Carl Czerny, Op.840 Nr.11

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\version "2.20.0"
\language "deutsch"

\include "defn.ily"
exercise ="11"

myTitel = #(string-append "Melodische Übung " durde)

RH= \relative c'' {
  \time 3/8
  \set Staff.beamExceptions = #'()
  \set Staff.beatStructure = #'(1 2)
  \repeat volta 2
  {
    \myott #1
    g''8-3-.  a16-4 ( g fis g
    e8-1-. ) f!16-4 ( e dis e
    c4. )
    \slashedGrace d8 c8[-2 ( h-1-. c]-2-. )
    d-3-. e16-4 ( d cis d
    h8-1-. ) c16-4 ( h ais h
    g4._1 )
    g8[ ( a-. ) h]-.
    c-3-. d16-4 ( c h c
    d8[-4 h-. ) g]-.
    c8-3-. d16-4( c h c
    d8[-4 h-.) g]-.
    e'-5-. d16-4( c-3 h-2 c-1
    fis8-5-.) e16-4( d-3 cis-2 d-1 g4.-4)
    \ottava #0 R
    g,8-3-. a16( g fis g
    e8-.) f!16( e dis e c4.)
    \grace d8 c[( h-.) c]-.
    d-. e16( d cis d
    h8-.) c!16( h ais h g4.)
    g8[( a-.) h]-.
    c-4-. d16-4( c h c
    d8-4-.) e16-4( d-4 c dis
    e8-3-.) f16-4( e dis e-3)
    \set Staff.beatStructure = #'(3)
    f8-1( a-.) c-.
    c-5( g-.) e-.
    g-5( f-.) d-.
    c4 r8 R4.
  }
  \repeat volta 2
  {
    < g-1 h-3 d-5 >8-. q-. q-. q-. q-. q-.
    < fis-1 a-2 d-5 > q q q q q
    < a-2 c-4 d-5 > q q q q q
    < g h d > q q q q q
    \set Staff.beatStructure = #'(1 2)
    d'-3-.
    e16-4( d cis d-1
    h'8-5-.) c!16-4( h a h
    c8-4-.) d16-4( c h c
    a8-1-.)
    h16-4( a-3 gis-2 a-5)
    \set Staff.beatStructure = #'(3)
    fis-3 e d e fis g!-1
    \myott #1
    a h c-1 d e fis g8-5 g g g g g
    \set Staff.beatStructure = #'(1 2)
    g-3-. a16-4( g fis g
    e8-.) f!16( e dis f c4.)
    d16( c h c h c
    d8)-. e16( d cis d
    h8-.) c!16( h ais h g4.)
    \set Staff.beatStructure = #'(3)
    h16-3 g-1 fis-2 g-1 a-2 h-1 c-2 d c h c e-4
    d-3 e d cis-2 d-1 f-4
    e-3 f-4 e-3 dis-2 e-1 c'-5
    h a g f-1 e-2 d-1
    a'-5 g f e d-1 c-4
    \ottava #0
    h a g-1 f-4 e d
    c8-. g'8-. e8-.
    c8-. r8 r8^"Fine."
  }
  \key es \major
  \tag #'Moll
  {
    \repeat volta 2
    {
      < g c es >4.
      ( < f h d > < es c' > < f as d > < d g h >
      < es g c > < g h d >
      g8 h d
      < g, d' f >4. < g c es >
      )
      d'-2  ( as'8 f d )
      c4 c8 es4 d8 c4 r8 R4.
    }
    \repeat volta 2
    {
      < g h d >4.  < fis c' d > < g h d >4 g'8-5 (
      fis4 g8 ) q4.
      < fis, c' d > < g h d > ( d'8-2 a'-5 g-4 g4.-5 )
      < a, c fis-4 > < h! d f! > < c es >
      d8 ( f as ) as ( g h,! ) c4 r8 R4.
    }
  }
}

LH = \relative c' {
  \mergeDifferentlyDottedOn
  \mergeDifferentlyHeadedOn
  \set Staff.beamExceptions = #'()
  \set Staff.beatStructure = #'(3)
  \repeat volta 2
  {
    \voiceOne
    c8 e
    g c, e g c, e g c, e g
    g, h f' g, d' f
    g, h f' g, d' f
    c e g h, f' g
    c, e g h, f' g
    c, e g
    \clef bass
    a, c d
    h ( d h-2
    \oneVoice
    g-1 f!-2 d-4 )
    \voiceOne
    c e g c, e g c, e g c, e g
    g, h f' g, d' f
    g, h f' g, d' f
    c e g h, f' g
    c, e g a, c f
    g, c e g, h f'
    c e g
    \oneVoice
    c, r8 r
  }
  \repeat volta 2
  {
    g'8-3-.\noBeam
    a16-2( g fis g-3 h8-1-.\noBeam)
    c16-2( h ais h-3 c8-2-.\noBeam)
    d16-1( c h c-2 a8-4-.\noBeam)
    h16-1( f gis a-2 fis8-4-.\noBeam)
    g16-1( fis e fis-2 d8-4-.\noBeam)
    e-. fis-. ]
    g4. ( d8-. ) r r
    \voiceOne
    g4. g d d d d
    \oneVoice
    < g h >4 r8
    R4.
    \voiceOne
    c,8 e g c, e g c, e g c, e g
    g, h f' g, d' f g, h f' g, h f'
    c e g h, d g c, e g f a d
    g, c e g, h f'
    \oneVoice
    < c e > q q q r8 r
  }
  \key es \major
  \tag #'Moll
  {
    \repeat volta 2
    {
      c4.-1 ( g-3 as-2 f-4 g-1 c,-2 g~) g
      h'-2 c
      < f,~ as~ c~ d~> q
      < g c es > < g h f' >
      < c es >8 ( g' es c ) r r
    }
    \repeat volta 2
    {
      g4.-3 ( as! g ) R4. g
      as g < f h > < es c' > d g as!
      < f as c d > < g d' f >
      < c-5 es-2 >8 g-1 ( es-5
      c-5 ) r r
    }
  }
}

