Carl Czerny, Op.840 Nr.48/score
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\version "2.20.0"
\language "deutsch"
\include "defn.ily"
exercise ="48"
durde = \markup "D moll."
durfr = \markup "Ré mineur."
molde = \markup \bold { "D Dur. " }
molfr = \markup \italic { "(Ré majeur.)" }
myTitel = #(string-append "Melodische Übung " durde)
RH= \relative c' {
\time 4/4
\key f \major
\repeat volta 2
{
r16 d16-1-.[ r16 f16-3-. r16 e16-2-. r16 g16-4-.]
r16 f16-3-.[ r16 a16-5-. r16 a,16-1-. r16 cis16-2-.]
r16 d16-.[ r16 f16-. r16 e16-. r16 g16-.]
\override Script.transparent = ##t
r16 f16-.[ r16 a16-. r16 a,16-. r16 cis16-.]
r16 d16-.-1[ r16 f16-.-2 r16 a16-.-3 r16 d16-.-5]
\revert Script.transparent
r16 gis,16-.-1[ r16 f'16-.-5 r16 e16-.-4 r16 d16-.-3]
r16 cis16-2-.[ r16 a16-1-. r16 cis16-2-. r16 e16-3-.]
r16 a-3 ( gis-2 a gis a gis a )
g!-1 ( a b!-3 a g-1 f-3 e f g-3 f e d-1 cis-4 b a g )
f16-2( a16-1 d16 f16 a8-.) r8
e,16-2( g16-1 b16 e16 g8-.) r8
d,16-2( f16-1 a16 d16 f8-.) r8 cis,16-2( e16-1 a16 cis16 e8-.) r8
d16 a f' a, d a f' a, d8 r8 r4
}
\repeat volta 2
{
\override Rest.staff-position = #4
\voiceOne
r16
\override Beam.positions = #'(5.5 . 5.5)
< cis-2 e-4 >16[ r16 < cis e >16 r16 < cis e >16 r16 < cis e >16]
r16 < d-1 f-3 >16[ r16 < d f >16 r16 < d f >16 r16 < d f >16]
r16 < e
g-4 >16[ r16 < e g >16] r16 < d f-3 >16[ r16 < d f >16]
r16 < cis e-4 >16[ r16 < cis e >16] r16 < cis e >16[ r16 < cis e >16]
\oneVoice
\revert Beam.positions
\revert Rest.staff-position
r16 < cis-1 e-2 a-5 >16[ r16 < cis e a >16] r16 < cis e a >16[ r16 < cis e a >16]
r16 < d-1 f-3 a-5 >16[ r16 < d f a >16] r16 < d f a >16[ r16 < d f a >16]
r16 < e g a >16[ r16 < e g a >16] r16 < d f a >16[ r16 < d f a >16]
\set Staff.beatStructure = #'(2 2 2 2) %% abhängig vom Takt
r16
< cis-1 e-2 a-5 > ( gis'-4 a-5 g-4 e g e )
a16-5( gis16 a16 f16 d8-.) r8 d'16-5( cis16 d16 a16 f8-.) r8
es16-2 g-1 b es g8 r
\myott #1
g,16-1 b-2 es-4 g-1 b8-3 r
a16-5 g f e! d-1 c!-4 b! a
\ottava #0
g-1 f-3 e d cis-2 d e cis
d-3 a-1 d-2 f-4 a f a f d8 r
r4
}
\key d \major
\tag #'Moll
{
\repeat volta 2
{
fis8-5-. r fis-. r fis-. r h,16-4 ( a-3 gis-2 a-1
fis'8 ) r fis r fis r h,16-4 ( a gis a-1
d8.-2 fis16-4 a8.-1 d16-2 )
\myott #1
fis4-3 ( g16-4 fis e d
cis4.-2 e8 g )
\ottava #0
r r4
g,8-5-. r g-. r g-. r
cis,16-2 ( a-1 e'-3 cis-2
g'8-5-. ) r g-. r g-. r
\myott #1
cis16-2 ( a e' cis
a'8-5 g16 fis
e d-1 cis-4 h
\ottava #0
a g fis-3 e d-1 cis-3 h cis
d8-. ) r < a fis' >-. r < fis d' >-. r r4
}
\repeat volta 2
{
fis'8-3-. r fis-. r fis-. r g16-4 ( fis e d-1
cis4.-3 ais8_2 fis4_1 ) r
fis'8-3-. r fis-. r fis ( eis16 fis
g-4 fis e d )
cis2-2 cis4-3 (
h16-2 a-1 gis-2 a-1
fis'8-. ) r fis-. r fis-. r e16-4 ( d-3 cis-2 d-1
d'8-. ) r d-. r d4.-> (gis,8
a-3 ) a,16-1 ( h cis d-1 e fis g!-4 fis e fis g a h cis
d8-. ) r < fis,, a d >-. r q-. r r4
}
}
}
LH = \relative c {
\clef bass
\key f \major
\repeat volta 2
{
d8-5-. f8-3-. e8-3-. g8-2-. g8-3-. a8-1-. a,8-5-. cis8-3-.
