Carl Czerny, Op.840 Nr.46/score
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\version "2.20.0"
\language "deutsch"
\include "defn.ily"
exercise ="46"
myTitel = #(string-append "Melodische Übung " durde)
RH= \relative c' {
\time 3/4
\override Fingering.avoid-slur = #'inside
\override Fingering.staff-padding = #'()
\override Slur.height-limit = #6
%\override Fingering.padding = #1
\repeat volta 2
{
\override Fingering.direction = #DOWN
c8-1 ( g'-2 e-1 c'-4 g-2 e'-5 )
\revert Fingering.direction
\grace { e32[ f ] } e4-3 ( d8-2 c-1 h-3 c-4 )
\override Fingering.direction = #DOWN
d,-1 ( h'-3 g-1 d'-4 h-2 f'-5 )
\revert Fingering.direction
\grace { f32[ g] } f4-3 ( e8-2 d-1 cis-2 d-3 )
g,-1 e'-4 c!-2 g'-5 e-2 c'-5
\myott #1
g-2 e'-4 c-2 g'-5 e-2 c'-5
< h d, >-1-4-. r < d f, >-.\arpeggio r < h d, >-. r
< g h, >2.-> \ottava #0
c,,,8 ( g' e c' g e' )
\grace { e32[ f ] } e4 ( d8 c h c )
fis,-2 ( d'-5 a-1 fis'-4 d-1 a'-3
fis-2 d'-5 a-1 fis'-4
\myott #1
d-1 a'-2 ) h-3 ( d-5 )
\grace { d32[ e] } d4-3 ( c8-2 h-1 )
a-2 ( c-4 ) \grace { c32[ d] } c4-3-> ( h8 a )
d-5 ( c-4 a-3 fis d fis g4 )
\ottava #0 r r
}
\repeat volta 2
{
d8-5 ( g,-2 h-4 d,-1 g-5 h,-2
\override Fingering.direction = #DOWN
d-5 g,-1 h-5 d,-2 g-4 h,-1 c-2-. )
\revert Fingering.direction
r < c' e >-1-2-. r < e c' >-. r
< e g >2.
f'8-5 ( h,-2 d-4 f,-1 h-5 d,-2
g-5 d-1 f-5 h,-2 d-4 g,-1 < c e >-2-4-. ) r < c' e >-1-3-. r < e g >-. r
< c e >2.
a,8-1 ( f'-3 d-1 a'-4 f-3 c'-5 )
\grace { c32[ d] } c4-5 ( h8-2\prall a-1 gis-2 a-5 )
g!-1 ( c-2 e-4 g,-1 < e' g >-4-5-. ) r
f, ( a d f, < d' f >-. ) r
e-2 ( g-4 \grace { f32[-3 g]-4 } f8-3 e-2 d-1 c-3 )
h-2 ( a-1 \grace { g32[ a] } g8-3 f-2 e-1 d-2 )
c-1 ( e-2 g-3 c-1 e-2 g-3
c4-5 ) r r
}
\tag #'Moll
{
\repeat volta 2
{
\set Staff.beatStructure = #'(1 1 1)
\tupletSpan 4
\repeat unfold 2 {
\tuplet 3/2 { c,,8-2 ( d c a-1 c f } a-. ) r
\override TupletNumber.stencil = ##f
}
\tuplet 3/2 { g-3 ( a g c,-1 e g } c-. ) r
\myott #1 < e g c >2. \ottava #0
\repeat unfold 2 {
\tuplet 3/2 { c,8-2 ( d c g-1 c e } g-. ) r
}
\tuplet 3/2 { f-3 ( g f a,-1 c f } a-. ) r
\myott #1 < c f a >2.
\tuplet 3/2 {
d'8-3 ( e-4 d-3 c-2 d-4 c-3 h!-2 c-4 h-3
a-2 h-4 a-3 g-2 a-4 g-3 f-2 g-4 f-3
e f e d e d c d c )
}
\ottava #0
\tuplet 3/2 {
h c h a h a g a g
f g f e f e d e d
}
g4 < h, g d > q
< c g e > \tuplet 3/2 { c,8 e g-5 c-1 e g }
c2 r4
}
\repeat volta 2
{
\repeat unfold 2 {
\tuplet 3/2 { c,8 ( e g }
b4-. ) b-.
\tuplet 3/2 {
b8-3 ( c-4 b-3 a-2 b-3 a-2 g-1 a-2 g-1
f-3 g-4 f-3
} e4-2-. ) e-2-. e2.
}
\myott #1
\tuplet 3/2 {
c''8-3 ( d c b-2 c-4 b-3 a-2 b-4 a-3
g-2 a-4 g-3 f-2 g-4 f-3 e-2 f-4 e-3
d e d c d c b-2 c-4 b-3
\ottava #0
a b a g a g f g f
e-2 f-4 e-3 d-2 e-3 d-2 c-1 d-2 c-1 )
}
c'4-. < e, c g >-.-4 q-.
