Carl Czerny, Op.840 Nr.1/score
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\version "2.20.0"
\language "deutsch"
\include "defn.ily"
exercise ="1"
myTitel = #(string-append "Melodische Übung C-Dur")
RH= \relative c'' {
\accidentalStyle modern
\override Slur.height-limit = #6
\partial 4
\tag #'Dur
{
\repeat volta 2 {
\slashedGrace a'8 g8.(-3 fis16
g8)-.-1 r
\waacc g8 e'-. r g,-.-1 r \waacc g8 d'8-. r
g,8-. r \waacc g8 e'-. r \slashedGrace a,8 g8.-3( fis16 g8. fis16-2
g8-.-1) r \waacc g8 d'-. r g,8.-1( a16 g8. a16
g8-.) r \waacc g8 e'-. r e,8.-2( c16-1 f8.-3 d16-1
g8-.-4) r \waacc g8 e'-. r g,-. r \waacc g8 d'-. r
g,8-. r \waacc g8 c-. r \slashedGrace a8^( g8.-3[ fis16-2 g8.-3 a16-4)]
\set fingeringOrientations = #'(left)
< d,-1 h'-5 >8-. < e-1 c'-5 >-. < f d' >-. < g e' >-.
\set fingeringOrientations = #'(left up right down)
\myott #1
< a f' >-. < h g' >-. < c a' >-. < d h' >8-.
< e c' >8-. \ottava #0 r r4 r
}
\repeat volta 2 {
\slashedGrace a,,8 g8._3( fis16
g8-.) r < d f g h> r < f g h d > r \slashedGrace a8 g8.( fis16
g8) r < e g c >8 r < g c e > r \slashedGrace a8 g8.( fis16
g8-.) r < g h d >-. r < g h f' >-. r < d'-2 g-5 >-. r
< g,_~ d' f >2( < g c e >8) r
\slashedGrace a'8 g8.( fis16
g8-.) r
\waacc g8 e'-. r g,-.-1 r
%\shpSlurB
\waacc g8 d'8-. r
g,8-. r
\waacc g8 c-. r r
\myott #1
< g' e' >8-.-1-5 < f d' >-.-1-5 < e c' >-.
< d h' >-. < c a' >8-. < h g' >-. < a f' >-.
\ottava #0 < g e' >8-. < f d' >-. < e c' >-. < d h' >-.
< e c' >-. r r4 r4
}
}
\key c \minor
\tag #'Moll
{
\repeat volta 2 {
\once \override Slur.details.max-slope = 0
g,4-1(
es'-3) es( d c)
g'2-5( d)
\set fingeringOrientations = #'(up)
es4-3 es( d c < h-2 d-4 >2 g)
es'4-3 es( d c
fis2-3_> g-1_> b!4-3 g-1 fis-2 a-4) g2 r4
}
\repeat volta 2 {
g4-5(
f!4.-4 d8-2 es4-3 c-1)
\once \override Slur.details.max-slope = 0
g'( g,) g8 r g'4(
f4. d8 es4 c)
< h d g >2.