d8-1-. f8-3-. e8-4-. g8-2-.
\override Script.transparent = ##t
f8-. a-. a,-. cis-.
d-.-1 f-.-3 a-.-2 d-.-1 gis,-.-5 f'-.-1 e-.-2 d-.-1
\revert Script.transparent
cis8-3-. a8-5-. cis8-3-. e8-2-.
f-1-. r r4
\voiceOne
\mergeDifferentlyHeadedOn
\mergeDifferentlyDottedOn
cis,8 < e a > q q cis q q q
d < f a > q q g, < b e > q q
a < d f > q q a < e' g > q q
\oneVoice
< d f >8 a' < d, f > a' < d, f > r8 r4
}
\repeat volta 2
{
\change Staff = "Discant"
\override Fingering.self-alignment-X = #1.5
\voiceTwo
\override Beam.positions = #'(-4 . -5)
a''8-1_. b-2-. a-1-. g-2-.
\override Beam.positions = #'(-5 . -6)
f-3-. a-1-. f-2-. d-3-.
\override Beam.positions = #'(-7 . -5.5)
cis-.-3 a-.-5 d-.-3 f-.-2
\override Beam.positions = #'(-5 . -6)
a-.-1 e-.-2 cis-.-3 e-.-2
\oneVoice
\change Staff = "Bass"
\override Beam.positions = #'(-3 . -2)
\revert Fingering.self-alignment-X
a,-1 e-4 a g f-3 a-1 f-2 d-3
\stemNeutral
\revert Beam.positions
\once \override Beam.positions = #'(3 . 4.5)
cis-3 a-5 d-3 f a r8 r4
\voiceOne
f,8 < a d > q q f q q q
g < b es > q q g q q q
a < d f > q q a < e' g > q q
\oneVoice
< d f >8 a' < d, f > a' < d, f > r8 r4
}
\key d \major
\tag #'Moll
{
\repeat volta 2
{
\set Staff.beatStructure = #'(4 4)
\voiceOne
\override Beam.positions = #'(6 . 7)
\repeat unfold 3 { fis8 a d a fis a d a }
\repeat unfold 3 { g a cis a g a cis a }
\revert Beam.positions
a, cis e g a, cis e g
\oneVoice
< d fis >8 a' d a d, r8 r4
}
\repeat volta 2
{
< h'-2 d-1 >8 ( fis q fis q fis q fis
< ais-3 e'-1 > fis q fis q fis q fis
)
< h-2 d-1 >8 ( fis q fis q fis q fis )
< ais cis > fis q fis
\voiceOne
g!8 cis a! cis
\mergeDifferentlyHeadedOn
\repeat unfold 2 { fis,8 a d a }
d, e gis e d e gis e
a, fis' d fis a, g'! e g
\oneVoice
< fis d > d[( a fis d] ) r r4
}
}
}
LHii = \relative c {
\voiceTwo
\repeat volta 2
{
s1 * 4
cis2 cis d g, a a
s1
}
\repeat volta 2
{
s1 * 4
f2 f g g a a
s1
}
\tag #'Moll
{
\repeat volta 2
{
d2 d d d d d
e e e e e e
a, a
s1
}
\repeat volta 2
{
s1 * 3 s2
< e' g >2
d d h h a a
s1
}
}
}
dynamics = {
\override Score.RehearsalMark.self-alignment-X = #-1
\mark \markup { \center-align "Allegro vivace." }
s1-\markup { \dynamic f \italic stacc. } s s
s2 s\> s1\p
s2 s-\markup { \italic cresc. } s1
s\f s\p s
s-\markup { \italic cresc. }
s2 s\> s1\p
s-\markup { \italic cresc. }
s\f
%\override Score.RehearsalMark.direction = #UP
s2
\once \override Score.RehearsalMark.self-alignment-X = #-1.5
\mark \markup "Fine."