< f c a >
\tuplet 3/2 {
f,8 ( a c-3 f-1 a c
} f2 ) r4
}
}
}
LH = \relative c {
\clef bass
\repeat volta 2
{
c4 < e g c > q c q q
g < d' f g h > q g, q q
c < e g c > q c q q
g < d' g h > q g, < d' f g h > q
c4 < e g c > q c q q
d, < d' fis a c > q d, q q g < d' g h > q
c < e a c > q d < a' c d > q
< g h > g, r
}
\repeat volta 2
{
\voiceOne
g < h d f > q g q q
\oneVoice
c < e g c > q c q q
\voiceOne
g < h d f > q g q q
\oneVoice
c < e g c > q c q q
f < a c f > q f q q
\voiceOne
e < g c > q f < a d > q
g < c e > q g < h f' > q
\oneVoice
< c e > < c, e g > q q r r
}
\tag #'Moll
{
\repeat volta 2
{
f4 < a c > q f q q
\repeat unfold 4 { c < b' c e > q }
f4 < a c > q f q q
g, < d' g h! > q g, q q
c4 < e g c > q c q q
f, < d' f a > q g, < d' f g > q
c < e g > q < c e >2 r4
}
\repeat volta 2
{
\repeat unfold 8 { c < b' c e > q }
\voiceOne
a, < c f > q a q q
b < d g > q b q q
c < g' b > q c, q q
\oneVoice
< f a >4 < a c > q < f a >2 r4
}
}
}
LHii = \relative c {
\voiceTwo
\repeat volta 2
{
s2. * 16
}
\repeat volta 2
{
g2. g s s g g
s2.*4
e'2. f g g
s2. s
}
\tag #'Moll
{
\repeat volta 2
{
s2. * 16
}
\repeat volta 2
{
s2. * 8
a,2. a b b c c
s s
}
}
}
dynamics = {
\override Score.RehearsalMark.self-alignment-X = #-1
\mark \markup { \center-align "Vivace Tempo di Valze." }
s2.\p s s s s
s-\markup { \italic cresc. }
s\f s
s\p s
s-\markup { \italic cresc. } s
s\f s s s
s\p s
\override Hairpin.to-barline = ##f
s4 s2\< s4\! s2
s2.-\markup { \italic cresc. } s s
s\sf
s\f s2. * 7
\override Score.RehearsalMark.self-alignment-X = #1
\mark \markup "Fine."
s2.\p s s
s\sf s\p s s
s\sf s\p s
s2.-\markup { \italic cresc. } s
s\f s
s\fz s\sf
s\p s
s\< s\sf
s\p s
s\< s\sf
s4\p s2-\markup { \italic cresc. }
s2. s s
s\f s s\sf s\sf
\override Score.RehearsalMark.direction = #DOWN
\mark \markup "D.C. sino al fine."
}
#(set! paper-alist (cons '("mein Format" . (cons 290 440)) paper-alist))
\paper {
#(include-special-characters)
#(define fonts
(set-global-fonts
#:music "Ross"
#:brace "emmentaler"
#:roman "Century Schoolbook L"
#:sans "sans-serif"
#:typewriter "monospace"
))
}
aa= \paper
{
%#(set-paper-size "a3")
#(set-paper-size "mein Format")
top-markup-spacing.basic-distance = #1
system-system-spacing.basic-distance = #16
markup-system-spacing.basic-distance = 16
markup-system-spacing.padding = 4
oddHeaderMarkup = ##f
evenHeaderMarkup = ##f
oddFooterMarkup = ##f
evenFooterMarkup = ##f
ragged-right = ##f
ragged-last = ##f
ragged-bottom = ##t
ragged-last-bottom = ##t
top-margin = 0
bottom-margin = 0
left-margin = 15\mm
%line-width = 260\mm
right-margin = #left-margin
page-breaking = #ly:one-page-breaking
annotate-spacing = ##f
}
cc=\paper {
line-width = 165\mm
top-margin = 20\mm
bottom-margin = 20\mm
annotate-spacing = ##f
evenFooterMarkup = ##f
oddFooterMarkup = ##f
evenHeaderMarkup = ##f
oddHeaderMarkup = ##f
page-breaking = #ly:minimal-breaking
system-system-spacing = #'((basic-distance . 10)
(minimum-distance . 8)
(padding . 2)
(stretchability . 60))
}
xx=\paper {
line-width = 175\mm
top-margin = 10\mm
bottom-margin = 5\mm
annotate-spacing = ##f
evenFooterMarkup = ##f
oddFooterMarkup = ##f
evenHeaderMarkup = ##f
oddHeaderMarkup = ##f
}
%\aa %% Ausgabe auf einer Seite
\xx %% Ausgabe im A4-Format
%dd=
\bookpart {
\header {
title = \myTitel
subtitle = \markup \concat { "Op.840, №" \exercise }
subsubtitle = ##f
poet = ##f
composer = "Carl Czerny (1791-1857)"
piece = ##f
opus = ##f
}
\score {
\new PianoStaff
<<
\new Staff="Discant"
<<
\new Voice \RH
>>
\new Dynamics\dynamics
\new Staff="Bass"
<<
\new Voice \LH
\new Voice \LHii
>>
>>
\layout {
\context {
\PianoStaff
instrumentName = \markup {
\center-column {
\line { \bold \huge { "№" } \number { \exercise "." } }
\line \large { \durde }
\italic \line { \durfr }
}
}
shortInstrumentName = ""
\override VerticalAxisGroup.staff-staff-spacing.basic-distance = #10
\override VerticalAxisGroup.staff-staff-spacing.padding = #4
}
\context {
\Score
%\override SpacingSpanner.common-shortest-duration = #(ly:make-moment 1/10)
\override SpacingSpanner.common-shortest-duration = #(ly:make-moment 1/3)
}
}
}
}
bb=
\score {
{
<<
\new Staff {
\set Staff.midiInstrument = "pan flute"
\unfoldRepeats
\RH
\removeWithTag #'Moll \RH
}
\new Staff {
\set Staff.midiInstrument = #"vibraphone"
\unfoldRepeats
\LH
\removeWithTag #'Moll \LH
}
\new Staff {
\set Staff.midiInstrument = "fx 4 (atmosphere)"
\clef bass \unfoldRepeats \LHii
\removeWithTag #'Moll \LHii
}
>>
}
\layout { }
\midi {
\tempo 4=120
}
}