LHii = \relative c' {
  \repeat volta 2
  {
    \voiceTwo
    c4. c c c
    g g g g
    c h c h c
    a g s c, c c c g g g g c h c a g g c
    s4.
  }
  \repeat volta 2
  {
    s4. * 8
    g'8 < h d > q
    g q q
    d < a' c > q d, q q d q q d q q
    s4. s
    c4. c c c
    g g g g
    c h c f g g
    s4. s
  }
  \tag #'Moll
  {
    \repeat volta 2
    {
      s4. * 32
    }
  }
}

dynamics = {
  \override Score.RehearsalMark.self-alignment-X = #-1
  \mark \markup { \center-align "Allegretto vivace" }
  s4.\p
  s4. * 11
  s4.-\markup { \italic cresc. } s s s
  s\f s4. * 9
  s4 s8\<
  s4. s\sf s s s
  \mark \markup \fontsize #-1.5 { \bold \molde \italic \molfr }
  s\f s4. * 7
  s4.\p s s s
  s4.-\markup { \italic cresc. } s s
  s\< s\f s4. * 11
  s4.\ff s s s
  s-\markup { \dynamic p \italic \large legato. } s4. * 7
  s4.\< s s\sf\> s s\!
  s s s
  s\p\< s8 s4\> s8 s4\!
  s4. * 11
  \override Score.RehearsalMark.direction = #DOWN
  \mark \markup "D.C. sino al fine."
}

#(set! paper-alist (cons '("mein Format" . (cons 290 430)) paper-alist))

\paper {
  #(include-special-characters)
  #(define fonts
     (set-global-fonts
      #:music "Ross"
      #:brace "emmentaler"
      #:roman "Century Schoolbook L"
      #:sans "sans-serif"
      #:typewriter "monospace"
      ))
}

aa= \paper
{
  %#(set-paper-size "a3")
  #(set-paper-size "mein Format")
  top-markup-spacing.basic-distance = #1
  system-system-spacing.basic-distance = #16
  markup-system-spacing.basic-distance = 16
  markup-system-spacing.padding = 4
  oddHeaderMarkup = ##f
  evenHeaderMarkup = ##f
  oddFooterMarkup = ##f
  evenFooterMarkup = ##f
  ragged-right = ##f
  ragged-last = ##f
  ragged-bottom = ##t
  ragged-last-bottom = ##t
  top-margin = 0
  bottom-margin = 0
  left-margin = 15\mm
  %line-width = 260\mm
  right-margin = #left-margin
  page-breaking = #ly:one-page-breaking
  annotate-spacing = ##f

}

cc=\paper {
  line-width = 170\mm
  top-margin = 15\mm
  bottom-margin = 15\mm
  annotate-spacing = ##f
  evenFooterMarkup = ##f
  oddFooterMarkup = ##f
  evenHeaderMarkup = ##f
  oddHeaderMarkup = ##f
  page-breaking = #ly:minimal-breaking
  system-system-spacing = #'((basic-distance . 6)
                             (minimum-distance . 4)
                             (padding . 0)
                             (stretchability . 60))
}

%\aa   %% Ausgabe auf einer Seite
\cc   %% Ausgabe im A4-Format

%dd=
\bookpart {
  \header {
    title = \myTitel
    subtitle = \markup \concat { "Op.840, №" \exercise }
    subsubtitle = ##f
    poet = ##f
    composer = "Carl Czerny (1791-1857)"
    piece = ##f
    opus = ##f
  }
  \score {
    \new PianoStaff
    <<
      \new BarNumberStaff="Discant"
      <<
        \new Voice \RH
      >>
      \new Dynamics\dynamics
      \new Staff="Bass"
      <<
        \new Voice \LH
        \new Voice \LHii
      >>
    >>
    \layout {
      \context {
        \PianoStaff
        instrumentName = \markup {
          \center-column {
            \line { \bold \huge { "№" } \number { \exercise "." } }
            \line \large { \durde }
            \italic \line { \durfr }
          }
        }
        shortInstrumentName = ""
        \override VerticalAxisGroup.staff-staff-spacing.basic-distance = #10
        \override VerticalAxisGroup.staff-staff-spacing.padding = #4
      }
      \context {
        \Score
        %\override SpacingSpanner.common-shortest-duration = #(ly:make-moment 1/10)
        \override SpacingSpanner.common-shortest-duration = #(ly:make-moment 1/7)
      }

    }
  }
}

bb=
\score {
  \unfoldRepeats
  {
    <<
      \new Staff {
        \set Staff.midiInstrument = "pan flute"
        \RH \removeWithTag #'Moll \RH
      }
      \new Staff {
        \set Staff.midiInstrument = #"vibraphone"
        \LH \removeWithTag #'Moll \LH
      }
      \new Staff {
        \set Staff.midiInstrument = "fx 4 (atmosphere)"
        \clef bass \LHii \removeWithTag #'Moll \LHii
      }
    >>
  }
  \midi {
    \tempo 4=120
  }
}