Comptine D Un Autre Ete/pre
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\version "2.19.83"
\language "deutsch"
myTitel= "Comptine D'Un Autre Été L'Aprés Midi"
mycomp=\markup \line \fontsize #-1.5 {
#tiersen
}
RH = \relative c'' {
\time 4/4
\numericTimeSignature
\clef treble
\tempo "Andante" 4=100
\key g \major
\set Timing.beamExceptions = #'()
\set Timing.baseMoment = #(ly:make-moment 1/4)
\set Staff.beatStructure = #'(1 1 1 1 ) %% abhängig vom Takt
%\autoBeamOff % wenn das Timing richtig gewählt wurde, kann \autoBeamOff weggelassen werden
%\set Staff.beatStructure = #'(1 1 1 1) % abhängig vom Takt
%wird hier die Länge der automatischen Balken gewählt, ausprobieren ob 1 oder 2
% hier kommt die Melodie
{
r1
R | % 3
R | % 4
R \bar ".|:"
| % 5
r8 g16(-1 fis-2
g8-1 h16 c h2 ) | % 6
r8 fis16^( g fis8 g16 a g2 ) | % 7
r8 fis16 ( e fis8 h16 c h2 ) | % 8
r8 fis16^( e fis2.)
\bar ":|."
| % 9
\slurShiftx #'(0 . 0) #'(0 . -4)
e'4.^(-3 h8 ~ h2)-1
d4.( h8 ~ h2) | % 11
fis'4.( h,8 ~ h2) | % 12
fis'4.( a,8 ~ a2) | % 13
< h-2 g'-5 >4.( < g-1 e'-4 >8~ < g e' >2) | % 14
< h g' >4.( < g d' >8~ < g d' >2) | % 15
< h fis' >4.( < fis d' >8~ < fis d' >2) | % 16
< a fis' >4.( < fis d' >8~ < fis d' >2)
\repeat volta 2 {
| % 17
h16-> e h' h, e h' h, e h' h,
e h'
\once \override Tie.staff-position = #3.5
h,(->
e c-> e
h)-> d h' h, d h' h, d h' h,
d h' h,-> d a-> d | % 19
fis,-> h fis' fis, h fis' fis, h
fis' fis, h fis' fis, h g h
}
\alternative {
{
a-> d a' a, d a' a, d a'
a, d a' a,-> d g,-> d'
}
{
| % 21
a-> d a' a, d a' a, d a'
a, d a' a, d a' g
}
} | % 22
%{
\ottavaShifts #'( ( 0 . 9) (0 . 9.5) (0 . 10.5) (0 . 11.5) ;22-32
(0 . 12) (0 . 11) ( 0 . 13) (0 . 12) (0 . 12) ; 36-45
(0 . 8) ( 0 . 8) (0 . 8) ( 0 . 8) (0 . 8) ( 0 . 8) ; 47-57
(0 . 8.5) ( 0 . 8) (0 . 8.5) ( 0 . 8.5) (0 . 13) ( 0 . 10) ; 59-75
)
%}
%\ottava #1 | % 22
\myOttava #1
e8(-1 g16-3 fis-2 g8-3 h16-4 c
h2 ) | % 23
r8 fis16^(-2 g-3 fis8 g16 a g2 ) | % 24
r8 fis16^(-2 e fis8 h16-4 c h2 ) | % 25
r8 fis16^(-2 e fis2.) | % 26
r8 < e^1 g-3>16^( fis-2 g8-3 h16-4 c-5 < e,-1 h'-4 >2 ) | % 27
r8 < d^1 fis-2 >16^( g-3 fis8-2 g16-3 a-4 < d,-1 g-3 >2 ) | % 28
r8 < d^1 fis-3 >16^( e-2 fis8-3 h16-4 c-5 < d,-1 h'-4 >2 ) | % 29
r8 < d^1 fis-3 >16^( e-2 < d fis >2. ) |
e'4.-4 ( h2-1 ) e16-4 ( h-1 | % 31
d4.-3 h8 ~ h2-1 ) | % 32
fis'4.-4 ( h,2-1 ) d16-2 ( e-3 | % 33
fis4.-4 a,8-1 ~ a2 ) | % 34
< h^2 g'-5 >4. ( < g-1 e'-4 >8~ < g e' >2) | % 35
< h^2 g'-5 >4. ( < g-1 d'-3 >8 ~ < g d' >2 ) | % 36
< h^2 fis'-5 >4. ( < fis d' >8 ~ < fis d' >2 ) | % 37
< a fis' >4.^( < fis d' >8 ~ < fis d' >2)
\repeat volta 2 {
| % 38
h16->^(-1 e-2 h'-5 h, e h' h, e h' h,
e h' h,->-1 e-2 c->-1 e-2 | % 39
h->-1 d-2 h'-5 h, d h'-5 h,-1 d-2 h'-5 h,-1
d h' h, d a d |
fis,->-1 h-4 fis'-5 fis, h fis' fis, h