s
\mark \markup \fontsize #-1.5 { \bold \molde \italic \molfr }
s1-\markup { \dynamic p \italic dol. } s1 * 4
s2. s4\< s\> s2.\! s1
s\p s
s-\markup { \italic cresc. }
s2 s\f s1
s\sf s
\override Score.RehearsalMark.direction = #DOWN
\mark \markup "D.C. sino al fine."
}
#(set! paper-alist (cons '("mein Format" . (cons 290 400)) paper-alist))
\paper {
#(include-special-characters)
#(define fonts
(set-global-fonts
#:music "Ross"
#:brace "emmentaler"
#:roman "Century Schoolbook L"
#:sans "sans-serif"
#:typewriter "monospace"
))
}
aa= \paper
{
%#(set-paper-size "a3")
#(set-paper-size "mein Format")
top-markup-spacing.basic-distance = #1
system-system-spacing.basic-distance = #16
markup-system-spacing.basic-distance = 16
markup-system-spacing.padding = 4
oddHeaderMarkup = ##f
evenHeaderMarkup = ##f
oddFooterMarkup = ##f
evenFooterMarkup = ##f
ragged-right = ##f
ragged-last = ##f
ragged-bottom = ##t
ragged-last-bottom = ##t
top-margin = 0
bottom-margin = 0
left-margin = 15\mm
%line-width = 260\mm
right-margin = #left-margin
page-breaking = #ly:one-page-breaking
annotate-spacing = ##f
}
cc=\paper {
line-width = 175\mm
top-margin = 15\mm
bottom-margin = 10\mm
annotate-spacing = ##f
evenFooterMarkup = ##f
oddFooterMarkup = ##f
evenHeaderMarkup = ##f
oddHeaderMarkup = ##f
page-breaking = #ly:minimal-breaking
system-system-spacing.basic-distance = #6
system-system-spacing.minimum-distance =#4
system-system-spacing.padding = #0
}
%\aa %% Ausgabe auf einer Seite
\cc %% Ausgabe im A4-Format
%dd=
\bookpart {
\header {
title = \myTitel
subtitle = \markup \concat { "Op.840, №" \exercise }
subsubtitle = ##f
poet = ##f
composer = "Carl Czerny (1791-1857)"
piece = ##f
opus = ##f
}
\score {
\new PianoStaff
<<
\new BarNumberStaff="Discant"
<<
\new Voice \RH
>>
\new Dynamics\dynamics
\new Staff="Bass"
<<
\new Voice \LH
\new Voice \LHii
>>
>>
\layout {
\context {
\PianoStaff
instrumentName = \markup {
\center-column {
\line { \bold \huge { "№" } \number { \exercise "." } }
\line \large { \durde }
\italic \line { \durfr }
}
}
shortInstrumentName = ""
\override VerticalAxisGroup.staff-staff-spacing.basic-distance = #10
}
\context {
\Score
\override SpacingSpanner.common-shortest-duration = #(ly:make-moment 1/7)
}
}
}
}
bb=
\score {
{
<<
\new Staff {
\set Staff.midiInstrument = "pan flute"
\unfoldRepeats \RH
\removeWithTag #'Moll \RH
}
\new Staff {
\set Staff.midiInstrument = #"vibraphone"
\unfoldRepeats \LH
\removeWithTag #'Moll \LH
}
\new Staff {
\set Staff.midiInstrument = "fx 4 (atmosphere)"
\clef bass \unfoldRepeats \LHii
\removeWithTag #'Moll \LHii
}
>>
}
\midi {
\tempo 4=120
}
}