g4(
es') es( d c)
c'2( fis,-2)
g4-4( es d g
c,) r4 r4
}
}
}
LH = \relative c' {
\clef bass
\tag #'Dur
{
\repeat volta 2 {
\grace s8 r4
\clef treble
\set fingeringOrientations = #'(left)
< c-4 e-2 g-1 >8 r < c e g >8 r < g h f' > r < g h f' > r
< c-3 e-1 >8 r q r q r q r
< h f' g >8 r q r q r q r
< c e g >8 r q r < c-5 e-3 >4( < d f >
< e-3 g-1 >8-.) r < c e g >8 r < g h f' > r q r
< c-3 e-1 >8 r q r q r q r
< g d' f > r q r q r q r
\clef bass
< c e >8 r c r c, r
}
\repeat volta 2 {
\slashedGrace s8 r4
g8 r < g'-2 h-1 > r q r r4
g,8 r < g'-4 c-1 > r q r r4
g,8 r < g' d' > r q r < g h > r
h4-2( g c8-.) r \grace s8 r4
\clef treble
< c e g >8 r q r < h f' g >8 r q r
< c e g >8 r q r < c e g >8 r q r
< g d' f > r q r q r q r
\clef bass
< c e >8 r c r c, r
}
}
\key c \minor
\tag #'Moll
{
\repeat volta 2 {
r4
\voiceOne
\mergeDifferentlyHeadedOn
\mergeDifferentlyDottedOn
\set fingeringOrientations = #'(down)
\override Fingering.direction = #DOWN
\override Fingering.staff-padding = #'()
c8 g' es g c,8 g' es g
h,8 g' f g h, g' f g
c,8 g' es g c,8 g' es g
s1
c,8 g' es g c,8 g' es g
c,8 a' es a cis, b'!-1 e,-3 b'-1
d,8 b'-1 g_2 b-1 d, c' fis, c'
g8 b d b s4
}
\repeat volta 2 {
s4
g8 h d h g c_2 es_1 c_2
g8 h d h g8 h d h
g8 h d h g c es c
g8 h_(-2 d-1 h-2 \oneVoice g^1 f es d^4)
\voiceOne
c8 g' es g c,8 g' es g
as,8 es' c es as, es' c es
g,8 es' c es g, f' h, f'
c8 es g es c
\oneVoice r8
}
}
}
LHii = \relative c
{
s4
s1 * 15
s2.
\voiceTwo
\set fingeringOrientations = #'(down)
\override Fingering.direction = #LEFT
\override Fingering.staff-padding = #'()
\repeat volta 2 {
s4
c2-4 c h-5 h c c
g8^( h d g^1 f^2 es f d^4)
c2 c2
c2 cis-5 d-5 d g-4 g8 d8\rest
}
\repeat volta 2 {
d4\rest
g2-5 g2-5
g2 g2
g2 g2
g2-5 s2
c,2 c
as2 as
g2 g
c2-4_\markup "D.C. sino al fine." s4
}
}
dynamics = {
s4\p
\mark \markup { "Allegro giocoso." }
s1*4
%5
s1-\markup { \italic \small "cresc." }
s1
s1\f
s2. %{--repeat bar--%} s4\p
s1 s
s4 s\< s2
s2\> s4\! s\p
% s2. s4\p s4
s4 s2.-\markup { \italic \small "cresc." }
s2 s8 s4.\f
s1 s2.
\mark \markup \fontsize #-1.5 { \bold "C Moll." \italic "(Ut mineur.)" }
s4-\markup \whiteout { \musicglyph "p" \italic \small "dol." }
s1 * 4
s2 s-\markup { \italic \small "cresc." }
s1 s s2. s4\p
s1 s s
s2. s4-\markup { \italic \small "cresc." }
s1 s\f s\p
}
\bookpart {
\header {
title = \myTitel
subtitle = "Op.840, №1"
subsubtitle = ##f
poet = ##f
composer = "Carl Czerny (1791-1857)"
piece = ##f
opus = ##f
}
\paper {
line-width = 160\mm
top-margin = 20\mm
bottom-margin = 20\mm
annotate-spacing = ##f
evenFooterMarkup = ##f
oddFooterMarkup = ##f
evenHeaderMarkup = ##f
oddHeaderMarkup = ##f
system-system-spacing = #'((basic-distance . 12)
(minimum-distance . 8)
(padding . 5)
(stretchability . 60))
}
\score {
\new PianoStaff
<<
\new BarNumberStaff="Discant"
<<
\new Voice \RH
>>
\new Dynamics\dynamics
\new Staff="Bass"
<<
\new Voice \LH
\new Voice \LHii
>>
>>
\layout {
\context {
\PianoStaff
instrumentName = \markup {
\center-column {
\line { \bold \huge { "№" } \number { \exercise "." } }
\line \large { \durde }
\italic \line { \durfr }
}
}
shortInstrumentName = ""
\override VerticalAxisGroup.staff-staff-spacing.basic-distance = #14
\override VerticalAxisGroup.staff-staff-spacing.padding = #5
}
}
}
}