fis' fis, h fis' fis,-> h g-> h
}
\alternative {
{
| % 41
a->-1 d-2 a'-5 a, d a' a, d a'
a, d a' a,->-1 d-2 g,->-1 d')-2
}
{
| % 42
a->-1( d-2 a'-5 a, d a' a, d a'
a, d a' a, d a' a, )
}
}
\bar ":..:"
| % 43
g'->-5 ( g,-1 h-2 e-4 g, h g' g, h e
g, h g'-> g, a'-> g, | % 44
g'-> g, h d g, h g' g, h d
g, h g'-> g, d'-> e | % 45
fis-> fis, h d fis, h fis' fis,
h d fis, h fis'-> fis, e' -> fis, | % 46
fis' fis, a d fis, a fis' fis, a
d fis, a fis' fis, e' fis,)
\bar ":..:"
| % 47
\stemDown
e'-5-> e,-1 g-2 h-3 e, g e'-5 e, g h
e, g e'-5-> e,-1 h'-3-> e,-1 | % 48
\stemNeutral
d'-> d, g h d, g d' d, g h
d, g d'-> e, h'-> d, | % 49
d'-> d, fis h d, fis d' d, fis
h d, fis d'-> d, h'-> d, |
d' d, fis a d, fis d' d, fis
a-5 d,-1 fis d' d, a' d,
\bar ":..:"
| % 51
< h e h' >8. < h e g >16~ q8 < h e h' >8~ q16 e16 h e < h e h' >8
< h e c' >
<h d h'>8. <h d g>16~ q8 < h d h' >8~ q16 d16 h d < h d h' >8 <a d a'>
<fis h d fis>8. <fis h d fis>16~ q8 <fis h d fis>8~ q4 <fis h fis'>8 <g h g'>
<a d fis a>8. <a d fis a>16~ q8 <a d fis a>8~ q4 <a d a'>8 <g d' g>
\bar ":..:"
r <g h e>8~ q16 < h e g >16~ q8 < e g h >8. < g h e >16~ q8 < h e g >8
r8 <h d g>8~ q16 < g h d >8. < d g h >8. < h d g >16~ q8 < g h d >8 | % 57
r <fis h d>8~ q16 <h d fis>8. <d fis h>8. <fis h d>16~ q8 <h d fis >8 | % 58
r <a d fis>8~ q16 <fis a d>8. <d fis a> <a d fis>16~ q8 <fis a d>8 \bar ":|."
< e' g >^( g16 fis g8 h16 c h2) | % 64
r8 fis16^( g fis8 g16 a g2) | % 65
r8 fis16^( e fis8 h16 c h2) | % 66
r8 fis16^( e fis2. ) | % 67
r8 < e g >16^( fis g8 h16 c < e, h' >2) | % 68
r8 < d fis >16^( g fis8 g16 a < d, g >2) | % 69
r8 < d fis >16^( e fis8 h16 c < d, h' >4.) d16^( e
|
< d fis > e fis8 ~ fis2.)
\bar ".|:"
| % 71
< h g' >4.^( < g e' >8~ < g e' >2 ) | % 72
< h g' >4.^( < g d' >8~ < g d' >2 ) | % 73
< h fis' >4.^( < fis d' >8~ < fis d' >2 ) | % 74
< a fis' >4.^( < fis d' >8~ < fis d' >2 )
\bar ":..:"
\repeat volta 2 {
| % 75
h16(-> e h' h, e h' h, e h' h,
e h' h,-> e c-> e | % 76
h-> d h' h, d h' h, d h' h,
d h' h,-> d a-> d | % 77
fis,->-1 d'-2 fis-5 fis, d' fis fis, d'
fis fis, d' fis fis,->-1 d' g,->-1 d'
}
\alternative {
{
| % 78
a->-1 d-2 a'-5 a, d a' a, d a'
a, d a' a,-> d g,-> d')
}
{
| % 79
\slurShifts #'(0 . -2) #'(-2 . 1)
a(->\mf d_"ritardando..." a' a, d
a' a, d a' a, d a'_"nota... a... nota..."\p a,
d a' g)
}
} |
< g, h e>1\pp \arpeggio \ottava #0 \bar "|."
}
}
DY= {
s
\p s
\< s \!
s
\> s \!
\mf s8 \< s16 \! s s8 \> s16 s s4 s \!
s8 \< s16 \! s s8 \> s16 s s4 s \!
s8 \> s16 s s8 s16 s s4 s \!
s1
\p s \< s \! s \> s \!
\mf s \< s \! s \> s \!
\mf s \< s \!
s \> s2 \! \>
s-\markup {
\italic "ritardando"
} \!
s-\markup {
\italic "a tempo"
} s s1
\< s \!
s s s s s s \p s
\< s \!
s \> s \! \mf
s \< s \!
s s \mf
s \< s \!
s
\> s \! \> s \!
\p s s1*26 s1 \p
s \< s \! s \> s \!
