header {
title = \myTitel
subtitle = \markup \concat { "Op.840, №" \exercise }
subsubtitle = ##f
poet = ##f
composer = "Carl Czerny (1791-1857)"
piece = ##f
opus = ##f
}
\score {
\new PianoStaff
<<
\new BarNumberStaff="Discant"
<<
\new Voice \RH
>>
\new Dynamics\dynamics
\new Staff="Bass"
<<
\new Voice \LH
\new Voice \LHii
>>
>>
\layout {
\context {
\PianoStaff
instrumentName = \markup {
\center-column {
\line { \bold \huge { "№" } \number { \exercise "." } }
\line \large { \durde }
\italic \line { \durfr }
}
}
shortInstrumentName = ""
\override VerticalAxisGroup.staff-staff-spacing.basic-distance = #10
\override VerticalAxisGroup.staff-staff-spacing.padding = #4
}
\context {
\Score
%\override SpacingSpanner.common-shortest-duration = #(ly:make-moment 1/10)
\override SpacingSpanner.common-shortest-duration = #(ly:make-moment 1/8)
}
}
}
}
bb=
\score {
{
<<
\new Staff {
\set Staff.midiInstrument = "pan flute"
\unfoldRepeats \RH
\removeWithTag #'Moll \RH
}
\new Staff {
\set Staff.midiInstrument = #"vibraphone"
\unfoldRepeats \LH
\removeWithTag #'Moll \LH
}
\new Staff {
\set Staff.midiInstrument = "fx 4 (atmosphere)"
\clef bass \unfoldRepeats \LHii
\removeWithTag #'Moll \LHii
}
>>
}
\midi {
\tempo 4=120
}
}