Gabenbereitung instrumental

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Lilypond-Code

\version "2.20.0"
\language "deutsch"
make-midi-list =
#(define-void-function (name score tempolist)
   ((string? #f) ly:score? list?)
   (for-each
    (lambda (tempo)
      (ly:book-process
       (apply
        ly:make-book
        $defaultpaper
        $defaultheader
        (list score))
       $defaultpaper
       #{
         \midi {
           \tempo 4 = $tempo
         }
       #}
       (format #f "~a_~a"
         (or name "midi")
         tempo)))
    tempolist))

#(define ((chord-name->german-markup-text-alteration B-instead-of-Bb) pitch lowercase?)

   (define (pitch-alteration-semitones pitch)
     (inexact->exact (round (* (ly:pitch-alteration pitch) 2))))

   (define (conditional-string-downcase str condition)
     (if condition
         (string-downcase str)
         str))

   (let* ((name (ly:pitch-notename pitch))
          (alt-semitones  (pitch-alteration-semitones pitch))
          (n-a (if (member (cons name alt-semitones) `((6 . -1) (6 . -1)))
                   (cons 7 (+ (if B-instead-of-Bb 1 1) alt-semitones))
                   (cons name alt-semitones))))
     (make-line-markup
      (list
       (make-simple-markup
        (conditional-string-downcase
         (vector-ref #("C" "D" "E" "F" "G" "A" "H" "B") (car n-a))
         lowercase?))
       (let ((alteration (/ (cdr n-a) 2)))
         (cond
          ((and (equal? lowercase? #f) (= alteration FLAT) (= (car n-a) 7)) (make-simple-markup ""))
          ((and (= alteration FLAT) (or (= (car n-a) 5) (= (car n-a) 2) )) (make-simple-markup "s"))
          ((= alteration FLAT) (make-simple-markup "es"))
          ((and (= alteration DOUBLE-FLAT) (or (= (car n-a) 5)(= (car n-a) 2) )) (make-simple-markup "ses"))
          ((= alteration DOUBLE-FLAT) (make-simple-markup "eses"))
          ((= alteration SHARP) (make-simple-markup "is"))
          ((= alteration DOUBLE-SHARP) (make-simple-markup "isis"))
          (else empty-markup)))))))

#(define germanChords (chord-name->german-markup-text-alteration #t))

\layout {
  \context {
    \Voice
    beamExceptions = #'()
    \override BreathingSign.text =
    \markup { \musicglyph #"scripts.lvarcomma" }
    \override Stem.neutral-direction = #down
    \override Script.outside-staff-priority = #'()
    \override Script.padding = #1
    \override Tie.thickness = #1
    \override PhrasingSlur.thickness = #3
    \override Rest.voiced-position = #0
    \override MultiMeasureRest.expand-limit = #3
  }
  \context {
    \Staff
    printPartCombineTexts = ##f
    beamExceptions = #'()
    \override BreathingSign.text =
    \markup { \musicglyph #"scripts.lvarcomma" }
    \override InstrumentName.font-features = #'("smcp")
  }
  \context {
    \Score
    \override VerticalAxisGroup.remove-first = ##t
    skipBars = ##f
    \override MetronomeMark.font-size = #1
    \override MetronomeMark.font-shape = #'caps
    \override BarLine.thick-thickness = 5
    \override Timing.beamExceptions = #'()
    barNumberVisibility = #all-bar-numbers-visible
    \override BarNumber.color = #(rgb-color 0.7 0.7 0.7)
    \override BarNumber.layer = #-200
    \override BarNumber.padding = #0.4
    \override BarNumber.outside-staff-priority =#'()
    \override BarNumber.after-line-breaking = ##f
    \override BarNumber.font-size = #-1
    \override BarNumber.font-series = #'bold
    \override BarNumber.self-alignment-X = #0
    \override BarNumber.break-visibility = #end-of-line-invisible
  }
  \context {
    \ChordNames
    chordNameLowercaseMinor = ##f
    \remove Staff_performer
    chordRootNamer = #germanChords
    \override ChordName.font-name = #"Orator10 BT"
    chordNoteNamer = #(chord-name->german-markup #f)
    \override ChordName.X-offset =
    #ly:self-alignment-interface::aligned-on-x-parent
    \override ChordName.self-alignment-X = #CENTER
    \override ChordName.font-name = #"Arial Narrow"
    \override ChordName.layer = #2
    \override ChordName.font-size = #-0.5
    noChordSymbol = ##f
  }
  \context {
    \Lyrics
    \override VerticalAxisGroup.staff-affinity = #CENTER
  }
} mycomp=\markup \line \fontsize #0 {
  "M: Franz Schubert (1797-1828)"
}