}
LH = \relative c {
\clef bass
\key g \major
\set Timing.beamExceptions = #'()
\set Timing.baseMoment = #(ly:make-moment 1/4)
\set Staff.beatStructure = #'(1 1 1 1 ) %% abhängig vom Takt
\repeat unfold 5
<<
{
e'8 h e h e h e h d h d h d h d h
d h d h d h d a d a d a d a d a
} \\
{
e4 g e g d g d g d fis d fis d fis d fis
}
>>
<<
{
d'8 a d a d a d a
} \\
{
d,4 fis d fis
}
>>
\repeat unfold 5
<<
{
e'8 h e h e h e h d h d h d h d h
d h d h d h d a d a d a d a d a
} \\
{
e4 g e g d g d g d fis d fis d fis d fis
}
>>
<<
{
d'8 a d a d a d a
} \\
{
d,4 fis d fis
}
>>
\repeat unfold 8
{
<<
{
e'8 h e h e h e h d h d h d h d h
d h d h d h d a d a d a d a d a
} \\
{
e4 g e g d g d g d fis d fis d fis d fis
}
>>
}
<<
{
d'8 a d a d a d a
} \\
{
d,4 fis d fis
}
>>
< e h' e >1 \arpeggio
}
% hier kommt die Dateistruktur als eigene Stimme
% für Zeilenumbrüche etc.
Struktur =
{
%\override Score.StaffGrouper.staff-staff-spacing.padding = #6
%\override Score.StaffGrouper.staff-staff-spacing.minimum-distance = #14
s1 * 4 \break
s1 * 4 \break
s1 * 4 \break
s1 * 4 \break
s1 * 3 \pageBreak
s1 * 2 \break
s1 * 4 \break
s1 * 4 \break
s1 * 4 \break
s1 * 4 \break
s1 * 3 \pageBreak
s1 * 3 \break
s1 * 3 \break
s1 * 3 \break
s1 * 3 \break
s1 * 3 \break
s1 * 3 \pageBreak
s1 * 4 \break
s1 * 4 \break
s1 * 4 \break
s1 * 3 \break
s1 * 3 \break
}
AK = {
\chordmode {
% \germanChords
e1:m g/d h:m/d d
e:m g:7/d h:m/d d
e:m g/d h:m/d d
e:m g/d h:m/d d
e:m g:9/d h:m/d d:11 d
e:m g:7/d h:m/d d
e:m g:7/d h:m/d d
e:m g:7/d h:m/d d
e:m g:7/d h:m/d d
e:m g:9/d h:m/d d:11 d
e:m g:9/d h:m/d d:11
e:m g:9/d h:m/d d:11
e:m g:9/d h:m/d d:11
e:m g:9/d h:m/d d:11
e:m g:7/d h:m/d d
e:m g:7/d h:m/d d
e:m g/d h:m/d d
e:m g:9/d h:m/d d:11 d:11 e:m
}
}
\bookpart {
\header {
% piece = \markup { \fontsize #2 \bold " " }
% opus = \markup { \italic "fra filmen om Amélie Poulain" }
title = \markup \myTitel
subtitle = "fra filmen om Amélie Poulain"
subsubtitle = "Langversion"
composer = \markup {
\override #'(baseline-skip . 1)
\right-column {
%" "
"Yann Tiersen"
%" "
}
}
opus = ##f
poet = ##f
}
\include "_index.ly"
\score
{
\new PianoStaff="leadsheet"
<<
\context ChordNames \AK
\new BarNumberStaff
<<
\new Voice = "upper" \RH
\new NullVoice\Struktur
\new Dynamics \DY
% \new Lyrics \lyricsto "upper" { \StropheII }
>>
\new Staff = "Bass" \LH
>>
\layout {
\context {
\Staff
%\once \override Staff.OttavaBracket.outside-staff-priority = #'()
%\once \override Staff.OttavaBracket.Y-offset = 0
%\once \override Staff.OttavaBracket.extra-offset = #'(0 . 8)
explicitClefVisibility = #end-of-line-invisible
explicitKeySignatureVisibility = #end-of-line-invisible
\consists Mark_engraver
\override RehearsalMark.self-alignment-X = #LEFT
\override StaffSymbol.thickness = #0.5 %0.3=optimaler wert
\override DynamicLineSpanner.staff-padding = #3
}
\context {
\Dynamics
\override DynamicLineSpanner.staff-padding = #3
\override TextScript.staff-padding = #3
}
\context {
\Score
\override NonMusicalPaperColumn.line-break-permission = ##f
\override NonMusicalPaperColumn.page-break-permission = ##f
\override KeyCancellation.break-visibility = #'#(#f #t #t)
\override TextScript.self-alignment-X = #LEFT
\override TextScript.staff-padding = #3.5
\override StaffGrouper.staff-staff-spacing.padding = #4
\override StaffGrouper.staff-staff-spacing.basic-distance = #14
}
\context {
\ChordNames
chordNameLowercaseMinor = ##f
chordRootNamer = #germanChords
}
\context {
\Voice
\override PhrasingSlur.outside-staff-priority = #150
\override Slur.outside-staff-priority = #150
}
}
}
}