Ave Maria (Schubert, für Orgel)

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von B-Dur nach C-Dur transponiert, um die tiefsten Töne auf Orgel spielbar zu machen

sop = \relative c' {
  \time 4/4
  \key b \major
  \numericTimeSignature
  %\override TupletBracket.bracket-visibility = #'if-no-beam
  \tupletSpan 8
  \tuplet 3/2 {
    \repeat unfold 2 { r16 f( b d b f) }
    \omit TupletNumber
    \omit TupletBracket
    r b( d f d b) r d( f as f d)
    r b( es g es b) r a( es' ges es a,)
    r b( d f d b) r f( b d b f)
  }
  b4. ( a16 b d4.. c16 b4 ) r
  c8.( d32 c b16 a g a b4 ) r
  d8. c32 b a16 g d' e
  d4 cis8. a16 c8. b16
  \tuplet 3/2 { a c d es c a }
  b4. d16 c c8. a16
  \tuplet 3/2 { g h d f d h }
  c4 ~ \tuplet 3/2 { c16[ g a b \grace { c32[ b] } a16 g] }
  f4 r8 f\(
  c'8. c16 c16. h32 c16. d32 c16. d32 b8\) r b\(
  c8. c16 \tuplet 3/2 { c h c es d c } b4\) r8 b
  c8.( c16 d) d\( \tuplet 3/2 { \grace { d[ es] } d16[ c d] }
  f16 es es8\)\noBeam r g,
  \appoggiatura { d'16 } c8. c16 \tuplet 3/2 { b16 a b des c b } c4. r8
  b4. ( a16 b d4.. c16 b4 ) r8 < d b>-. r < f d >-. r < as f >-.
  r < g es >->-. r < ges es >->-. r < f d >->-. r < d b >->-.
  \tuplet 3/2 {
    r16 f,( b d b f) r d( f b f d)
    r b( d f d b)
    \voiceOne
    \change Staff = down r f b d b f
  }
  < f b d >2\fermata \change Staff=up r
  \bar "|."
}

dfb = \relative c {
  d16( f b d b f)
}
egb = \relative c {
  e16( g b e b g)
}
dgb = \relative c {
  d16( g b d b g)
}
esgb = \relative c {
  es( g b es b g)
}
esgc = \relative c {
  es( g c es c g)
}
esfa = \relative c {
  es16( f a es'! a, f)
}
efa = \relative c {
  e16( f a e' a, f)
}
ebc = \relative c {
  e16( b' c e c b)
}

ten = \relative c {
  \key b \major
  \clef bass
  \repeat unfold 8 { < b b, >8 r }
  \tupletSpan 8
  \omit TupletBracket
  \omit TupletNumber
  \tuplet 3/2 {
    \dfb \egb \dfb \esfa
    \dgb \dgb \esgc \override Accidental.transparent = ##t \esfa \revert Accidental.transparent
    \dfb \dfb d16( fis b d b fis) \dgb
    \egb e( g a cis a g) es( fis a es'! a, fis)
    es( fis a \once \override Accidental.transparent = ##t es'! a, fis)
    \dgb \ebc f( a c
  }
  f8)\noBeam < h, f d > g,\noBeam
  \tuplet 3/2 {
    c16( f a c a f) \ebc \repeat unfold 2 { c( f a c a f) }
    \override Accidental.transparent = ##t
    \esfa \esfa \dfb \dfb
    \esfa \esfa \revert Accidental.transparent \dgb \dgb
    es16( f a c a f) d( fis a c a fis) \esgc \esgc
    c( es g c g es) e( b' des e des b)
    f( a c f c a) f( a es' f es a,)
    \dfb \ebc \dfb  es16( f a es'! a, f)
    \override Accidental.avoid-slur = #'inside
    \dfb \dfb \dfb d( as' b d b as)
    \esgb es( ges a \once \override Accidental.transparent = ##t es'! a, ges)
    \dfb \dfb
  }
  b,8 r b' r f r d r \voiceTwo
  < b b, >2\fermata r
}

Struktur =
{
  \override Score.NonMusicalPaperColumn.page-break-permission = ##f
  \override Score.SpacingSpanner.common-shortest-duration = #(ly:make-moment 1/1)
  \tempo "Adagio"
  \override PianoStaff.VerticalAxisGroup.staff-staff-spacing =
  #'((basic-distance . 12)
    )
  s1 s2 \bar "" s  \bar "||"
  \repeat unfold 5 { s2 \bar "" s } \pageBreak
  \repeat unfold 8 { s2 \bar "" s }
}

kopf=\header {
  title = "Ave Maria"
  subtitle = "B-Dur op. 52,4 D 839"
  composer = "M: Franz Schubert"
  opus = \markup \fontsize #-1.5 "Op. 52 &numero;6 D839"
}

mypaper =
\paper {
  top-margin = 20\mm
  bottom-margin = 20\mm
  line-width = 170\mm
  footnote-separator-markup = ##f
}