sop = \relative c'' {
  \time 6/8
  \key c \major
  \override Score.RehearsalMark.break-align-symbols = #'(time-signature)
  \override Score.TimeSignature.break-align-anchor-alignment = #CENTER
  \mark \markup { \fontsize #-3.5 \note #"4" #UP }
  \autoBeamOff
  %\override Score.NoteColumn.ignore-collision = ##t
  g4 e8 g8 f e8
  g c4 c4 c8
  c4. h4 r8
  d4 e8 d4 d8
  d4 h8 d c h
  c h a h4.
  g4 e8 g8 f e8
  g8 c4 c c8
  c4. h
  g4 a8 c b a
  a8 c4 b g8
  a4. r4 r8
  g8 a b a b c
  c8 a4 b g8
  f4. r4 r8
  e4 g8 g f e
  g8 f4 d4.
  c2.
  \bar "|."
}

alt = \relative c' {
  e4 c8 e8 d c8
  e e4 e4 fis8
  g4. g4 s8
  g4 g8 g4 fis8
  h4 g8 h a g
  a g fis g4.
  e4 c8 e8 d c8
  e8 e4 fis fis8
  g4. g
  e4 f8 a g f
  f8 f4 e e8
  f4. s
  e8 f g f g a
  f8 f4 e e8
  c4. s
  c4 e8 e d c
  cis8 d4 h4.
}

ten = \relative c' {
  \key c \major
  g4. g
  c ~ c4 d8
  e4. d4 r8
  h4.
  h4 c8
  h4. d
  fis, h
  g g
  c dis
  e4. d
  g, f
  f g 
  f4. r4 r8
  g4. c ~
  c g4. a r4 r8
  g4. c
  e,8 f4 ~ f4.
  e2.
}

bas = \relative c {
  \clef bass
  c4. c
  c a'
  g4. g4 s8
  g4. g4 a8
  g4. d
  d d
  c c
  c a'
  g2. 
  c,4. ~ c
  c ~ c c s
  c ~ c a' c, f s
  c c
  r8 r4 g4.
  c2.
}

Akk=
\chordmode {
  c2.
  c4. c4 d8:7
  c4 g8 s4.
  g4 c8
  g4 d8:7
  g2.
  d4.:7 g
  c2.
  c4. a:dim
  c g
  c f
  f c:7
  f s
  c f
  f c:7 f s
  c s
  cis8:dim f4 f4.:7
  c
}

Struktur =
{
  \override Score.NonMusicalPaperColumn.page-break-permission = ##f
  \override PianoStaff.StaffGrouper.staff-staff-spacing.padding = #6
  \override Score.SpacingSpanner.common-shortest-duration = #(ly:make-moment 1/16)
}

kopf=\header {
  title = \markup \line
  {
    "Gabenbereitung instrumental"
  }
  subtitle = "angelehnt an: „Du gabst, o Herr, mir Sein und Leben“"
  subsubtitle = ##f

  composer = ##f
  poet = "Notensatz: lilypond.miraheze.org"
}

%zz=
\bookpart {
  \paper {
    top-margin = 35\mm
    ragged-right = ##f
    ragged-last = ##f
    ragged-bottom = ##f
    ragged-last-bottom = ##f
    bottom-margin = 25\mm
    indent = #0
    line-width = 150\mm
    print-all-headers = ##f
    #(include-special-characters)
    print-first-page-number = ##t
    first-page-number = #1
    oddFooterMarkup = ##f
    evenFooterMarkup = ##f
    oddHeaderMarkup = #oddFooterMarkup
    evenHeaderMarkup = #evenFooterMarkup
    markup-system-spacing.padding = #6
    system-system-spacing.padding = #6
    markup-markup-spacing.padding = #6
  }
  \kopf
  \score
  {
    <<
      \new ChordNames \Akk
      \new PianoStaff="leadsheet"
      <<
        \new Staff="Discant"
        <<
          \new Voice="Alt" { \voiceOne \sop }
          \new Voice { \voiceTwo \alt }
        >>
        \new Staff="Bass"
        <<
          \new Voice { \voiceOne \ten }
          \new Voice { \voiceTwo \bas }
          \new NullVoice \Struktur
        >>
      >>
    >>
  }
}