\bookpart {
  \mypaper
  \kopf
  \score
  {
\bookpart {
  \mypaper
  \kopf
  \score
  {
    \orgel \sop { } \ten { } \Struktur c
    \layout {
      #(layout-set-staff-size 22)
    }
  }
}

sop = \relative c' {
  \time 4/4
  \key b \major
  \numericTimeSignature
  %\override TupletBracket.bracket-visibility = #'if-no-beam
  \tupletSpan 8
  \tuplet 3/2 {
    \repeat unfold 2 { r16 f( b d b f) }
    \omit TupletNumber
    \omit TupletBracket
    r b( d f d b) r d( f as f d)
    r b( es g es b) r a( es' ges es a,)
    r b( d f d b) r f( b d b f)
  }
  b4. ( a16 b d4.. c16 b4 ) r
  c8.( d32 c b16 a g a b4 ) r
  d8. c32 b a16 g d' e
  d4 cis8. a16 c8. b16
  \tuplet 3/2 { a c d es c a }
  b4. d16 c c8. a16
  \tuplet 3/2 { g h d f d h }
  c4 ~ \tuplet 3/2 { c16[ g a b \grace { c32[ b] } a16 g] }
  f4 r8 f\(
  c'8. c16 c16. h32 c16. d32 c16. d32 b8\) r b\(
  c8. c16 \tuplet 3/2 { c h c es d c } b4\) r8 b
  c8.( c16 d) d\( \tuplet 3/2 { \grace { d[ es] } d16[ c d] }
  f16 es es8\)\noBeam r g,
  \appoggiatura { d'16 } c8. c16 \tuplet 3/2 { b16 a b des c b } c4. r8
  b4. ( a16 b d4.. c16 b4 ) r8 < d b>-. r < f d >-. r < as f >-.
  r < g es >->-. r < ges es >->-. r < f d >->-. r < d b >->-.
  \tuplet 3/2 {
    r16 f,( b d b f) r d( f b f d)
    r b( d f d b)
    \voiceOne
    \change Staff = down r f b d b f
  }
  < f b d >2\fermata \change Staff=up r
  \bar "|."
}

dfb = \relative c {
  d16( f b d b f)
}
egb = \relative c {
  e16( g b e b g)
}
dgb = \relative c {
  d16( g b d b g)
}
esgb = \relative c {
  es( g b es b g)
}
esgc = \relative c {
  es( g c es c g)
}
esfa = \relative c {
  es16( f a es'! a, f)
}
efa = \relative c {
  e16( f a e' a, f)
}
ebc = \relative c {
  e16( b' c e c b)
}

ten = \relative c {
  \key b \major
  \clef bass
  \repeat unfold 8 { < b b, >8 r }
  \tupletSpan 8
  \omit TupletBracket
  \omit TupletNumber
  \tuplet 3/2 {
    \dfb \egb \dfb \esfa
    \dgb \dgb \esgc \override Accidental.transparent = ##t \esfa \revert Accidental.transparent
    \dfb \dfb d16( fis b d b fis) \dgb
    \egb e( g a cis a g) es( fis a es'! a, fis)
    es( fis a \once \override Accidental.transparent = ##t es'! a, fis)
    \dgb \ebc f( a c
  }
  f8)\noBeam < h, f d > g,\noBeam
  \tuplet 3/2 {
    c16( f a c a f) \ebc \repeat unfold 2 { c( f a c a f) }
    \override Accidental.transparent = ##t
    \esfa \esfa \dfb \dfb
    \esfa \esfa \revert Accidental.transparent \dgb \dgb
    es16( f a c a f) d( fis a c a fis) \esgc \esgc
    c( es g c g es) e( b' des e des b)
    f( a c f c a) f( a es' f es a,)
    \dfb \ebc \dfb  es16( f a es'! a, f)
    \override Accidental.avoid-slur = #'inside
    \dfb \dfb \dfb d( as' b d b as)
    \esgb es( ges a \once \override Accidental.transparent = ##t es'! a, ges)
    \dfb \dfb
  }
  b,8 r b' r f r d r \voiceTwo
  < b b, >2\fermata r
}

Struktur =
{
  \override Score.NonMusicalPaperColumn.page-break-permission = ##f
  \override Score.SpacingSpanner.common-shortest-duration = #(ly:make-moment 1/1)
  \tempo "Adagio"
  \override PianoStaff.VerticalAxisGroup.staff-staff-spacing =
  #'((basic-distance . 12)
    )
  s1 s2 \bar "" s  \bar "||"
  \repeat unfold 5 { s2 \bar "" s } \pageBreak
  \repeat unfold 8 { s2 \bar "" s }
}

kopf=\header {
  title = "Ave Maria"
  subtitle = "B-Dur op. 52,4 D 839"
  composer = "M: Franz Schubert"
  opus = \markup \fontsize #-1.5 "Op. 52 &numero;6 D839"
}

mypaper =
\paper {
  top-margin = 20\mm
  bottom-margin = 20\mm
  line-width = 170\mm
  footnote-separator-markup = ##f
}

\bookpart {
  \mypaper
  \kopf
  \score
  {
\bookpart {
  \mypaper
  \kopf
  \score
  {
    \orgel \sop { } \ten { } \Struktur c
    \layout {
      #(layout-set-staff-size 22)
    }
  }
}